Sentences with phrase «enamel on canvas on»

Not exact matches

George Shaw, The Rude Screen, 2015 - 2016, Enamel on canvas, 178.5 × 198 cm.

George Shaw, The School of Love, 2015 - 2016, Enamel on canvas, 46 × 55 cm.

George Shaw, Every Brush Stroke is Torn Out of My Body, 2015 - 2016, Enamel on canvas, 178.5 × 198 cm.

You employ a range of materials in your paintings — including Flashe, acrylic, enamel, ink, silk, Mylar, paper, on canvas.

Water - based paint, enamel, graphite, newspaper, tissue paper, and mirror on canvas, 30 x 41 in.

Flying Carpet with Magic Mirrors for a Distorted Nation 2013 Cel - vinyl, spray enamel on canvas over wood panel 108 x 360 1/8 inches (274.3 x 914.7 cm)

Untitled Spray Portrait with Painted Eye, Red Purple Drip, a Staple, a Rip and a BB Hole / 2011 / oil, acrylic, enamel and pastel on canvas / 72» x» 48» / $ 7,000

Where Pollock had used enamel that rested on raw canvas like skin, Ms. Frankenthaler poured turpentine - thinned paint in watery washes onto the raw canvas so that it soaked into the fabric weave, becoming one with it.

Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv

THORNTON DIAL SR., «Top of the Line (Steel),» 1992 (mixed media: enamel, unbraided canvas roping, and metal on plywood).

Still Life with BB Holes, Painted Pear and Learn to Draw Rodent / 2015 / oil, acrylic, enamel, spray paint, ink, gesso, and mud with polymer medium and smoke stain on canvas / 48» x 36» / PLS INQ

Two Line Spray Portrait with Painted Eye and Four White Stripes / 2012 / Oil enamel and spray paint on canvas / 96» x 60» / PLS INQ

He then used paint pouring as one of several techniques on canvases, such as «Male and Female» and «Composition with Pouring I.» After his move to Springs, he began painting with his canvases laid out on the studio floor, and he developed what was later called his «drip» technique, turning to synthetic resin - based paints called alkyd enamels, which, at that time, was a novel medium.

Flying Carpet with Petri Dishes for a Disturbed Nation 2013 Cel - vinyl, spray enamel on canvas over wood panel 108 x 360 1/4 inches (274.3 x 915 cm)

September 8 — October 8, 2007 Sharon Brant, Untitled, 2000 Enamel on canvas under handmade glass, framed, 24 x 24 x 2.25 inches Curated by Kat Griefen, Director of AIR Gallery, from the membership of American Abstract Artists, the artists in Material Matter affirm the group's openness to difference, both in form and theory, and its non-party line approach.

Untitled Spray Portrait with Painted Eye, Four Color Drips, a Rip and Two BB Holes / 2007 / oil, acrylic, enamel, and spray paint on canvas / 60» x 48» / $ 6,000

«thought - form of overlapping sounds of arrival, conception and destination» 2012 Cel - vinyl, spray enamel on canvas over wood panel 88 x 102 inches (223.5 x 259.1 cm)

Untitled Spray Portrait with Painted Eye and Green Drip / 2011 / Oil, acrylic, enamel and spray paint on canvas / 96» x 48» / $ 10,000

Still Life with Orange Drips and Painted Pumpkin / 2015 - 2016 / Oil, acrylic, enamel, spray paint, ink, gesso and mud with polymer medium and smoke stain on canvas / 96» x 60» / $ 12,000

Buntin's fluid paintings in acrylic on canvas and enamel on Plexiglas resonate constant flux.

Thornton Dial, The Beginning of Life in the Yellow Jungle, 2003, plastic soda bottles, doll, clothing, bedding, wire, found metal, rubber glove, turtle shell, artificial flowers, Splash Zone compound, enamel, and spray paint on canvas on wood, 75 «x 9» x 13».

Enamel and oil on canvas, 53 ⅛ x 40 inches.

«thought - form of the beginning and of the ending of identity» 2012 Cel - vinyl, spray enamel on canvas over wood panel 102 x 88 inches (259.1 x 223.5 cm)

Spurred on by a 1960's enamel on paper drawing by sculptor David Smith (1906 - 1965), Wendy White presented a new painting featuring multiple canvases with spray - painted gestures and hints of language.

On the walls he hung the Schleifenbilder, canvases which made use of the photochemical process and manganese, and the Spiegebilde, large - scale paintings made with enamel and gold leaf.

Steven Parrino, Universal Mafia, 1992 Enamel on canvas, 72 x 103 inches September 25 — November 3, 2007 Gagosian Gallery is pleased to announce an exhibition of works by Steven Parrino.

This series of paintings that illustrate this interview are from a 2005 exhibition at Locks Gallery featuring pairs of oil paintings on polygonal - shaped canvases and diptychs of her iconic baked enamel steel plate paintings.

Center: Jackson Pollock, Number 27, 1950, Oil, enamel, and aluminum paint on canvas.

For more than a year he worked on what became known as his Black Paintings: large, aggressive canvases covered with stripes of black enamel paint that formed repetitive, rippling patterns.

© Laura Owens; Laura Owens, Untitled, 1995, acrylic, oil, enamel, ink, and felt - tip pen on canvas, Collection of the artist.

Chris Oatey, Center: at rest, 2012, paper, rope, acrylic, enamel, 108» x 26» x 24» Upper Right: mirage painting (black / white), 2012, enamel on canvas, 34» x 30»

Acrylic, bleach, enamel, latex, and paper collage on cut, draped, and sewn cloth and canvas; oil and spray paint on two leaning canvases; found objects.

Oil, resin, and enamel on canvas.

FAHAMU PECOU, «Even in Darkness,» 2016 (acrylic, enamel, spray paint and gold leaf on canvas).

Oil and enamel on canvas mounted to four shaped wood boards joined with eight painted metal supports, 87 x 61 3/4 x 1 5/8 inches.

It is fabricated from oil paint, enamel paint, and alkyd paint on canvas, etched magnesium, aluminum and fiberglass.

Image: Lorser Feitelson, Hardedge Line Painting, 1963, Enamel on canvas, 72 x 60 in.

I used black enamel on raw canvas because I liked the way the paint was absorbed by the cotton duck — and it was cheap!

Christopher Wool (b. 1955) Untitled signed and dated «Wool 2003» (on the stretcher); signed again and dated again «Wool 2003» (on the overlap) enamel and silkscreen ink on canvas 78 x 60 in.

Willem de Kooning, Composition, oil, enamel and charcoal on canvas, 1955.

Stingel's recipe describes how to whip a brightly - colored oil paint with a kitchen hand mixer, brush it onto the canvas, lay a sheet of gauze over it, rub with a squeegee, spray on silver enamel paint with an air gun, and then remove the gauze to reveal the finished painting.

EDDIE MARTINEZ Restartation 2015 Oil, silkscreen ink, enamel and spray paint on canvas.

Loop) Loop Painting 2016 (96 x 96 in.; Synthetic polymer and oil enamel on canvas)

The new ones were just black enamel on raw canvas.

Molly Zuckerman - Hartung Nefertiti's Tomb 2013 oil, acrylic, spray paint, latex, enamel, and detritus, on two adjoined canvases 36 1/4 x 42 1/4 inches

In the large enamel and oil on canvas, Number 7, 1952, one can see not only a head, but also Pollock's own footprint in the upper right corner, and the exhibition catalogue points out that Pollock's re-engagement with more overtly figurative work may have been due in part to his time staying at Ossorio's home.

Molly Zuckerman - Hartung History Painting for the New Queer Subject 2017 dye, acrylic, enamel, paper, ink, rope, wood, and mixed media on canvas 65 x 80 inches

Gallop and Mulvey, 2013, acrylic, oil, and raw pigment on canvas; hinged to iron - on, spraypaint, and enamel on linen, 72 x 50 and 74 x 48 inches

Image: Molly Zuckerman - Hartung, Adulterate, 2013, acrylic, bleach, enamel, latex, and paper collage on cut, draped, and sewn cloth and canvas; oil and spray paint on two leaning canvases; found objects, 95 x 167 x 12 inches (hanging)

Molly Zuckerman - Hartung Light Studies 2015 enamel, acrylic, photographs, tissue paper and corrugated cardboard on canvas 22 x 18 inches