Sentences with phrase «enamel on canvas paintings»

Apart from enamel on canvas paintings the exhibit will feature a selection of archival documents related to the series, including an original 1960s Ducolux paint sample card that inspired the artworks.

The exhibition includes nine enamel on canvas paintings made between 1961 and 1964.

Not exact matches

You employ a range of materials in your paintings — including Flashe, acrylic, enamel, ink, silk, Mylar, paper, on canvas.

Water - based paint, enamel, graphite, newspaper, tissue paper, and mirror on canvas, 30 x 41 in.

Untitled Spray Portrait with Painted Eye, Red Purple Drip, a Staple, a Rip and a BB Hole / 2011 / oil, acrylic, enamel and pastel on canvas / 72» x» 48» / $ 7,000

Where Pollock had used enamel that rested on raw canvas like skin, Ms. Frankenthaler poured turpentine - thinned paint in watery washes onto the raw canvas so that it soaked into the fabric weave, becoming one with it.

Cueva de El Castillo, Puente Viesgo, Spain Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Panel of Hands, photo: Pedro Saura Cueva de El Castillo, Corridor of Disks, photo: Pedro Saura Hologram, Museo Nacional de Altamira, Santillana del Mar, Spain, photo: Estudio Nómada Inside Conellante, Matienzo, Spain, 2010, photo: Randee Silv El Pendo, entrance, 2010, photo: Randee Silv Pech Merle, Cabrerets, France, photo: Steve Errede, Dept. of Physics, University of Illinois Airbrushing, photo: Don Hitchcock, Don's Maps Finger Flutings, Grotte de Rouffignac, France, photo: Kevin Sharpe & Leslie Van Gelder Untitled, Alice Rahon, 1945, watercolor, 10 x 8», photo: Creighton - Davis GallerY L'Enclume, Wolfgang Paalen, 1952, oil & fumage, 53 x 74», photo: Artsy.net Message, No. 8, Mathias Goeritz, 1959, gold paint, perforated steel, pushpins on board, photo: Arevalo Gallery Conference Poster 1950, Willi Baumeister, Centro de Arte Riena Sofia, Madrid, photo: Randee Silv Altamira, Joan Miró, 1958, lithograph, photo: Quittenbaum Auction House, Munich Joan Miró & Josep Llorens Artigas, Altamira, 1957, photo: Fundación Botín, Santander, Spain Patterns of Aranjuez, 1955, N. H. Stubbing, oil on canvas, 78 x 69 ″, photo: England & Co, London Cave of Black, Herman Cherry, 1954, enamel / coffee grinds on canvas, 61 x49 ″, David Findlay Gallery, photo: Randee Silv Untitled, Denny Winters, 1982, photo: Gamage Auction House, Rockland, Maine Before the Caves, Helen Frankenthaler, 1958, oil on unprimed canvas, 102 x 104 ″, photo: Berkeley Art Museum The Homely Protestant, Robert Motherwell, 1946, oil on masonite, 98 X 48 ″, photo: Metropolitian Museum Cave Study (Perigord Region), Elaine de Kooning 1983, segment, photo: Artvalue.com Lascaux Cave, France, closeup of Megalaceros section, photo: Wikimedia commons Untitled 1963, David Smith, spray enamel on paper, 14 x 19 ″, photo: David Smith Estate Chauvet Cave, Vallon - Pont - d'Arc, France, photo: Dr. Jean Clottes Exhibition poster, Miguel Barceló, Institut Valencià d'Art Modern, 1995 photo: Michel Fillon Gallery, Paris Stages of Trance, photo: David Lewis - Williams, Inside the Neolithic Mind Pareidolia, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv Blackness, Conellante Cave, 2010, Matienzo, Spain, photo: Randee Silv

Still Life with BB Holes, Painted Pear and Learn to Draw Rodent / 2015 / oil, acrylic, enamel, spray paint, ink, gesso, and mud with polymer medium and smoke stain on canvas / 48» x 36» / PLS INQ

Two Line Spray Portrait with Painted Eye and Four White Stripes / 2012 / Oil enamel and spray paint on canvas / 96» x 60» / PLS INQ

He then used paint pouring as one of several techniques on canvases, such as «Male and Female» and «Composition with Pouring I.» After his move to Springs, he began painting with his canvases laid out on the studio floor, and he developed what was later called his «drip» technique, turning to synthetic resin - based paints called alkyd enamels, which, at that time, was a novel medium.

Untitled Spray Portrait with Painted Eye, Four Color Drips, a Rip and Two BB Holes / 2007 / oil, acrylic, enamel, and spray paint on canvas / 60» x 48» / $ 6,000

Untitled Spray Portrait with Painted Eye and Green Drip / 2011 / Oil, acrylic, enamel and spray paint on canvas / 96» x 48» / $ 10,000

Still Life with Orange Drips and Painted Pumpkin / 2015 - 2016 / Oil, acrylic, enamel, spray paint, ink, gesso and mud with polymer medium and smoke stain on canvas / 96» x 60» / $ 12,000

Buntin's fluid paintings in acrylic on canvas and enamel on Plexiglas resonate constant flux.

Thornton Dial, The Beginning of Life in the Yellow Jungle, 2003, plastic soda bottles, doll, clothing, bedding, wire, found metal, rubber glove, turtle shell, artificial flowers, Splash Zone compound, enamel, and spray paint on canvas on wood, 75 «x 9» x 13».

Spurred on by a 1960's enamel on paper drawing by sculptor David Smith (1906 - 1965), Wendy White presented a new painting featuring multiple canvases with spray - painted gestures and hints of language.

On the walls he hung the Schleifenbilder, canvases which made use of the photochemical process and manganese, and the Spiegebilde, large - scale paintings made with enamel and gold leaf.

This series of paintings that illustrate this interview are from a 2005 exhibition at Locks Gallery featuring pairs of oil paintings on polygonal - shaped canvases and diptychs of her iconic baked enamel steel plate paintings.

Center: Jackson Pollock, Number 27, 1950, Oil, enamel, and aluminum paint on canvas.

For more than a year he worked on what became known as his Black Paintings: large, aggressive canvases covered with stripes of black enamel paint that formed repetitive, rippling patterns.

Chris Oatey, Center: at rest, 2012, paper, rope, acrylic, enamel, 108» x 26» x 24» Upper Right: mirage painting (black / white), 2012, enamel on canvas, 34» x 30»

Acrylic, bleach, enamel, latex, and paper collage on cut, draped, and sewn cloth and canvas; oil and spray paint on two leaning canvases; found objects.

FAHAMU PECOU, «Even in Darkness,» 2016 (acrylic, enamel, spray paint and gold leaf on canvas).

Oil and enamel on canvas mounted to four shaped wood boards joined with eight painted metal supports, 87 x 61 3/4 x 1 5/8 inches.

It is fabricated from oil paint, enamel paint, and alkyd paint on canvas, etched magnesium, aluminum and fiberglass.

Image: Lorser Feitelson, Hardedge Line Painting, 1963, Enamel on canvas, 72 x 60 in.

I used black enamel on raw canvas because I liked the way the paint was absorbed by the cotton duck — and it was cheap!

Stingel's recipe describes how to whip a brightly - colored oil paint with a kitchen hand mixer, brush it onto the canvas, lay a sheet of gauze over it, rub with a squeegee, spray on silver enamel paint with an air gun, and then remove the gauze to reveal the finished painting.

EDDIE MARTINEZ Restartation 2015 Oil, silkscreen ink, enamel and spray paint on canvas.

Loop) Loop Painting 2016 (96 x 96 in.; Synthetic polymer and oil enamel on canvas)

Molly Zuckerman - Hartung Nefertiti's Tomb 2013 oil, acrylic, spray paint, latex, enamel, and detritus, on two adjoined canvases 36 1/4 x 42 1/4 inches

Molly Zuckerman - Hartung History Painting for the New Queer Subject 2017 dye, acrylic, enamel, paper, ink, rope, wood, and mixed media on canvas 65 x 80 inches

Image: Molly Zuckerman - Hartung, Adulterate, 2013, acrylic, bleach, enamel, latex, and paper collage on cut, draped, and sewn cloth and canvas; oil and spray paint on two leaning canvases; found objects, 95 x 167 x 12 inches (hanging)

Molly Zuckerman - Hartung Necessary Convolutions 2007 - 2011 oil, enamel, spray paint, plexiglas on cut canvas 36 x 32 inches

Here, between 1947 and 1951, Pollock made his famous drip paintings, abandoning the easel, laying canvases horizontally on the floor and applying ordinary enamel house paint with the sweep of his arm.

Images: Jackson Pollock, Echo: Number 25, 1951, 1951, enamel paint on canvas, Acquired through the Lillie P. Bliss Bequest and the Mr. and Mrs. David Rokefeller Fund, Museum of Modern Art, New York © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 7, 1951, 1951, enamel on canvas, The National Gallery of Art, Washington, D.C., Gift of the Collectors Committee (1983.77.1) © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Untitled, c. 1949 - 50, painted terracotta, Collection Gail and Tony Ganz, Los Angeles © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Portrait and a Dream, 1953, oil and enamel on canvas, Dallas Museum of Art, gift of Mr. and Mrs. Algur H. Meadows and the Meadows Foundation, Incorporated © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Number 14, 1951, 1951, oil on canvas, Purchased with assistance from the American Fellows of the Tate Gallery Foundation 1988 © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York; Jackson Pollock, Black and White Painting II, c. 1951, oil on canvas, Private Collection © 2015 The Pollock - Krasner Foundation / Artists Rights Society (ARS), New York

Two of Eddie Martinez's silkscreen ink, oil, enamel and spray paint works on canvas — including one that contained chewing gum — went for as much as $ 75,000 each.

Oil and enamel paint on canvas, 68 ″ × 8 ′ 8 ″ (172.7 × 264.2 cm).

Molly Zuckerman - Hartung Adulterate 2013 acrylic, bleach, enamel, latex, and paper collage on cut, draped, and sewn cloth and canvas; oil and spray paint on two leaning canvases; found objects 95 x 167 x 12 inches (hanging)

Nefertiti's Tomb, 2013, oil, acrylic, spray paint, latex, enamel, and detritus, on two adjoined canvases, 36 1/4 x 42 1/4 inches

Molly Zuckerman - Hartung Lurch 2009 - 2014 acrylic, oil, enamel, spray paint on sewn t - shirts, coat liner, wool, canvas and dropcloth 112 x 69 inches

Rob Pruitt, Not yet titled, 2013, Acrylic, enamel paint, and flocking on canvas, from 75 x 60 cm to 80 x 65 cm.

For his exhibition at the gallery, Zinsser will present a new set of oil and enamel paintings on stretched canvas, including several ambitious large - format works.

Long - haired high - heeled budding Asian collectors noted down work by new names such as the charming light - as - air butterfly oil painting at the Grosvenor gallery by Senaka Senanayake and took selfie - souvenirs in front of Love Struck, wrought by D * Face with «enamel and pigment based paint on medium grain cotton duck canvas».

St. Andrew, 2006 oil and enamel on canvas in antiquated frame with gilded ornaments painting: 96 x 84 1/4 inches (243.8 x 214 cm) framed: 110 x 98 inches (279.4 x 248.9 cm) KW - 6

The Egyptian Hat Trick, 1998, water based enamel paint, spackle, charcoal, pencil and crayon on canvas, 72 x 48 inches

The self - portraits are also based on photographic images that have been screenprinted onto canvas; in both groups of paintings, the varying tones of black, gray, and brown enamel are often overprinted several times, simultaneously accentuating and obliterating the contours of the source imagery.

The artist breaks away such divisions and focuses on the creation of the minimal abstract objects — wall - mounted reliefs from foam shapes, which Adian beforehand covers with oil enamel or spray painted canvas.

Enamel and aluminum paint with glass on canvas, 212.1 x 188.9 cm.

The show consists of 11 diptychs: 6 pairs of oil paintings on polygonal - shaped canvases and 5 pairs of painted, baked enamel steel plates.