Sentences with phrase «end aged paper»

They don't need high - end aged paper and they definitely don't need video snippets and voice overs.

Not exact matches

The new paper uses alkenones from the Svalbard islands and is among the first studies that present Arctic summer temperature change over the period from the end of the last Ice Age some 12000 years ago.

The open access paper linked here reviews evidence for the contribution of dietary advanced glycation end - products (AGEs) to aging.

The vast majority of «Paper Towns» is all - too familiar — teen coming - of - age / end - of - HS stuff we've seen in dozens of other films.

In the year ending in January 2012, the American Association of Publishers reported that e-book sales had risen more than 49.4 % in the adult books category, 475.1 % in the children's and young adult category, and 150.7 % in the religious publications category.5 We at the Pew Research Center's Internet & American Life Project reported that ownership of e-book readers among adults age 18 and older had nearly doubled from 10 % of the population to 19 % over the holiday gift - giving season at the end of 2011, and ownership of tablet computers had surged a similar amount.6 In the final week of 2011 the e-book version of 42 of the top - selling 50 books on USA Today's best - seller book list was outselling the paper version of the same book.7

Documentary and portrait photography from the collection The Museum of Contemporary Art, Oslo The End of an Age Gemeentemuseum, The Hague 2016 West Concourse Gallery, National Gallery of Art, Washington D.C. Strange and Familiar: Britain as Revealed by International Photographers Manchester Art Gallery, Manchester Rudin Prize for Emerging Photographers Norton Museum of Art, West Palm Beach Nude: Art from the Tate collection Art Gallery of New South Wales, Sydney Intra-Action: Women Artists from the Harn Collection Harn Museum of Art, Gainesville Underway SKMU Sorlandets Kunstmuseum, Kristiansand First Light: Rineke Dijkstra / Nan Goldin ICA, Boston Who Shot Sports: A Photographic History, 1843 to the Present The Brooklyn Museum, New York Invisible Adversaries, Marieluise Hessel Collection Hessel Museum of Art, Annandale - on - Hudson, New York ENERGY FLASH: The Rave Movement MUHKA — Museum van Hedendaagse Kunst Antwerp, Antwerp Counterpoints: Photography Through the Lens of Toronto Collections Justina M Barnicke Gallery, University of Toronto, Toronto Art Alive Festival Louisiana Museum of Modern Art, Humlebæk Idiosyncrasy: Anchovies Dream of an Olive Mausoleum Centro de Artes Visuales - Fundación Helga de Alvear, Cáceres Portrait De L'artiste En Alter FRAC Haute - Normandie, Sotteville - lès - Rouen Private Exposure me Collectors Room, Berlin On Paper: Picturing Painting The Baltimore Museum of Art, Baltimore Strange and Familiar: Britain as Revealed by International Photographers Barbican Art Gallery, London Botticelli Re-imagined The V&A London Queensize Museum Arnhem, Arnhem A quoi tient la beauté des étreintes FRAC - Auvergne, Clermont Ferrand Fire under snow Louisiana Museum of Modern Art, Humlebæk 2015

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

«Civil Progress: Life in Black America,» Greg Kucera Gallery, Seattle, WA, February 6 — March 30, 1997 «Blind Spot: Coming of Age,» White Columns, New York, NY, May 8 — 29, 1997 «Kimchi Xtravaganza,» Korean American Museum, Los Angeles, CA, June 16, 1997 — January 10, 1998; catalogue «The Dual Muse: The Writer As Artist, The Artist As Writer,» Washington University Gallery of Art, St Louis, MO, November 7 — December 21, 1997; catalogue «Thirty - Third Annual Exhibition of Art on Paper,» Weatherspoon Art Gallery, The University of North Carolina at Greensboro, Greensboro, NC, November 16, 1997 — January 18, 1998; catalogue «Heart, Mind, Body, Soul: American Art in the 1990's,» Whitney Museum of American Art, New York, NY, November 26, 1997 — January 4, 1998 «La Biennale di Venezia, XLVII Esposizione Internationale d'Arte,» Venice, Italy, 1997; catalogue «A Decade in Collecting: Recent Acquisitions in Contemporary Drawing,» Museum of Modern Art, New York, NY, 1997 «Coming of Age,» White Columns, New York, NY, 1997 «Identity Crisis: Self Portraiture at the End of the Century,» Milwaukee Art Museum, Milwaukee, WI, 1997; traveled to Aspen Art Museum, Aspen, CO; catalogue «Kinds of Abstract,» Seattle Art Museum, Seattle, WA, 1997 «Rhapsodies in Black,» Hayward Gallery, The South Bank Centre, London, UK, 1997; travels to Arnolfini Gallery, Bristol, UK; The Mead Gallery, Coventry, UK; California Palace of the Legion of Honor, Fine Arts Museums of San Francisco, San Francisco, CA; Corcoran Gallery of Art, Washington D.C.; catalogue «Sunny Days / Critical Times,» The Bohen Foundation, New York, NY, 1997 «Un Bel Ete,» Casino Luxembourg, Luxembourg City, Luxembourg, 1997

«a / drift: Scenes from a Penetrable Culture,» curated by Josh Decter, Bard Center for Curatorial Studies, Annandale - on - Hudson, NY, October 26, 1996 — January 5, 1997 «On Paper II,» Schmidt Contemporary Art, St Louis, MO, January 23 — February 20, 1996 «Tangles,» Otis College of Art and Design, Los Angeles, CA, November 2 — December 21, 1996 «Community of Creativity: A Century of MacDowell Colony Artists,» Currier Gallery of Art, Manchester, NH, 1996; traveled to the New York School of Design, New York, NY; Wichita Art Museum, Wichita, KS «The Inner Eye: Art Beyond the Visible,» Manchester City Art Galleries, Manchester, UK, 1996; traveled to the Museum and Art Gallery, Brighton, UK; Glynn Vivan Art Gallery, Swansea, UK; Dulwich Picture Gallery, London, UK; catalogue «Hotter Than July,» Margo Leavin Gallery, Los Angeles, CA, 1996 «a / drift,» Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY, 1996; catalogue «Inclusion / Exclusion: Art in the Age of Post-Colonialism and Global Migration,» Steirischer Herbst 96, Graz, Austria, 1996; catalogue «Art at the End of the 20th Century: Selections from the Whitney Museum of American Art,» National Gallery, Alexandros Soutzos Museum, Athens, Greece, 1996; traveled to Museu d'Art Contemporani, Barcelona, Spain; Kunstmuseum Bonn, Bonn, Germany; catalogue «Burning Issues: Contemporary African - American Art,» Museum of Art, Fort Lauderdale, FL; brochure «Thinking Print: Books to Billboards 1980 - 1995,» Museum of Modern Art, New York, NY, 1996; catalogue «10th Biennale of Sydney: Jurassic Technologies Revenant,» Art Gallery of New South Wales, Sydney, Australia, 1996; catalogue «The Mediated Object: Selections from the Eli Broad Collection,» Fogg Art Museum, Cambridge, MA, 1996; traveled to Forum for Contemporary Art, St Louis, MO «An American Story,» Whitney Museum of American Art, New York, NY, 1996 «Festival Exit,» Maison des Arts de la Culture, Paris - Creteil, France, 1996 «Screen,» Friedrich Petzel Gallery, New York, NY; video catalogue «Prospect «96,» Frankfurt Kunstverein, Frankfurt, Germany, 1996; catalogue

The paper, combining evidence of driftwood accumulation and beach formation in northern Greenland with evidence of past sea - ice extent in parts of Canada, concludes that Arctic sea ice appears to have retreated far more in some spans since the end of the last ice age than it has in recent years.

The 78 - author paper, published Sunday in Nature Geoscience, used a variety of indirect indicators of temperature, from tree rings to pollen grains, to build on other work charting temperature shifts since the end of the last ice age — including the recent Marcott et al paper, explored here, which used seabed sediments to chart 11,000 years of temperatures.

Here's a cornerstone passage from the paper, reprising a longstanding view that the environmental conditions of the Holocene — the equable span since the end of the last ice age — is ideal:

It is interesting that the WSJ published a paper in 1933 which showed that temperatures had been rising for 100 years tells me that this overall temperature increase has been going on for a very long time (probably since 1725 and the end of the little ice age).

Bizarrely entitled «A 3 - million - year ice age is coming to an end «(15 September 2016), this slick video pretends it's promoting the recently released paper by Harry Stern and Kristen Laidre (2016) that got a lot of media attention last week (see here and here).

The Chen and Tung paper is an important link in our understanding, and changes in the Atlantic Ocean heat storage seem to explain the shape of the global surface variations since the end of the Little Ice Age (circa 1850).

A new paper sheds light on how the ice age ended and what might lie in store for the future if the Atlantic thermohaline circulation slows down.

In a paper in Nature this week, scientists present palaeo - oceanographic evidence that deep convection of surface waters in the North Atlantic — the engine that keeps the AMOC in constant motion — began to decline as early as around 1850, probably owing to increased freshwater influx from Arctic ice that had melted at the end of a relatively cold period called the Little Ice Age (D. J. R. Thornalley et al..

The insurance papers clearly say it ends at age 80, but they continued to bill him, he paid and they accepted that payment and provided a payment confirmation number, well after his 80th birthday.