Or, you can blend in movement with learning, e.g. hand clapping or finger snapping along with the recitation of multiplication tables or at
the end of a reading passage.
Not exact matches
If you
read to the
end of Holder's letter, to the
passage where he says, «Were such an emergency to arise, I would examine the particular facts and circumstances before advising the president on the scope
of his authority,» it becomes clear that, despite invoking Pearl Harbor and 9/11, even he isn't envisioning a response to an attack in process, which would have to happen immediately.
III It is impossible to
read this
passage of Ramban without thinking
of Samuel Johnson's reflection on the secret horror
of endings in the last paper
of his Idler series.
In the Revised Standard Version (1946) this
passage is set apart in small italic type, and the marginal note
reads: «Other ancient authorities add 7:53 - 8:11 either here or at the
end of this gospel or after Luke 21:38, with variations
of the text.»
Using Shakespeare instead
of the scriptures as the source for their text, but without
reading the
passage to the
end, they said with Hamlet:
The text is one
of those
passages that ought to come at the
end of a sermon, for there is nowhere to go except to your knees after it is
read.
After that
passage which is often
read out loud at weddings, Paul writes that someday all
of our important and inspired words will
end, our praying in tongues will
end, our knowledge will
end but love will be what lasts forever.
Hmm... for some reason, the
passage on prayer toward the
end of James» letter came to mind while
reading this post...
found a place in our Gospels as a «discourse»
of Jesus concerning the
end, and there it is still to be
read today, in the thirteenth chapter
of Mark's Gospel and in the corresponding
passages in Matthew and Luke.
At the
end of the experiment, Phillips asked each volunteer to write a short essay based on the
passages he or she
read.
Since the last update I made several
end of the year lists for 2016:
of The Best Older Films I Saw, The Best Books I
Read, and The Best Films of the Year (via conventional chronology), along with a collection of pictures I took of passages from books I read throughout the y
Read, and The Best Films
of the Year (via conventional chronology), along with a collection
of pictures I took
of passages from books I
read throughout the y
read throughout the year.
2 X 50 Years
ends with a moving tribute to French film criticism — using that term broadly enough to include precursors as well as poets, art critics, and filmmaker - theorists — by furnishing us with a honor roll
of 15 individuals, from Denis Diderot to Serge Daney, each
of whom is accorded a portrait, a page
of text, and an offscreen recitation
of a brief
passage read by Mieville or Godard.
The film unfolds in 59 discrete
passages of varying length, each
of which is bookended by excruciatingly unnecessary, fade - in - and - out captions
reading «Beginning
of Chapter» and «
End of Chapter.»
Quiz themboth orally and on paper Listen to their retellings Have them
read from the basic sight word list Select a variety
of papers that demonstrates their progress in spelling Administer and score an attitude survey for each one Give them the unit pretests and prepare the
end -
of - level posttests Prepare a cloze
passage for them See if each one can segment a word into phonemes Take a running record
of everyones oral
reading for the...
• Color by shapes • Color by counting • Color by addition and subtraction • Color by parts
of speech • Sort the letters • Beginning sounds •
Ending sounds • Color the words • Count the syllables • Solve the riddles • Word bank activity • Two comprehension
passages with multiple text - based questions •
Read, find, write and circle the parts
of speech
This Earth Day bundle has 4 products and total 40 pages excluding covers and TOU, which includes the following activities: • Color by shapes • Color by counting • Color by addition and subtraction • Color by parts
of speech • Sort the letters • Beginning sounds •
Ending sounds • Color the words • Count the syllables • Solve the riddles • Word bank activity • Two comprehension
passages with multiple text - based questions •
Read, find, write and circle the parts
of speech Note: Please check out the preview before purchasing my product.
Suitable for elementary grades, this resource contains
reading passages with real life pictures
of all life cycle stages and opportunities to keep students engaged with a turn and talk at the
end of each, KWL, an interactive notebook for vocabulary and the stages,
reading comprehension, labeling parts
of an insect, compare and contrast insects vs. spiders, using a timeline, sequencing, coloring page, and assessment.
Regardless
of their achievement level, students sometimes reach the
end of a difficult
reading passage with no recollection or understanding
of what they have
read.
Nancy Wildt, the school's literacy tutor, spends the day handing out worksheets full
of reading passages with blanks in them, having students answer open -
ended questions and timing students as they
read paragraphs out loud, marking down mistakes.
A teacher explains that strong readers constantly check for meaning (e.g. at the
end of a sentence, paragraph, page,
end of a book or
passage) by asking self - monitoring questions, such as, «What's the «who», «what», and «where»
of what I just
read?»
For example, by the
end of first grade we want all children to
read at least 40 words correct per minute on a first grade
reading passage and demonstrate a level
of reading comprehension that is commensurate with this level
of fluency which on the DRA is a Level 18 or higher.
You
read through your work from beginning to
end, sometimes re-reading
passages several times, and flipping back and forth from one part
of the book to another as necessary.
I have recently added some
of my published books to my Kindle e-book reader bookshelf, but before I did the electronic steps necessary, I made sure I
read each book again and like a typical writer, I
ended up revising each book down in wordage, getting rid
of any explanations or «windy»
passages that could benefit from less words and more meaning as a result.
Listen to best sellers: • The Girl on the Train • Truly, Madly, Guilty • The Power
of Habit • Harry Potter • The Martian • A Man Called Ove • Homegoing • The Gene • When Breath Becomes Air •
End of Watch A wide range
of popular categories like: • Crime and Thrillers • Science Fiction • Fantasy • Romance • Classics • Novels • Mystery • Horror • Self - development • Mindfulness and meditation • Business • Children's books Features designed for the audiobook listener: • Chapter navigation • Listen over wifi, save on data • Download to your device for offline listening • Create clips
of favorite
passages and share with friends and on social media • Send any book in your library to your friends - their first book is on us • Bookmarking • Sleep mode, dark or light theme, variable narration speed, button - free mode and more • Control your listening experience with Cortana voice commands and button - free mode • Compatible with thousands
of ebooks from Amazon - switch seamlessly between listening to your audiobooks and
reading on your Kindle with Whispersync for Voice.
This new web service will allow for inter-device syncing, all
of the highlighting / bookmarking / annotating that you could ever want, and the ability to share your favorite
passages all without ever bothering to install an app or download much more than the book you happen to be
reading (which will
end up in your temporary internet files to be cleaned up later anyway).
It's a
passage that I immediately gravitated to when I first
read it, and it does a nice job
of summarizing how I think about my investment approach: methodically making many different investment decisions that as a group
end up yielding excellent results over time.
As soon as I got to this
passage, my heart grew heavy, but I forced myself to
read until the
end:» And now, dear friend, you who have journeyed with me in all these merry doings, I will not bid you follow me further, but will drop your hand here with a «good den,» if you wish it; for that which cometh hereafter speaks
of the breaking up
of things, and shows how joys and pleasures that are dead and gone can never be set upon their feet to walk again.
Born not far from Ankara, socialised within the narrow circle
of her Turkish family in Germany, she explores the limits
of what is physically possible in her projects — whether she wears a chador and hangs upside - down in front
of an audience
reading diary entries, newspaper articles and
passages from the Qur «an («Permanent Words», 2009), or when she publicly kisses the walls, floor, furniture and ceiling
of an exhibition space for days on
end, in order to express her appreciation
of all that is overlooked or only too obvious, what we have become fond
of or what is intimate («Emotion in Motion», 2000).
Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit
of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And
Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years
of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection:
Passage through the First Part
of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years
of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics
of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to
Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out
of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum
of Modern Art, New York, US Memory Labyrinth.
In the following
passage from her blog, she describes why so many
of us climb aboard cramped airplanes for hours on
end... [
Read More]