Sentences with phrase «end credit sequences»

Heck, there's even a look at the many different end credit sequences that were created, while the film's three visual effects teams get a featurette («Wired») of their own.

Some films have even crafted intricate and visually interesting end credit sequences.

DEADPOOL 2 gives everything that's demanded of it and more, including one of the best end credits sequences ever, keeping the franchise going and making it better in the process.

The run time is a short 82 minutes, although that itself is padded out with a 10 - minute end credits sequence that is injected with several outtakes and alternate scenes that didn't make the final cut.

When the long end credit sequence features family snaps of the real men who died, soundtracked to Peter Gabriel's version of «Heroes», it's clear that at some point Berg switched from filmmaking to hagiography, and that he's much better at making movies than he is at making saints.

It hits every comedic mark that it needs to, particularly in the excellently cast gulag scenes, and it never fails to make fun of itself (Statler and Waldorf are excellent critics and never overused), but the end credits sequence is dour and reflects nothing that came before it.

Sure, Michael Biehn and Jeff Fahey definitely get more screen time than before, and the end credit sequence slaps on an extra six minutes, but other than that, it's mere seconds we're talking about here.

All of them are reprised in full in the eight - minute end credit sequence «The Next Attraction».

But while it's a clever approach that earns some laughs (none more so than during the end credits sequence), it doesn't change the fact that the film is still a complete retread from top to bottom.

At least it worked for the spectacular ending credits sequence, which looked like it was lifted straight from Brian Cox's Wonders of the Universe.

We got our first look at a young Apocalypse in the end credits sequence for X-Men: Days of Future Past, who was seen assembling the Egyptian pyramids with his telekinetic powers.

Culminating in an end credits sequence that plays like Fincher in a particularly goofy mood, Game Night isn't great, but it's surprisingly good.Hide

The end credit sequence acts as a direct lead into 2017's Justice League.

What the end credits sequence might be?

Even so, the main game will only take most players a few hours to see through to its conclusion and utterly fantastic end credits sequence, with replaying on higher difficulties and leveling up the character's stats seemingly being the main reasons to return — though the superb soundtrack, cool visuals and gratifying core gameplay make doing so a fun, if slightly limited experience.

The sequel itself was confirmed before the first film was even released and the fact that the end credits sequence was not a joke was confirmed shortly thereafter.

Plus, it wins end credits sequence of the year (ECSOTY) Just look how much work they put into this thing!!

They include fixing all the major crashes and bugs I've found, as well as tasks like making the end credits sequence and balancing the weapons -LSB-...]

Not exact matches

I LOATHE when directors throw extra scenes at the end of long credit sequences.

The film itself seems reluctant to tie itself off, giving us one of the great end - credits - as - scene sequences of the last year (Call Me by Your Name and Good Time being other memorable examples).

In naming his interviewees at the very end, Riggs emphasizes the performative nature of their presence in the video, as though the sequence were a cast list preceding the end credits.

As soon as that terrific sequence draws to an end, the opening credits flare up and gift us with a promise.

Not to mention that the end of the opening credit sequence features a crudely sketched bunny with a hard - on ejaculating all over the director's name.

If Thanos ends Infinity War with the snap, a silent, uninterrupted credits sequence would be the perfect representation of the horror of what he just inflicted on the universe.

ENDING: It's not the most jarring of endings but... hey, is that credit sequence going in the opposite direction?

The same cocoon then appeared briefly in an end - credit sequence of Guardians Of The Galaxy Vol.

Perhaps they spent all their creativity on the end - credits sequence, which, without spoiling things, is the funniest thing in the movie.

The end credits contain a moving sequence of photographs of the two real - life women, who carried on living together for decades after Marston's death.

Although other films might've depicted a fun - filled female - bonding sequence as a throwaway montage backed by an En Vogue song, Story transformed it into a full - fledged music video set to Bell Biv DeVoe's 1990 mega-hit «Poison,» complete with MTV - and BET - style corner - screen end credits, resulting in one of Think Like a Man Too's most memorable scenes.

The movie has a sequence during the end credits that's probably a little too clever for its own good; although in five years I might see it again and think otherwise.

The screenwriters, along with directors Phil Lord and Christopher Miller, are in it for the long haul — from the chief's speech to an end - credits sequence that imagines this series some 30 sequels into the future, with each successive one making a flimsier and more ridiculous excuse to get these two characters into the same shenanigans over and over again.

The credit sequence ends with a close - up of the bomb - maker's face as he sucks blood from his own finger; the bomb has cut its own creator, inflicting damage on the revolutionary himself.

That was really the moment the journey to Avengers: Infinity War began, and it's appropriate that the journey has continued on through the end - credits sequences: The Avengers, Avengers: Age of Ultron, and even Thor: Ragnarok featured post-credits scenes establishing the importance of Thanos.

All of his little outfits in «Keanu,» not to mention the kitten calendar sequence during the end credits are enough to make moviegoers meow with approval.

In the final credit sequence, you're scanning the painting again, but I'm trying to remember — I don't think the face of the woman in the painting is fully included in that — and it ends on the foot?

Over the course of the last decade, the MCU has become synonymous with both mid - and end - credits sequences.

And, I didn't find the much lauded end - credit sequence to be very funny.

There is a mid-credits sequence that wraps up a major character's storyline, and an end - credits scene with Spider - Man.

As a side - note, I never understood why Spielberg's Amblin logo sequence never preceded films, but always appeared after the end credits.

Of course, Coogler does abide by some Marvel traditions, including having two end - credit sequences that are worth sitting through the lengthy credits for, especially if you're already a fan of the MCU (Marvel Cinematic Universe).

Rated PG - 13 For: intense sequences of violence and action, some disturbing images and thematic material Run Time: 123 minutes (This includes end credits) After Credits Scene: None Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks Directed By: Francis Lcredits) After Credits Scene: None Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks Directed By: Francis LCredits Scene: None Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks Directed By: Francis Lawrence

There are a few good action sequences to keep things interesting, including a nifty bit in which Lara finds herself dangling from the decaying remains of a crashed bomber straddling a raging waterfall, but by the time the film is deep into its second hour, the overall lack of intrigue and charm makes it feel like a long, heavy slog to the end credits.

Be sure to stick around for the end credits - very amusing cameos and more entertaining sequences.

(The movie would be well under two hours if not for the extended end - credit sequence, which fans will want to stick around for).

An extra scene tacked onto the end of the credit sequence neatly sets up the upcoming Marvel movie The Avengers (just as this movie was teased last summer in the closing credits of Iron Man 2).

That's because Deadpool 2's game - changing end - credits sequence includes the Merc with a Mouth using Cable's time - travel device to go back in time and prevent Green Lantern from being made.

She blames Regina for his death; if you leave the cinema before the end of the initial credit sequence you will miss perhaps the only humourous scene of the film, showing the mother enact her revenge on her son's killer.

Every aspect of the game gets that special love and even the final credits in the true ending get turned into a shooting sequence that is as symbolic, in the destruction of the human team, as it is fun.

Despite far too many helicopter shots of Manhattan (seemingly left over from the end credits), Stahelski and Leitch direct the hell out of what little story there is — particularly the extraordinary car sequences — but this is one film that could actually use a sequel / sidequel for Kolstad's characters to really let rip.

From David Fincher's hyper sci - fi juiced credit sequence — underscored by searing punk music — to its «Blade Runner» / «Mean Streets» ending, the visionary filmmaker pulls out every stop in his arsenal of cinematic tricks to deliver walloping visual blows.