May 2009 During the month of May, MAC ART Group will be featuring new
encaustic works on canvas by Jacqueline.
Abstract
encaustic work on panel 20 x 20 x 1.5 This square contemporary pattern - based abstract
encaustic work on panel was created by San Francisco - based artist Susan Stover.
Hand dyed indigo silk and encaustic on wood panel 36 x 36 inches This contemporary pattern - based abstract silk and
encaustic work on panel was created by San Francisco - based artist...
Abstract
encaustic work on 2 panels (diptych) Each panel measures 24 x 20 x 1.5 inches (40 inches wide overall) This square contemporary pattern - based abstract
encaustic work on panel was created by San Francisco - based artist Susan Stover.
Abstract
encaustic work on panel 20 x 20 x 1.5 This vertical contemporary pattern - based abstract silk and
encaustic work on panel was created by San Francisco - based artist Susan Sto...
Abstract
encaustic work on panel 20 x 20 x 1.5 This vertical contemporary pattern - based abstract silk and
encaustic work on panel was created by San Francisco - based artist Susan Stover.
Abstract
encaustic work on panel 36 x 24 x 1.5 This vertical contemporary pattern - based abstract
encaustic work on panel was created by San Francisco - based artist Susan Stover.
Abstract
encaustic work on 2 panels (diptych) Each panel measures 24 x 20 x 1.5 inches (40 inches wide overall) This square contemporary pattern - based abstract
encaustic work on pan...
Not exact matches
Subsequent early shows included other artists who used
encaustic, including Wayne Montecalvo, Laura Moriarty, Tracy Spadafora, and Cynthia Winika, who have all made careers teaching workshops
on encaustic and oil sticks and showing their
work.
The artists in this exhibition
work in a variety of media — acrylic
on wood, oil
on canvas, and
encaustic and collage
on wood.
While we are mainly focused
on work in
encaustic here in ProWax, we are not chained to that medium.
David A. Clark has
worked in a variety of media, but it is in the use of
encaustic on handmade papers where he has reached full - stride in his
work.
Stover
works with a cool palette of dark blue / teal, beige, pumpkin orange, and taupe
on white, finishing the
work with an
encaustic wax coating.
Using a «found» Korean action thriller by director Kim Jee Woon, entitled A Bittersweet Life (2005), Webster
works with paint and
encaustic wax
on large and small - scale film stills (computer - generated screenshots), which have been printed onto synthetic and slippery digital canvas.
Evocative and sensual, this sublime Tony Scherman
work on paper is an excellent example of his command of
encaustic and his unique aesthetic.
From left: a grid of nine of my Silk Road paintings, each 12 x 12 inches,
encaustic on panel (I showed earlier
work from this series in a small solo show at the gallery last year); Uttar 238,
encaustic on panel, 36 x 36 inches; an assembled
work on paper by Siri Berg
Abstract,
encaustic painting
on wood panel in white floater frame 12 x 12 x 2.5 inches framed James O'Shea has been praised for years for his
work as a colorist, producing layer upo...
Including RC prints
on panel, hand painted and layered with
encaustic, photogravures and sculptures, The Architect's Brother is the first exhibition in depth in New York of their
works, at the Jack Shainman Gallery.
With some earlier
work and new
work, this sculpture exhibit expands
on her March 2015 award - winning solo show,
Encaustic / Form I, at the Woodstock Art Association Museum, Woodstock, NY.
Also in 2015, the artist and her
work were included in the books Embracing
Encaustic: Mixing Media and Art Students League of New York
on Painting: Lessons and Meditations
on Mediums, Styles, and Methods.
Starting in the late 1980s, Ms. Pijoan's
work began to change from her early sparse and haunting figurative pieces in
encaustic to more complex and exploratory abstract compositions
on canvas and cutout paper.
«I am honored to have my
work chosen to grace their home,» noted Pat, an abstract painter who uses acrylic, mixed media, and
encaustic on canvas or wood.
Left to Right (All
works 2017,
Encaustic and acrylic on wood panel): Cheerwine, 24» x 80» Horn of Plenty (Queen), 36» x 80» Rules of Separation (Lake), 36» x 80» Morning Glory (Pool), 36» x 80» Puritan, 24» x 80» In these encaustic pieces I am trying to make a physical picture of the rhythm and repetition at the heart of ordinary life.photo: Seth Da
Encaustic and acrylic
on wood panel): Cheerwine, 24» x 80» Horn of Plenty (Queen), 36» x 80» Rules of Separation (Lake), 36» x 80» Morning Glory (Pool), 36» x 80» Puritan, 24» x 80» In these
encaustic pieces I am trying to make a physical picture of the rhythm and repetition at the heart of ordinary life.photo: Seth Da
encaustic pieces I am trying to make a physical picture of the rhythm and repetition at the heart of ordinary life.photo: Seth David Rubin
Foreword by James Rosenquist vii Preface by Ira Goldberg viii Acknowledgments x Introduction: Miracle
on 57th Street 1 Part 1: Lessons and Demos 15 Henry Finkelstein: On Painting, with a Critique 17 Mary Beth McKenzie: Painting from Life 27 Ephraim Rubenstein: Painting from Observation 39 Thomas Torak: A Contemporary Approach to Classical Painting 59 Dan Thompson: Learning to Paint the Human Figure from Life 75 Sharon Sprung: Figure Painting from Life in Oils 91 Frederick Brosen: Classic Watercolor Realism 107 Naomi Campbell: Working Large in Watercolor 123 Ellen Eagle: Poetic Realism in Pastel 135 Costa Vavagiakis: The Evolution of a Concept 148 Part 2: Advice and Philosophies 165 William Scharf: Knowing that Miracles Happen 167 Peter Homitzky: Inventing from Observation 181 Charles Hinman: Painting in Three Dimensions 193 Deborah Winiarski: Painting and Encaustic 203 James L. McElhinney: Journal Painting and Composition 213 Part 3: Interviews 229 Frank O'Cain: Abstraction from Nature 231 Ronnie Landfield: On Learning and Teaching 251 Knox Martin: Learning from Old and Modern Masters 269 Concours: Painting and the Public at the Art Students League by Dr. Jillian Russo 282 Index 2
on 57th Street 1 Part 1: Lessons and Demos 15 Henry Finkelstein:
On Painting, with a Critique 17 Mary Beth McKenzie: Painting from Life 27 Ephraim Rubenstein: Painting from Observation 39 Thomas Torak: A Contemporary Approach to Classical Painting 59 Dan Thompson: Learning to Paint the Human Figure from Life 75 Sharon Sprung: Figure Painting from Life in Oils 91 Frederick Brosen: Classic Watercolor Realism 107 Naomi Campbell: Working Large in Watercolor 123 Ellen Eagle: Poetic Realism in Pastel 135 Costa Vavagiakis: The Evolution of a Concept 148 Part 2: Advice and Philosophies 165 William Scharf: Knowing that Miracles Happen 167 Peter Homitzky: Inventing from Observation 181 Charles Hinman: Painting in Three Dimensions 193 Deborah Winiarski: Painting and Encaustic 203 James L. McElhinney: Journal Painting and Composition 213 Part 3: Interviews 229 Frank O'Cain: Abstraction from Nature 231 Ronnie Landfield: On Learning and Teaching 251 Knox Martin: Learning from Old and Modern Masters 269 Concours: Painting and the Public at the Art Students League by Dr. Jillian Russo 282 Index 2
On Painting, with a Critique 17 Mary Beth McKenzie: Painting from Life 27 Ephraim Rubenstein: Painting from Observation 39 Thomas Torak: A Contemporary Approach to Classical Painting 59 Dan Thompson: Learning to Paint the Human Figure from Life 75 Sharon Sprung: Figure Painting from Life in Oils 91 Frederick Brosen: Classic Watercolor Realism 107 Naomi Campbell:
Working Large in Watercolor 123 Ellen Eagle: Poetic Realism in Pastel 135 Costa Vavagiakis: The Evolution of a Concept 148 Part 2: Advice and Philosophies 165 William Scharf: Knowing that Miracles Happen 167 Peter Homitzky: Inventing from Observation 181 Charles Hinman: Painting in Three Dimensions 193 Deborah Winiarski: Painting and
Encaustic 203 James L. McElhinney: Journal Painting and Composition 213 Part 3: Interviews 229 Frank O'Cain: Abstraction from Nature 231 Ronnie Landfield:
On Learning and Teaching 251 Knox Martin: Learning from Old and Modern Masters 269 Concours: Painting and the Public at the Art Students League by Dr. Jillian Russo 282 Index 2
On Learning and Teaching 251 Knox Martin: Learning from Old and Modern Masters 269 Concours: Painting and the Public at the Art Students League by Dr. Jillian Russo 282 Index 286
While Lawrence employed photography and illusionistic devices in his constructions, Gauthier incorporates photographic enlargements of installations in her mixed - media
works, combining these images with
encaustic and graphite
on wood.
The artist will discuss his transition from
works on paper into three - dimensional
work, including
encaustic and metal.
On another visit to his downtown studio in a former bank building at 223 East Houston Street, Jasper was working on his Map (1967 — 71), based on Buckminster Fuller's Dymaxion Airocean World, which he was painting in wax encausti
On another visit to his downtown studio in a former bank building at 223 East Houston Street, Jasper was
working on his Map (1967 — 71), based on Buckminster Fuller's Dymaxion Airocean World, which he was painting in wax encausti
on his Map (1967 — 71), based
on Buckminster Fuller's Dymaxion Airocean World, which he was painting in wax encausti
on Buckminster Fuller's Dymaxion Airocean World, which he was painting in wax
encaustic.
Adams
works on panel and paper, using a mixture of paint,
encaustic and graphite as well as elements of monotype and collage.
Working with
encaustic on panel, Johnson creates seamless color forms whose flat sheen gives little clue to her technical process.
Melt and grate crayons in our take
on Jasper Johns's
encaustic paintings,
working with wax to design a flag that represents you.