Sentences with phrase «end of the act»

Secondly, and more originally, he returns to the question of the primary and secondary ends of the act.

For some individuals, being on the receiving end of an act of giving is particularly emotionally rewarding.

End of Act I. Pause before Act II.

Their work occupies opposite ends of the acting spectrum; Christensen's Sam is all volcanic adolescent angst while Kline's George is far more sedate, strong yet calm.

First, he says that contraception is an act that «obstructs» the primary end of the act; «directly frustrating the procreative possibilities of the act is not ever lawful».

To use natural family planning to seek the secondary ends of the act while not thwarting the primary end is a good but imperfect use of the act.

In a letter sent to the mayor last Wednesday, the 21 members of the Progressive Caucus said the mayor should act by the end of

Holloway follows the traditional notion of the «remedy for concupiscence», saying that it is permitted to seek sex «for the tempering of disordered natural desire», [7] «in remedium concupiscentiae», as long as this is done in such a way as not to thwart the primary end of the act.

i.e. one can seek the secondary ends of the act while not seeking the primary end as long as the primary end is not directly opposed.

Having taken on roles from one end of the acting spectrum (Saved by the Bell: The College Years) to the other (The Last Exorcism), Patrick Fabian racked up 100 - plus IMDB credits over his first two decades as an actor.

This is the wife of Jesus Christ, those who will endure great tribulation (the seven trumpets) until the end (telos meaning the end, termination, the limit at which a thing ceases to be (always of the end of some act or state, but not of the end of a period of time, the aim or purpose Strong's # 5056).

People who try to go back and do what was done before (like churches to try to return to the «early church days»), are like actors who, when they get to the end of act 4 in they play, rather than start in on improvising act 5, decide that the best thing to do is just repeat act 4.

In a soliloquy at the end of Act I of Othello, Iago informs the audience that Othello has a similarly ingenuous character: «The Moor is of a free and open nature, / That thinks men honest that but seem to be so.»

At the end of Act I, the Hebrews are indeed numerous — but they are slaves in Egypt.

Buechner also writes that death is not the final end — it is the end of an act, not the end of the drama.

Max argues, the umpire gives him an exaggerated thumb, and that's usually the end of the act, but there have occasionally been one or two wrinkles to the finale.

And if Maxie has his way, that still wouldn't be the end of his act.

A narrator starts talking and calls attention to something we had no reason to notice at the end of Act I. Suddenly, Hateful Eight becomes an Agatha Christie mystery and Warren is our Hercule Poirot.

Reese: There was a a much grander version of him in an earlier script where he actually lives until the end of act three, and he becomes the devil on Firefist's shoulder, trying to get him to turn bad.

A terrible tragedy occurs towards the end of Act I — something that, in screenwriting terms is called a «plot point» or «inciting incident» — and all I could think was, «Really?

Coming, as James Naremore wrote in 1973, «between the repressive manners of the classic Hollywood studio movie and the «liberated» ethos of the R - rated contemporary film,» Psycho did previously unthinkable, willfully perverse things — killing off its heroine and thereby taking its star actor offscreen at the end of act 1; leaving us only a homicidal maniac to identify with for the rest of the film; intimating necrophilia and incest within an American family.

So we knew that the end of Act Two would be what we called the «splash panel,» which was the big airport fight.

For example, instead of fading to a black screen between acts like the original Sonic the Hedgehog game did, Green Hill Zone Act 2 now begins directly at the end of Act 1, like in Sonic the Hedgehog 3 and Sonic & Knuckles.

The shots aren't exactly official, they're mostly leaked via social media and various other internet sources, so they're not the greatest quality, but we are getting a good look at what appears to be the end of Act One, encompassing the Royal Wedding of Cinderella to her Prince, and the arrival of the Giant in their land.

Writer / director Oren Moverman's The Dinner is quite frustrating, it buries the lead if you will, until the end of act two.

Don't watch the trailer for it spoils the big surprise at the end of act 1.

There are a few lulls as far as pacing goes — specifically when it transitions from the end of act two (which ends on a banner set piece) to act three.

The end of Act 2 sports one of the longest running clichés in film history: «We Don't Have Enough To Thrust Us Into Act 3, So... She's Got ta Be Pregnant.»

The mystery is more or less resolved in an overblown sequence that comes at the end of act two, and the revelations are contrived and incredibly underwhelming.

Having landed the role of a lifetime as Jesse Pinkman — Breaking Bad's lovable surrogate child to Bryan Cranston's Walter White — a summer aged 27 could have seen the end of his acting career...

Since the last act of the film has to be nothing but explosions and Michael Bay - lite «phwoar - destruction», it means the lifelessly generic character arcs get truncated to fit into, and be concluded by, the end of act two.

A narrator (Tarantino himself, putting on airs) starts talking and calls attention to something we had no reason to notice at the end of Act I. Suddenly, Hateful Eight becomes an Agatha Christie mystery and Warren is our Hercule Poirot.

Given that films are text types in their own right, directors can often be seen as adding or discarding scenes and lines or incorporating their own devices into their films, such as Zeffirelli's use of music in his 1968 version of Romeo and Juliet or Brannagh's use of black and white as symbolism in his 1995 version of Othello (such as with Othello's mask in the beginning, and the chess pieces during Iago's soliloquy at the end of Act 1, Scene 3).

Also included is a landscape version of the storyboard with comprehension questions at the end of Act Two, Four and Five.

This was done at the end of Act 1 but could be adapted for any point in the play.

Allows a school board, at the end of an acting superintendent's probationary period, to ask the commissioner to waive certification for the superintendent and gives the commissioner the authority to do so if he considers the person to be exceptionally qualified.

However, there's a small problem; at the end of each act you have to pay tribute to Don Corleone by discarding down to the indicated number of cards, and considering this is a game where you'll collect oodles of cards having to get rid of some is a challenging prospect.

The bosses have now also been separated as stages of their own (rather than at the end of Act 3), which you may either like or dislike depending on your personal preference — I'm undecided, as it makes them easier to access, but it feels a little less like a traditional Sonic title, and offers a little less pressure for failure.

At the end of every act you'll see how your friends chose, as well as the community at large.

It feels like the writers got bored at the end of Act 2 and just started making stuff up on the fly, without much thought, so they could wrap up production.

I've been able to use it on multiple occasions to power my way through the bosses, of which there is one at the end of every goddamn level, not just at the end of an act.

As you reach the end of each act the focus of the game move to Serene, who you take control of.

At the end of the act, the live action show (Episode 1: Monarch Solutions) will begin and you will get the «Spreading Ripples» achievement.

At the end of Act 3 I had completed the storyline at large, and had amassed every skill I wanted, leaving the rest (roughly a dozen) as mere completionist fodder.

Everything comes to a head at the end of Act 1 when the story concludes several shocking developments before transitioning into the second Act where things become even more interesting for the dual protagonists as they swap places and explore their new worlds.

By the end of Act 3 I had hit level 44.