Sentences with phrase «end at middle age»

Not exact matches

Consider: for the average middle - aged North American, it's a conflict that has been making headlines for literally our entire lives, with both sides apparently taking turns at acting badly and no end in sight.

The JWs who have periodically knocked at my door have all been at the far end of middle age or older.

But it has also promoted a distraction of mind in the reader, so that, perhaps precisely from respect and admiration for China and Persia, the thinkers of the middle ages, the four universal monarchies (a discovery which, as it did not escape Geert Westphaler, has also set many a Hegelian Geert Westphaler's tongue wagging), he may have forgotten to inquire whether it now really did become evident at the end, at the close of this journey of enchantment, as was repeatedly promised in the beginning, and what was of course the principal issue, for the want of which not all the glories of the world could compensate, what alone could be a sufficient reward for the unnatural tension in which one had been held — that the method was valid.

Señora Pasion, our Spanish teacher, begins working with our rising first grade students towards the end of their kindergarten year (at age 5 or 6), and Spanish studies continue until they graduate from our middle school.

Some headed for the Subterranean, lining up on the stairs to the bar's second floor where, on a small stage at one end of the room, a middle - age woman was singing a song.

In the end it built a coalition out of successful bankers living at the top of glass towers, middle - aged hippies and younger people, perhaps the first in their family to go to university.

Researchers at Carnegie Mellon University have found an association between lower socioeconomic status during childhood and adolescence and the length of telomeres, protective cap - like protein complexes at the end of chromosomes that ultimately affect the susceptibility to colds in middle - aged adults.

At the end of January, senior editor Debby Gilbert of Soul Mate Publishing offered me a contract for Between Land and Sea, a paranormal romance about a middle - aged mermaid.

The flash - forward right at the end of the film, when Harry, Ron and Hermione are middle - aged parents waving off their kids at King's Cross, actually affected me more than anything they did in the previous seven films.

He's a middle - aged man at the end of a career that brought him fame and fortune, but no sense of real accomplishment.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

She's an ethereal force of nature here, painting a stark portrait of a mentally ill, middle - aged woman fraying at the ends.

Students at a very young age need practice solving problems when the unknown value is at the beginning, the middle, and the ending of the word problem.

But his current journey isn't borne of youthful idealism so much as middle - aged ennui: «I had stayed too long at my job... mostly owing to my own mistakes, my marriage had ended and I had moved out of my house.»

At any given age there's quite a wide range of possible weights, and your Rottweiler puppy could be on the lower end, the higher end, right in the middle, or even above or below the given figures.

At age three, the aging process slows down... and for one of our years, a cat ages four.At about the age of seven, middle age ends and the senior years begin.

The middle - aged men who put on blue dungarees and fake moustaches to watch India beat the English at cricket would probably not dress up as squids to the same end, whatever video games they might remember from their youth.

I was especially moved by the four - panel piece by Joan Mitchell [Salut Tom, 1979], right at the end of the exhibition — this massive, positive, explosion of energy as the artist hits her stride in middle age.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

One of several influential art critics - like Louis Leroy (1812 - 1885), Louis Vauxcelles (1870 - 1943) and Guillaume Apollinaire (1880 - 1918)- who found themselves in the middle of revolutionary developments in French painting at the end of the 19th century, the Parisian writer and anarchist Felix Feneon achieved lasting fame in modern art, at the age of 27, when he invented the term Neo-Impressionism to describe the Pointillism of George Seurat (1859 - 91) and others.