Not exact matches
It's already happening in some high -
end cars, but what's more surprising is that there's a general
feeling among involved parties that the majority of vehicles will have built - in modems by 2017, he said.
«At the
end of the day, safety is the top priority for all parents and caregivers when using
car seats and they should
feel confident about the installation process each and every time,» said Sarah Tilton, Britax child passenger safety advocate.
The five point harness system is a top of the line buckle system that can be found in most high
end car seats so you can be sure that you child will stay put even when they
feel like squirming.
Oh, sure, there are a few odds and
ends on the list to be completed (such fun treats as cleaning out and cleaning up my
car and making a trip to Sam's to stock up on some household stuff), but for the most part, I
feel satisfied in where things stand right now.
«If you are in a
car and want to stop within a certain fixed, short distance — without too much jerk — it's best to apply the brakes evenly rather than all at the
end so passengers
feel a constant deceleration force,» he says.
One day I started to
feel really faint while I was driving with my daughter in the back seat and I passed out, hitting 3
cars and
ending up in a ditch.
There's nothing quite like traveling in a
car for miles and hours on
end, stopping wherever you
feel like it, and being open to whatever experiences arise.
2 (Gunn) After the Storm (Kore - eda) Jim & Andy: The Great Beyond - Featuring a Very Special, Contractually Obligated Mention of Tony Clifton (Smith) God's Own Country (Lee) Lost in Paris (Abel and Gordon) Three Billboards Outside Ebbing, Missouri (McDonagh) A Quiet Passion (Davies) Logan Lucky (Soderbergh) 1922 (Hilditch)
Cars 3 (Fee) Betting on Zero (Braun) People You May Know (Shilati) D + Wonderstruck (Haynes) T2 Trainspotting (Boyle) Raw (Ducournau) King Arthur: Legend of the Sword (Ritchie) It Comes at Night (Shults) Win It All (Swanberg) I Love You, Daddy (C.K.) Atomic Blonde (Leitch) Valerian and the City of a Thousand Planets (Besson) Alien: Covenant (Scott) Before I Fall (Russo - Young) Rough Night (Aniello) Take Me (Healy) Patti Cake $ (Jasper) A Cure for Wellness (Verbinski) Last Flag Flying (Linklater) The Big Sick (Showalter) The Babysitter (McG) To the Bone (Noxon) The Little Hours (Baena) Queen of the Desert (Herzog) Casting JonBenét (Green) D Personal Shopper (Assayas) A Ghost Story (Lowery) It's Only the
End of the World (Dolan) Bright (Ayer) I Don't
Feel at Home in This World Anymore (Blair) Good Time (The Safdies) The Lovers (Jacobs) Tulip Fever (Chadwick) The Bad Batch (Amirpour) The Vault (Bush) The Dinner (Moverman) Beauty and the Beast (Condon) War Machine (Michôd) Song to Song (Malick) War on Everything (McDonagh) Kong: Skull Island (Vogt - Roberts) Death Note (Wingard) The Mummy (Kurtzman) Girls Trip (Lee) Okja (Bong) Despicable Me 3 (Balda, Coffin and Guillon) Little Evil (Craig) Catfight (Tukel) Transformers: The Last Knight (Bay) Manifesto (Rosefeldt) D - Slack Bay (Dumont) iBoy (Randall) The 101 - Year - Old Man Who Skipped Out on the Bill and Disappeared (The Herngrens) XX (Benjamin, Clark, Kusama and Vuckovic) Woodshock (The Mulleavys) Super Dark Times (Phillips) The Layover (Macy) Fifty Shades Darker (Foley) The Boss Baby (McGrath) xXx: Return of Xander Cage (Caruso) F The Emoji Movie (Leondis) Shimmer Lake (Uziel) The Incredible Jessica James (Strouse) Baywatch (Gordon) Sandy Wexler (Brill)
The humor can also be overly silly at times, more befitting a cartoon than a subtle independent comedy with melancholy beats, and the action elements toward the
end, including
car chases and destruction,
feel like they belong in a spoof of 1980s blockbusters more so than in a poignant story about two misunderstood and withdrawn characters finding ways to come together.
The hook of the film, with its young girl trapped in a
car whose only lifeline is at the other
end of a cell phone, is certainly a grabber, and does maintain a modicum of interest even if it often
feels like we don't learn much more than we had by watching the all - too - revealing trailer.
In the
end, I really
feel for the men and women who design our
cars.
The original
car's rampant wheelspin was later tempered by a limited - slip differential, which means the front
end feels tied - down in a way it never did originally.
We have no hard
feelings on our
end and wish you the best in finding the
car of your choice.
Combined with steering that is either a shade too light (in Comfort) or way too heavy (in Dynamic) and you
end up with a
car that can be coaxed along at a crazy speed but also one that
feels flat - footed at times and never really settles into a rhythm.
Body roll is pretty well contained and
feels well matched with the grip afforded by the tyres, but the 320d does that nodding - dog trick that many diesels are afflicted with: the weight of the engine seems to gradually upset the damping until the front and rear
ends seem to get out of phase with each other and the
car feels a bit like an unbalanced dumb - bell.
The
end goal, Audi claims, was to marry the chassis balance and steering
feel of a rear - wheel - drive
car with the grip and idiot - proof nature of all - wheel drive.
Ultimately it doesn't demonstrate quite the unshakeable poise of the Porsche, its damping occasionally
feeling a little soft at the
end of a long, high - G curve, but it's a satisfying
car whose dynamics
feel well matched to its performance.
At the
end of the day, this [heritage] and this
feeling [developed in our sports
cars] goes back into
cars like the Macan in terms of how they're supposed to
feel within their segment.
The
car feels taught and controlled, with high grip levels and a front
end that does its best to hold on before the
car's weight pushes it past the apex.
The rear
end of the
car also
feels quite lively after the turn in point to a corner — not enough that the driver has to correct a slide, but enough to make the
car feel supremely agile.
You
feel how aero efficient this
car is on top -
end acceleration, especially the way it pulls above 100 mph.
When you test drive a
car and
end up
feeling that way, would you buy a
car or walk out and / or put a deposit for the most «extreme» version?
Other than the normal teething pains suffered by any new race
car, the only lingering issue was brake
feel that didn't inspire confidence, but it was resolved by the
end of the year.
With so much less weight over the front
end than before the new
car feels agile and keen to change direction, too, with a less resolutely nose - led attitude in cornering.
Even on gentle throttle applications you can
feel the back
end of the
car twitching as the torque reaches the rear axle — but the stability control intervenes to keep everything in line.
While it's satisfying to
feel the
car's rear -
end edge wide as the Stelvio drives itself out of a corner, the sensation of the outside - front tyre giving up very early during the turn - in phase of a corner is less appealing.
That sharp front
end gives the
car huge pace down a road and that propensity to lean somehow makes you
feel as though you're travelling at far greater speeds than you really are.
«We engineered the front
end to pitch down just slightly on turn - in, to help the
car feel like it's rotating around the turn as you hold your line,» explained development engineer Stan Hortinela.
However, he's unable to help me start tinkering with the
car until at least the
end of this weekend, so even though I know the basics of what components are and what they do, I don't
feel confident enough to start messing with the
car on my own.
The suspension setup also allows the tires to maintain gooey contact with the road in a prodigal display of rebound control, so even when the front
end gets light as you get into the gas (as air - cooled 911s are wont to do), the
car stays planted enough so it never
feels on the verge of spitting you off the road in a cloud of understeer.
Global remit or not, the Mustang does still
feel like a traditional muscle
car, and despite that clever rear
end it still wants to be stroked along rather than hurried.
The trick with modern performance
cars is adding these new layers of digital speed enhancements without
ending up with a
car that
feels like a driving simulator.
The stiff, short - travel clutch pedal
felt especially strange at the
end of a workday during which I had driven our Four Seasons Volkswagen Jetta TDI (one of the smoothest - driving
cars I've ever piloted).
At the
end of the night, I
feel like we got a fair price on the
car.
If my
car life had to
end right now, I would not
feel cheated!
I'm all for
cars that move about underneath you, but the GT86 can
feel nervous in quicker corners even if you're not pushing particularly hard, as if the rear tyres are planning on breaking free, while in slower ones the front
end can wash wide surprisingly early.
The front and rear of the
car react in unison — you never get the
feeling that the two
ends of the
car are doing different things.
Owners of the old
car will also miss its top
end vivacity, it
felt a bit flaccid low down but came alive as the rev - counter's needle homed in on the 7000rpm rev line.
The revised stability systems are a real help here, allowing the
car to
feel mobile and fluid but not giving you so much rope that you're worried the
car's going to swap
ends.
Fortunately for us, Pikes Peak is now paved from start to finish, yet Zwart's eerie fondness for telling tales of mishaps, many of which
end with upside - down
cars, isn't making us
feel at ease as we get ready to run up Pikes Peak.
Like many compact
cars, the Corolla has a firm, controlled ride, but there's an unappealing brittleness to the Toyota's suspension tuning and you
end up
feeling more road imperfections than you'd care to.
Our test
car came with Brabus «Startech» Alcantara trim (an # 873 option) which lifts the interior no
end, and there are silver - faced instruments that glow pale - green at night, so although it
feels a bit cheaper than the European equivalent, it still
feels special (and it's pretty good value too).
Volkswagen's long - derided goal of selling 800,000
cars and light trucks here before the
end of this decade already is starting to
feel quaint as the media assess the damage to future sales caused by the company's diesel emissions test - software scandal.
«light, hyperactive steering, which
felt unnatural and gave you very little confidence in the front
end of the
car»: exactly what I
felt and writtn here before and main reason why I did not like the GTS that much.
The major weakness of early AMG GTs was the light, hyperactive steering, which
felt unnatural and gave you very little confidence in the front
end of the
car.
It makes for a more energised
feeling of alertness in the
car, which is welcome, and you get a greater sense of bite from the front
end.
Then later you go back to default normal mode and the throttle
feels really flat, so you
end up driving it the whole time in your personal configuration and wondering why the
car wasn't just sold like that and the bloody Sport mode blanked off.
After an impressive initial reaction to the first turn of the wheel, the
car then leans into the suspension as loads increase, which inevitably makes it
feel like the front
end is running away from you a little.
The stakes are higher but the
car feels more finely balanced, each
end floating independently yet in unison across the surface.
It gives the impression of having been tailored to snap - fit into the broader repertoire of the new
car with its more nailed and composed front
end and a torque vectoring system you can actually
feel pointing you towards the apex when you're pushing on and haven't turned the stability and traction programmes off.