Sentences with phrase «enamel on aluminum»
James Siena, Battery 1997 enamel on aluminum 29-1/8 x 22-3/4» courtesy of the artist and Pace Gallery.
http://figureground.org/
Enamel on aluminum with steel bolts.
James Siena, The Wickets, 1997 enamel on aluminum 19 ″ x 15 ″, courtesy of the artist and Pace Gallery.
James Siena, Recursive Dented Lobes, 2006 - 2014 enamel on aluminum 19-1/4 ″ x 15-1/8 ″ courtesy of the artist and Pace Gallery
BEATRIZ MILHAZES Marola Aluminum, brass, copper, acrylic, hand - painted enamel on aluminum, stainless steel, polyester flowers 100 x 72 x 56 in.
INGRID CALAME From # 265 Drawing (Tracings from the Indianapolis Motor Speedway and the L.A. River), 2007 Enamel on aluminum 60 X 36 inches
BEATRIZ MILHAZES Mariola Aluminum, brass, copper, acrylic, hand - painted enamel on aluminum, polyester and paper flowers, foiled paper, woodblock, screenprint 89 x 42 x 32 in.
She is back with a series of enamel on aluminum paintings.
The exhibition continues next door at 526 West 22nd Street with an installation of thirty - six small square paintings spontaneously executed in a variety of media, as well as larger enamel on aluminum paintings, whose sleek, spare surfaces portray familiar characters from the 1995 film Toy Story.
James Hoff, Concept Virus # 1, 2013, Enamel on aluminum, 32 x 24 inches.
MICHELLE GRABNER AND BRAD KILLAM Oyster # 5 2013 - 14 Wood, galvanized steel, flashe on panel, fabric on panel, silver and gesso on panel, framed type c print, oil on canvas, enamel on aluminum, oiled wood, various fasteners 98 x 96 x 6 in.
Tom Wesselmann Smoker (Maquette) Tom Wesselmann Smoker (Maquette) Enamel on Aluminum Signed and Numbered 11 x 31.9 x 13.9 inches Edition of 15 1981
Enamel on aluminum, 19 1/2 x 15 1/4 in.
For more information about Donald Judd: Works in Granite, Cor - ten, Plywood, and Enamel on Aluminum, please contact the press office at The Pace Gallery at 212.421.3292.
The Pace Gallery is pleased to present Donald Judd: Works in Granite, Cor - ten, Plywood, and Enamel on Aluminum, featuring thirteen wall and floor pieces from 1978 through 1992.
The artist began working with enamel on aluminum in 1984, when he had the Lehni factory in Switzerland bend thin sheets of the material — a process previously used to create furniture — for a temporary exhibition outdoor in the Merian Park, outside Basel.
Six wall mounted enamel on aluminum works from 1985 fabricated at Lehni AG (Switzerland), and a work each fabricated at Studer (Switzerland), 1987, and Lascaux Materials Ltd. (New York), 1989, will also be on view in this exhibition.
Judd's work with enamel on aluminum greatly expanded his palette of industrial colors, which had previously been restricted to the colors of anodized metal and Plexiglas.
Admired for its «drippiness,» said Alexander Rotter, the co-head of worldwide contemporary art at Sotheby's, the enamel on aluminum painting from the artist's most coveted series had been valued at $ 12 million to $ 18 million.
From left, an enamel on metal titled «Big Bang» (2012), enamel on metal titled «Not in These Shoes» (2013) and enamel on aluminum titled «Public Eye» (2013).
The square is the foundation for James Siena's enamel on aluminum paintings from 2009, as his visual algorithms cascade into dizzying, pulsating patterns.
In his algorithmic enamel on aluminum paintings, Siena imposes a set of rules on his process, yet he pushes the limits of these rules through his handmade moves, balancing what he refers to as Dionysian and Apollonian impulses.
Enamel on aluminum, 108 x 72 inches (274.3 x 182.9 cm).
Granite, Cor - Ten, Plywood, and Enamel on Aluminum, featuring thirteen wall and floor pieces from 1978 through 1992 by Donald Judd is on view until March 26th, at the Pace Gallery, 534 West 25th Street, New York.
Images from top to bottom: Installation view of Don Judd, Green Gallery, New York, December 17, 1963 - January 11, 1964; Poster for Don Judd, Green Gallery, New York, December 17, 1963 - January 11, 1964; Donald Judd, untitled, 1963, cadmium red light and black oil on wood with galvanized iron and aluminum; Donald Judd, untitled, 1963, cadmium red light oil on wood and purple enamel on aluminum.
Enamel on aluminum panel, stainless steel bolts, 60 x 40 inches
The exhibition will consist of twelve paintings, each approximately 7 x 5 feet, painted in high - gloss enamel on aluminum panels.
• Tom Wesselmann (American, 1931 - 2004), Barn behind Beechwoods, 1990, enamel on aluminum, 38 x 98».
The exhibition consists of a series of seven brightly colored abstract paintings made in Hume's signature enamel on aluminum panels.
The artist began working with enamel on aluminum in 1984, when he commissioned Lehni AG in Switzerland to construct works by bending and riveting thin sheets of the material, a process Judd previously used to create furniture.
The Pace Gallery Presents Donald Judd: Works in Granite, Cor - ten, Plywood, and Enamel on Aluminum, February 18 — March 26, 2011, Pace Gallery, New York.
Judd's work with enamel on aluminum greatly expanded his palette of colors, which had previously been restricted to the colors of anodized metal and Plexiglas, and led to the use of more than two colors in an individual artwork.
Gilliam has also worked extensively with multi-panel paintings in enamel on aluminum with plywood structures.»
Not exact matches
ROBERT RAUSCHENBERG, Around the Clock (Urban Bourbon), 1993, acrylic on enameled and anodized aluminum, 185.4 cm x 612.1 cm.
Done in enamel on identically sized aluminum panels, the highly concentrated compositions are the result of a visual algorithm in which the forms increased incrementally in height and width as they moved outward from the central, vertical axis — a narrow, empty space — toward the painting's physical edges.
April 16, 1990 (Unlocking the Secrets of the Universe), 2013 March 23, 1987 (The Nature of the Universe), 2013 Enamel on low - iron mirror, poplar and anodized aluminum 74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM each Installation view, Galerie Frank Elbaz, Paris, France Photo: Zarko Vijatovic
March 23, 1987 (The Nature of the Universe), 2013 Enamel on low - iron mirror, poplar and anodized aluminum 74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM Installation view, Galerie Frank Elbaz, Paris, France Photo: Zarko Vijatovic
Center: Jackson Pollock, Number 27, 1950, Oil, enamel, and aluminum paint on canvas.
, 2013 Enamel on low - iron mirror, poplar and anodized aluminum 74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM Installation view, Mungo Thomson: Time, People, Money, Crickets Contemporary Art Gallery, Vancouver, Canada, 2015 Photo: Scott Massey
April 16, 1990 (Unlocking the Secrets of the Universe), 2013 Enamel on low - iron mirror, poplar and anodized aluminum 74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM Installation view, Galerie Frank Elbaz, Paris, France Photo: Zarko Vijatovic
, 2013 Enamel on low - iron mirror, poplar and anodized aluminum 74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM Installation view, Galerie Frank Elbaz, Paris, France Photo: Zarko Vijatovic
, 2012 Enamel on low - iron mirror, poplar and anodized aluminum 74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM Installation view, Mungo Thomson: Time, People, Money, Crickets SITE Santa Fe, Santa Fe, USA, 2013 Photo: Kate Russell
October 20, 1980 (Carl Sagan), 2012 Enamel on low - iron mirror, poplar and anodized aluminum 74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM Installation view, Mungo Thomson: Time, People, Money, Crickets Contemporary Art Gallery, Vancouver, Canada, 2015 Photo: Scott Massey
June 14, 2004 (Ronald Reagan 1911 - 2004), 2012 Enamel on low - iron mirror, poplar and anodized aluminum 74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM Installation view, Mungo Thomson: Time, People, Money, Crickets SITE Santa Fe, Santa Fe, USA, 2013 Photo: Kate Russell
, 2013 Enamel and printed vinyl on low - iron mirror, poplar and anodized aluminum 74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM each Installation view, Mungo Thomson: Time, People, Money, Crickets SITE Santa Fe, Santa Fe, USA, 2013 Photo: Eric Swanson
June 14, 2004 (Ronald Reagan 1911 - 2004), 2012 Enamel on low - iron mirror, poplar and anodized aluminum 74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM Installation view, Mungo Thomson: Time, People, Money, Crickets Contemporary Art Gallery, Vancouver, Canada, 2015 Photo: Scott Massey
April 22, 2013 (Made in the USA), 2014 Enamel on low - iron mirror, poplar and anodized aluminum 74 x 56 x 2.5 inches / 188 x 142 x 6.5 CM Installation view, Theories on Forgetting Gagosian Gallery, Beverly Hills, USA, 2015 Photo: Jeff McLane, courtesy Gagosian Gallery
His word painting «Untitled» (1990 - 1991), in enamel and graphite on aluminum, which begins with «THESHOWISO / VERTHE AUDIEN / CEGETUP,» dominates the room devoted to art based on language and advertising, which includes a joke painting by Richard Prince («Nancy to Her Girlfriend,» 1988) and the mock liquor ad, «Come Through with Taste ⎯ Myers's Dark Rum ⎯ Quote Newsweek» (1986) by Jeff Koons.
It is fabricated from oil paint, enamel paint, and alkyd paint on canvas, etched magnesium, aluminum and fiberglass.
Other thematically unrelated but visually cohesive works include a trio of Early Modernist knockoffs from the mid-1980s by Sherrie Levine, which remain conceptually irritating but here look refreshingly, crisply graphic; a 45 - minute video from 1994 by Gary Hill; a 2009 color photograph of a child in a white Levi's t - shirt by Josephine Pryde; some bundled pseudo-newspapers by Robert Gober (1992) and, in a collaboration between Gober and Christopher Wool, a photograph of a girl's dress hanging in a tree (the dress presumably Gober's handiwork; the photograph, Wool's), near one of the latter's enamel - on - aluminum pattern paintings.