Sentences with phrase «encountered in a work of art»

And yet, private as these paintings are, the feelings they expose are as personal as any I have encountered in a work of art — the kind you don't want to spell out because you are not even sure if you can.»

Not exact matches

Meanwhile, the style of thought which Whitehead's relativistic cosmology has developed and which «Whiteheadians» call post-modem encounters us, more or less well - formed, even in the works of other renowned thinkers in the arts and humanities (e.g., Talcott Parsons, Niklas Luhmann, Nelson Goodman, Hans Blumenberg, Reinhart Koselleck).

Ever since we encountered one another's work in the spring of 2011 we have been collaborating on a fusion of art and science.

Steven Spielberg finally won an Oscar for Best Picture and Best Director in 1993, for «Schindler's List,» cementing his bid to be regarded as a serious filmmaker (as if «Close Encounters» and «E.T,» aren't serious works of popular art; but I digress!).

The Independent UK Iceberg Alley: How to Visit the Ferryland Iceberg BBC Travel The Little Pony That Built Newfoundland BBC Travel 50 Reasons to #LoveTheWorld Refinery29 How a Year Abroad Wrecked Me Financially CBC Art Art Encounters on the Edge: This Event is Transforming a Historic Part of Newfoundland CBC NL Meet Some Young Entrepreneurs Bringing New Life to Rural Newfoundland CBC Arts (National) This interactive exhibit is turning Mi» kmaq language lessons into art CBC Arts (National) The unconsidered consequences of Newfoundland and Labrador's book tax Buzzfeed I Let Twitter Run My Life For a Day and Here's What Happened Elite Daily Contributor Trello How to Stay Productive While Working and Traveling Roads and Kingdoms A Hearty Dish For the Gut - Foundered TERN magazine That Moment Urban Adventures A Woman Abroad: Lessons in Going Alone CBC Canada We're not Lazy: Why Gen. Y has Tuned out of the Election Viator Contributor MatadorU Lead Travel Writing Faculty Matador Network The Unravelling of Generations Matador Network Contributing Editor Matador Network Iceland on a Budget Matador Network Notes from a Canadian Seductress Matador Network I went to Ireland to Find my Roots and Discovered I'm Canadian BBC Travel Ireland's Last Seaweed Spas Guide Advisor Freelance Writer Go NOMArt Art Encounters on the Edge: This Event is Transforming a Historic Part of Newfoundland CBC NL Meet Some Young Entrepreneurs Bringing New Life to Rural Newfoundland CBC Arts (National) This interactive exhibit is turning Mi» kmaq language lessons into art CBC Arts (National) The unconsidered consequences of Newfoundland and Labrador's book tax Buzzfeed I Let Twitter Run My Life For a Day and Here's What Happened Elite Daily Contributor Trello How to Stay Productive While Working and Traveling Roads and Kingdoms A Hearty Dish For the Gut - Foundered TERN magazine That Moment Urban Adventures A Woman Abroad: Lessons in Going Alone CBC Canada We're not Lazy: Why Gen. Y has Tuned out of the Election Viator Contributor MatadorU Lead Travel Writing Faculty Matador Network The Unravelling of Generations Matador Network Contributing Editor Matador Network Iceland on a Budget Matador Network Notes from a Canadian Seductress Matador Network I went to Ireland to Find my Roots and Discovered I'm Canadian BBC Travel Ireland's Last Seaweed Spas Guide Advisor Freelance Writer Go NOMArt Encounters on the Edge: This Event is Transforming a Historic Part of Newfoundland CBC NL Meet Some Young Entrepreneurs Bringing New Life to Rural Newfoundland CBC Arts (National) This interactive exhibit is turning Mi» kmaq language lessons into art CBC Arts (National) The unconsidered consequences of Newfoundland and Labrador's book tax Buzzfeed I Let Twitter Run My Life For a Day and Here's What Happened Elite Daily Contributor Trello How to Stay Productive While Working and Traveling Roads and Kingdoms A Hearty Dish For the Gut - Foundered TERN magazine That Moment Urban Adventures A Woman Abroad: Lessons in Going Alone CBC Canada We're not Lazy: Why Gen. Y has Tuned out of the Election Viator Contributor MatadorU Lead Travel Writing Faculty Matador Network The Unravelling of Generations Matador Network Contributing Editor Matador Network Iceland on a Budget Matador Network Notes from a Canadian Seductress Matador Network I went to Ireland to Find my Roots and Discovered I'm Canadian BBC Travel Ireland's Last Seaweed Spas Guide Advisor Freelance Writer Go NOMart CBC Arts (National) The unconsidered consequences of Newfoundland and Labrador's book tax Buzzfeed I Let Twitter Run My Life For a Day and Here's What Happened Elite Daily Contributor Trello How to Stay Productive While Working and Traveling Roads and Kingdoms A Hearty Dish For the Gut - Foundered TERN magazine That Moment Urban Adventures A Woman Abroad: Lessons in Going Alone CBC Canada We're not Lazy: Why Gen. Y has Tuned out of the Election Viator Contributor MatadorU Lead Travel Writing Faculty Matador Network The Unravelling of Generations Matador Network Contributing Editor Matador Network Iceland on a Budget Matador Network Notes from a Canadian Seductress Matador Network I went to Ireland to Find my Roots and Discovered I'm Canadian BBC Travel Ireland's Last Seaweed Spas Guide Advisor Freelance Writer Go NOMAD!

I shared the work of other artists I loved and had gorgeous photos of things I encountered in my travels from gorgeous seed pods and shells to amazing works of street art and architecture.

It was at Princeton that Stella first encountered, among other pieces in his art history professor's collection, the paintings of Jasper Johns, which had a profound influence on his own early work (think stripes).

D'SOUZA There's no doubt that almost any person of color working in the art world encounters microaggressions, overt racism, or exclusion on a daily basis.

There is the first time a viewer encounters a work of art, which is also perhaps their earliest exposure to the artist or to a specific context that reveals content, form, and technique in a new way.

In high profile locations, site - specific installations of images transform everyday activity in public space into unique encounters with works of art that resonate with their environmenIn high profile locations, site - specific installations of images transform everyday activity in public space into unique encounters with works of art that resonate with their environmenin public space into unique encounters with works of art that resonate with their environment.

«Statement,» in Frank Stella — The Retrospective: Works 1958 — 2012, exhibition catalogue (Wolfsburg, Germany: Kunstmuseum Wolfsburg, 2012) 2011 «Franz Erhard Walther: Close Encounters of Three Kinds,» Flash Art, n. 276 (Jan 2011).

He has also spoken of his experiences with San Francisco's hot - rod culture of the 1960s and the connection he feels to the art of Ken Price and Billy Al Bengston, both of whose work he first encountered at the Ferus Gallery in Los Angeles.

Through the Eyes of Picasso also will showcase the works of art — African, Oceanic, and American — that transformed his artistic vision when he encountered them at the Musée d' Ethnographie du Trocadéro (now in the collections of the Musée du Quai Branly in Paris) during the early part of the 20th century.

In a series of encounters with art made strange by its expansions, contractions, inversions and implosions in time and space, The Quick and the Dead surveys more than 80 works by a global, multigenerational group of 50 artists, scientists and musicians — among them James Lee Byars, Joseph Beuys, Marcel Duchamp, Harold Edgerton, Ceal Floyer, Felix Gonzalez - Torres, Pierre Huyghe, The Institute for Figuring, Paul Ramirez Jonas, Stephen Kaltenbach, On Kawara, Christine Kozlov, David Lamelas, Louise Lawler, Paul Etienne Lincoln, Mark Manders, Kris Martin, Steve McQueen, Helen Mirra, Catherine Murphy, Bruce Nauman, Rivane Neuenschwander, Claes Oldenburg, Roman Ondák, Adrian Piper, Roman Signer and Shomei Tomatsu, among many otherIn a series of encounters with art made strange by its expansions, contractions, inversions and implosions in time and space, The Quick and the Dead surveys more than 80 works by a global, multigenerational group of 50 artists, scientists and musicians — among them James Lee Byars, Joseph Beuys, Marcel Duchamp, Harold Edgerton, Ceal Floyer, Felix Gonzalez - Torres, Pierre Huyghe, The Institute for Figuring, Paul Ramirez Jonas, Stephen Kaltenbach, On Kawara, Christine Kozlov, David Lamelas, Louise Lawler, Paul Etienne Lincoln, Mark Manders, Kris Martin, Steve McQueen, Helen Mirra, Catherine Murphy, Bruce Nauman, Rivane Neuenschwander, Claes Oldenburg, Roman Ondák, Adrian Piper, Roman Signer and Shomei Tomatsu, among many otherin time and space, The Quick and the Dead surveys more than 80 works by a global, multigenerational group of 50 artists, scientists and musicians — among them James Lee Byars, Joseph Beuys, Marcel Duchamp, Harold Edgerton, Ceal Floyer, Felix Gonzalez - Torres, Pierre Huyghe, The Institute for Figuring, Paul Ramirez Jonas, Stephen Kaltenbach, On Kawara, Christine Kozlov, David Lamelas, Louise Lawler, Paul Etienne Lincoln, Mark Manders, Kris Martin, Steve McQueen, Helen Mirra, Catherine Murphy, Bruce Nauman, Rivane Neuenschwander, Claes Oldenburg, Roman Ondák, Adrian Piper, Roman Signer and Shomei Tomatsu, among many others.

For Caivano, painting enables encounters with an inner world that comes to life in the creation and viewing of a work of art.

Attuned to the poetics of space, from the street to the rarefied galleries that keep its noise at bay, and to the orchestration of everyday objects and materials in his work and the encounters we have with it, David Hammons always sees life as preceding art.

The building of Agora is curated in order to explore the notions of the social — developing methodologies of how to work together as well as community experiments using art and food as catalysts for encounters.

He had first encountered Hofmann's work during his first visit to New York in 1964, in the company of art critic Clement Greenberg, and been immediately impressed.

The works are typically generated in response to specific historical material encountered in the process of making, researching and reflecting, often incorporating pre-existing forms, structures and art - historical narratives which are recreated, replayed and restaged as a means of exploring more contemporary stakes.

In conjunction with the 2016 New York exhibition, Lévy Gorvy published a catalogue featuring a newly commissioned essay on Chung's work by art historian Tim Griffin, an original poem by Yuko Otomo written in response to the temporal encounter with Chung's painting, and a comprehensive chronology situating Chung's life and work within the context of postwar art and culturIn conjunction with the 2016 New York exhibition, Lévy Gorvy published a catalogue featuring a newly commissioned essay on Chung's work by art historian Tim Griffin, an original poem by Yuko Otomo written in response to the temporal encounter with Chung's painting, and a comprehensive chronology situating Chung's life and work within the context of postwar art and culturin response to the temporal encounter with Chung's painting, and a comprehensive chronology situating Chung's life and work within the context of postwar art and culture.

Through this tight selection of works in three different media (film, video, photography), all operating at varied scales and timeframes, Shirreff's art offers itself as a meditation on encounter — our encounter with things, including sculpture, but also with art in the broader sense, art history, photography, loss, and longing.

A massive structure of wooden poles festooned with colorful ribbons by the British sculptor Phyllida Barlow is the first work one encounters when visiting the 2013 Carnegie International, the quadrennial (or thereabouts) show at Pittsburgh's Carnegie Museum of Art that stands as the oldest global contemporary art exhibition in the United StatArt that stands as the oldest global contemporary art exhibition in the United Statart exhibition in the United States.

In conjunction with the exhibition, the galleries will publish a catalogue featuring a newly commissioned essay on Chung's work by art historian Tim Griffin, an original poem by Yuko Otomo written in response to the temporal encounter with Chung's painting, and a comprehensive chronology situating Chung's life and work within the context of postwar art and culturIn conjunction with the exhibition, the galleries will publish a catalogue featuring a newly commissioned essay on Chung's work by art historian Tim Griffin, an original poem by Yuko Otomo written in response to the temporal encounter with Chung's painting, and a comprehensive chronology situating Chung's life and work within the context of postwar art and culturin response to the temporal encounter with Chung's painting, and a comprehensive chronology situating Chung's life and work within the context of postwar art and culture.

For his debut at Blaffer Art Museum, the artist's first solo museum exhibition, Coolquitt will recombine 60 discrete sculptures and tableaux made between 2006 and 2011 into a site - specific installation which, in its singularity and temporariness, reflects on the condition of the gallery space as a codified place of encounter for people and works of aArt Museum, the artist's first solo museum exhibition, Coolquitt will recombine 60 discrete sculptures and tableaux made between 2006 and 2011 into a site - specific installation which, in its singularity and temporariness, reflects on the condition of the gallery space as a codified place of encounter for people and works of artart.

The publication features a newly commissioned essay on Chung's work by art historian Tim Griffin, an original poem by Yuko Otomo written in response to the temporal encounter with Chung's painting, and a comprehensive chronology situating Chung's life and work within the context of postwar art and culture

together, they are especially interested in new modes of encounter and working, pritorizing the possibility of site - specific digital and net - based installation to increase audience engagement around emerging contemporary art.

In the gallery space, visitors encounter contemporary art and design from cultures around the globe, and exhibitions of student, graduate student and faculty work.

Johan Grimonprez's It's a Poor Sort of Memory that Only Works Backwards: On Zapping, Close Encounters and the Commercial Break at the Blaffler Museum in The Visual Arts in 2011: Giving Thanks and a Wish List 15 January - 2 April 2011

A speculative encounter with the idea of restaging a group of art works was cleverly enacted in Helly Nahmad Gallery's booth at Frieze Masters last year.

What we learn through this encounter is not only the tenderness of the relationship of the older couple, or — in reflective passages — Tanaka's ground - breaking work, but also a rumination on ageing and the artist, the capacity of performance art to incorporate the body in its expression, and for that expression to be truly novel.

In other words, beyond offering a plurality of viewpoints, our aim has been to mobilise each work through another work as a starting point and a stimulus in the encounter between art and the publiIn other words, beyond offering a plurality of viewpoints, our aim has been to mobilise each work through another work as a starting point and a stimulus in the encounter between art and the publiin the encounter between art and the public.

Organized by Evelyn Hankins, a curator at the Hirshhorn, this is also Mr. Irwin's first major American survey outside his native California in nearly 40 years and the first anywhere devoted entirely to his work from the 1960s, when, in full experimental mode, he was shifting the emphasis of his own art from psychic encounters to physical ones, from precious objects to environments, places of contemplation.

Hessel's engagement with contemporary art began in the mid-Sixties in Munich, Germany, where she first encountered (and collected) the work of Palermo and his contemporaries.

In Hong Kong during the fair, visitors will have an opportunity to see elements from another early work by Tehching Hsieh in a group exhibition at Para / Site Art Space, Taiping Tianguo, A History of Possible EncounterIn Hong Kong during the fair, visitors will have an opportunity to see elements from another early work by Tehching Hsieh in a group exhibition at Para / Site Art Space, Taiping Tianguo, A History of Possible Encounterin a group exhibition at Para / Site Art Space, Taiping Tianguo, A History of Possible Encounters.

It will offer colleagues across the performing arts as well as visitors to the museum a close if brief encounter with the deep intellectual and esthetic concerns of William Kentridge, one of the most prolific and respected artists working in all mediums today.

If it's true — as Ben Street recently argued on this blog — that museums and critics have become more interested in provenance and personality than in looking and meditating, then we do well to remind ourselves that an encounter with a work of art can be more than an occasion for antiquarian interest: it can change us.

«The growing importance of Art Basel's Public program reflects both the strong desire of artists to work in ways that initiate a direct encounter with the public, and the investment that many galleries now make to help artists realize their most ambitious ideas,» stated Baume in June, after accepting his role as curator in the Basel - Bass collaboration.

The questions encountered in the study and Albers's manipulation of textiles can inspire those working outside the medium — you do not need to work with the fiber arts in order to learn from them.

The two projects offer the public a multi-faceted encounter with Abramović and her work that begins at MONA with Private Archaeology, a solo exhibition, followed by Marina Abramović: In Residence, in Kaldor Public Art Projects with a series of exercises from the Abramović MethoIn Residence, in Kaldor Public Art Projects with a series of exercises from the Abramović Methoin Kaldor Public Art Projects with a series of exercises from the Abramović Method.

Chief curator Alexander, whose job it was to consider and select artists whose work represents important art historical moments captured by the Walker collection as well as some recent purchases that foreshadow areas of possible growth, said: «I was interested in enabling a public vote and taking advantage of the natural impulse people have when encountering art to form an opinion.»

David Zwirner, a blue - chip gallery that's participating in an mind - boggling 20 international art fairs this year, is exhibiting work in both the Galleries and Encounters sections of the 2016 fair.

Both artists were part of Betty Parsons» gallery in the late 1950s and early 1960s, and Youngerman recalls «a major shift in Agnes» art» when she encountered Reinhardt's work.

New Yorkers had a couple of close encounters with his work, first in 2003 at the Whitney Museum of American Art (The American Effect: Global Perspectives on the United States, 1990 - 2003), then in 2011 at the Japan Society (Bye Bye Kitty!!!

It was heartening to encounter many of these folks near some of the better works on view: Thomas Hirschhorn's globe - laden shelves at Chantal Crousel (snapped up by the Philadelphia Museum of Art by midafternoon) and Sterling Ruby's magnificent inverted stalactite at Christian Nagel's and Bärbel Grässlin's shared booth (neither claims the artist in the fair catalogue).

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artformin Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artformin Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artformin Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London ArtformIn The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

Speaking Back suggests and invites an encounter with expanded methods of cultural inquiry and the heterogeneity and creativity of contemporary art in the work of the above - mentioned artists as well as that of Ruby Onyinyechi Amanze, Ghada Amer, Candice Breitz, Tracy Rose, Ivy Chemutai Ng» ok, Nkiru Oparah, Kara Walker, and Arlene Wandera.

Curators Janet Bishop (of SFMOMA) and Katy Rothkopf (of The Baltimore Museum of Art) have carefully structured the exhibition as a series of encounters, which occur not only in real time, as visitors come upon the works, but also by way of time traveling, as they vicariously encounter Matisse through Diebenkorn's eyes.

Flux Laboratory is a multidisciplinary venue, based in Geneva and Zurich, that fosters creative work and thinking via high - quality encounters with the world of art, dance, philosophy, music, technology, the media and business.

His strong association with artists, many of whom he had encountered at Corsham School of Art, led to an insistence that the art and the creative artist should remain the centre of attention, while recognising the importance of education and interpretation in bringing work to the publArt, led to an insistence that the art and the creative artist should remain the centre of attention, while recognising the importance of education and interpretation in bringing work to the publart and the creative artist should remain the centre of attention, while recognising the importance of education and interpretation in bringing work to the public.

For the exhibition's second incarnation Linares will bring to Paris an even broader selection of works by both emerging and established artists she encountered in the New York art scene.