Sentences with phrase «end of an act»

To use natural family planning to seek the secondary ends of the act while not thwarting the primary end is a good but imperfect use of the act.

Holloway follows the traditional notion of the «remedy for concupiscence», saying that it is permitted to seek sex «for the tempering of disordered natural desire», [7] «in remedium concupiscentiae», as long as this is done in such a way as not to thwart the primary end of the act.

People who try to go back and do what was done before (like churches to try to return to the «early church days»), are like actors who, when they get to the end of act 4 in they play, rather than start in on improvising act 5, decide that the best thing to do is just repeat act 4.

In a soliloquy at the end of Act I of Othello, Iago informs the audience that Othello has a similarly ingenuous character: «The Moor is of a free and open nature, / That thinks men honest that but seem to be so.»

So the process of counting the ten dots is a complex act which has the same self at the beginning and the end of the act.

At the end of Act I, the Hebrews are indeed numerous — but they are slaves in Egypt.

Buechner also writes that death is not the final end — it is the end of an act, not the end of the drama.

A narrator starts talking and calls attention to something we had no reason to notice at the end of Act I. Suddenly, Hateful Eight becomes an Agatha Christie mystery and Warren is our Hercule Poirot.

Reese: There was a a much grander version of him in an earlier script where he actually lives until the end of act three, and he becomes the devil on Firefist's shoulder, trying to get him to turn bad.

A terrible tragedy occurs towards the end of Act I — something that, in screenwriting terms is called a «plot point» or «inciting incident» — and all I could think was, «Really?

Coming, as James Naremore wrote in 1973, «between the repressive manners of the classic Hollywood studio movie and the «liberated» ethos of the R - rated contemporary film,» Psycho did previously unthinkable, willfully perverse things — killing off its heroine and thereby taking its star actor offscreen at the end of act 1; leaving us only a homicidal maniac to identify with for the rest of the film; intimating necrophilia and incest within an American family.

For example, instead of fading to a black screen between acts like the original Sonic the Hedgehog game did, Green Hill Zone Act 2 now begins directly at the end of Act 1, like in Sonic the Hedgehog 3 and Sonic & Knuckles.

The shots aren't exactly official, they're mostly leaked via social media and various other internet sources, so they're not the greatest quality, but we are getting a good look at what appears to be the end of Act One, encompassing the Royal Wedding of Cinderella to her Prince, and the arrival of the Giant in their land.

«The restaurant scene was opposing ends of the acting spectrum — Adjani convincing, Neill acting as if he were on his very first audition; it was laughable.

Writer / director Oren Moverman's The Dinner is quite frustrating, it buries the lead if you will, until the end of act two.

Don't watch the trailer for it spoils the big surprise at the end of act 1.

Having landed the role of a lifetime as Jesse Pinkman — Breaking Bad's lovable surrogate child to Bryan Cranston's Walter White — a summer aged 27 could have seen the end of his acting career...

Their work occupies opposite ends of the acting spectrum; Christensen's Sam is all volcanic adolescent angst while Kline's George is far more sedate, strong yet calm.

Since the last act of the film has to be nothing but explosions and Michael Bay - lite «phwoar - destruction», it means the lifelessly generic character arcs get truncated to fit into, and be concluded by, the end of act two.

A narrator (Tarantino himself, putting on airs) starts talking and calls attention to something we had no reason to notice at the end of Act I. Suddenly, Hateful Eight becomes an Agatha Christie mystery and Warren is our Hercule Poirot.

Given that films are text types in their own right, directors can often be seen as adding or discarding scenes and lines or incorporating their own devices into their films, such as Zeffirelli's use of music in his 1968 version of Romeo and Juliet or Brannagh's use of black and white as symbolism in his 1995 version of Othello (such as with Othello's mask in the beginning, and the chess pieces during Iago's soliloquy at the end of Act 1, Scene 3).

Also included is a landscape version of the storyboard with comprehension questions at the end of Act Two, Four and Five.

Over the course of this journey, they become able to: - Define and understand key dramatic devices; - Identify and discuss the dramatic devices that Priestley uses towards the end of Act One.; - Read and interpret the end section of Act One in the play; - Analyse how Priestley's use of dramatic devices is used effectively for impact; - Peer / self - assess learning attempts.

End of Act I. Pause before Act II.

Having taken on roles from one end of the acting spectrum (Saved by the Bell: The College Years) to the other (The Last Exorcism), Patrick Fabian racked up 100 - plus IMDB credits over his first two decades as an actor.

However, there's a small problem; at the end of each act you have to pay tribute to Don Corleone by discarding down to the indicated number of cards, and considering this is a game where you'll collect oodles of cards having to get rid of some is a challenging prospect.

The bosses have now also been separated as stages of their own (rather than at the end of Act 3), which you may either like or dislike depending on your personal preference — I'm undecided, as it makes them easier to access, but it feels a little less like a traditional Sonic title, and offers a little less pressure for failure.

At the end of every act you'll see how your friends chose, as well as the community at large.

It feels like the writers got bored at the end of Act 2 and just started making stuff up on the fly, without much thought, so they could wrap up production.

At the end of the act, the live action show (Episode 1: Monarch Solutions) will begin and you will get the «Spreading Ripples» achievement.

At the end of Act 3 I had completed the storyline at large, and had amassed every skill I wanted, leaving the rest (roughly a dozen) as mere completionist fodder.

Everything comes to a head at the end of Act 1 when the story concludes several shocking developments before transitioning into the second Act where things become even more interesting for the dual protagonists as they swap places and explore their new worlds.

By the end of Act 3 I had hit level 44.

Case in point — the end of Act II, as Alm and Celica reunite for the first time in years, serving as the conclusion for the game's first two acts, and providing perhaps the most interesting moment within the game's entire narrative as the two quickly become bitter and estranged.

Appearing at the end of the Act 1, «Heavy Gunner is armed with a powerful rocket launcher that he uses to discourage «speeding.»»

Whether they're in the game in the same way as the first (Eggman at the end of the act) or Sonic Advance 3 (Eggman has his own act), I care not.

And at least it's in 2D, which is how it should be;P And Badniks are back, as well as the signposts at the end of each Act.

At the end of act two, Marston replaces Colonel Allende with Abraham Reyes.

At the end of each act I quickly fell into a rhythm of checking my video log so I could discover the inspiration behind the level I had just experienced.

At the end of each act I will produce an edited version of the act's segments as a downloadable eBook.The project's end will be a hardback book, which I will either self - publish using a service like lulu.com or let someone else publish it for me if I attract the attention of a next - generation, visionary publisher.

End of Act Two.

The curtain falls: End of Act One.

Not exact matches

Microsoft supports «The Ending of Forced Arbitration of Sexual Harassment Act of 2017,» proposed legislation from senators Kirsten Gillibrand of New York and Lindsey Graham of South Carolina that would end such provisions, Smith said.

Since the recession ended in mid-2009, the economy has been expanding at sub-par rates as a string of problems from higher gas prices to Europe's debt crisis have acted as a drag on the U.S. economy.

Acting U.S. Secretary of State John Sullivan called on Moscow to stop creating impediments to peace in Syria and to play a role in ending the seven - year - long conflict.

By itself, networking is ambiguous and inefficient, as the simple act of networking lacks a clear beginning and end goal.

In many ways, your business plan can act as a map in an entrepreneurial landscape full of potholes, dead - ends and uphill paths.

If it keeps going on and on and you don't act on it, you end up wasting a lot of time, money and energy.

The need for intelligent software that can perform this type of analysis for business - minded end users to act on is no doubt rising.

At the end of the report, there's some fine print detailing consumers» rights related to credit reports, under the Fair Credit Reporting Act and other laws.