, Whitechapel Gallery, London, (2013); The
Encyclopedic Palace, the 55th Venice Biennale, (2013); The Residue of
Memory, Aspen Art Museum, Aspen, CO (2012); 10000 Lives, Gwangju Biennale, Korea (2010); Skin Fruit, New Museum, New York (2010); Fare Mondi / Making Worlds, 53rd Venice Biennale, (2009); Fractured Figure, Deste Foundation Centre for Contemporary Art, Athens (2007); Sequence 1, Palazzo Grassi, Venice, Italy (2007); and Of Mice and Men, 4th Berlin Biennial for Contemporary Art (2006).
The novelist embodied in his own voice the
encyclopedic, hysteric and paranoid world of his protagonists and this was punctuated by inspiring interludes of discussion with Eyal in which they both articulated the converging and diverging ways in which they, respectively through their practices, measure and map cracks, gaps, holes, blurred pixels and the omissions in human
memory.