In contrast, the slits at either
end of the film continued to stick to the underlying surface and remained closed.
Not exact matches
An explosion
of confetti marks the
end of the
film but not the
end of the evening, as the fun
continues in another previously undiscovered area.
The friendship arc
continues to have a touch - and - go handling and the movie itself egregiously abridges the
film's natural, long ascent into cult status with its
ending, the strangest
of its kind since Danny Boyle's «Steve Jobs.»
Orci
continued a point articulated by director Gavin Hood and others associated with» «
Ender's Game» that the message
of the
film — which includes themes
of otherness and centers on an underdog character who finds vindication — is one that gay rights supporters should applaud.
«The NBR is eagerly anticipating a
continued strong year in movies with the exciting roster
of films being released between now and the
end of the year,» said NBR President Annie Schulhof.
«No
End in Sight» — Iraq War criticism that counted because
of its levelheadedness —
continues Nick Rogers» daily look back at the 365 best
films of 2000 - 2009.
As Bilbo Baggins» (Martin Freeman, The World's
End) unexpected journey
continues with his party
of dwarves, the
film commences in the thick
of the story and barely stops for breath.
(Similar guilt dawns slowly on the Jim Broadbent character in A Sense
of an
Ending, a fine British
film that narrowly misses my top 20 but
continues to nag at me.)
AVP 2
continues directly from the
ending of the first
film, with an alien / predator hybrid causing the ship to crash land back on Earth.
When their story
ends and brings a sense
of achievement to the
film, though, Fisher chooses to
continue the movie as if to remind the audience in a final scene that he really is the most inspiring movie studio security guard who ever wrote a spec script.
Wayne Wang
continues his more recent string
of pat and predictably cute comedies, coming off
of Maid in Manhattan and Because
of Winn - Dixie, all
of which are innocuous fare for those that just want a smile at the
end of a
film, willing to overlook overcooked shenanigans, egregious product placements, and inherent predictability.
«Having witnessed theater - goers sitting in emotional silence well after the
end credits have rolled, following the last, powerful moments of Dibb's film, we feel strongly that positive word - of - mouth in conjunction with the calculated rollout strategy we'll be executing will ensure that Journey's End continues to find and connect with its audience.&raq
end credits have rolled, following the last, powerful moments
of Dibb's
film, we feel strongly that positive word -
of - mouth in conjunction with the calculated rollout strategy we'll be executing will ensure that Journey's
End continues to find and connect with its audience.&raq
End continues to find and connect with its audience.»
Two men in a movie discuss the importance
of film, and a few social protests are thrown in for good measure, one
of which
ends with a man lighting himself on fire as passersby
continue on indifferent.
«The Deep
End» — with a tour - de-force from Tilda Swinton that should have earned an Oscar —
continues Nick Rogers» look back at the 365 best
films of 2000 - 2009.
Starting off with a recent one, why not
continue the
end of the
film's surreal logic?
In fact, his new best friend and police partner, Danny (played by Nick Frost), gets him out
of a hairy situation toward the
end of the
film, and he is totally able to just leave and
continue his career elsewhere.
John Boyega and his real - life British accent star as monster - puncher - in - chief Jake Pentecost, seen here giving a pep talk on the
continued necessity
of slicing up kaiju with giant robot sword arms after the squirrely interdimensional bastards failed to keep the peace reached at the
end of the first
film.
The band
of 13 dwarfs, a wizard and a hobbit
continue to elude the orcish hordes from the
end of the first
film as they make their way toward the Mirkwood, representing the quickest way to the mountain
of Erebor.
It's the
film's universal truths — among them the constant splintering and rebuilding
of familial relations, the open road as an open -
ended metaphor, and the need for
continued purpose and relevancy as one grows older — that makes this six - time Oscar nominee (including a Best Picture nod) less a movie involving a specific state and more a
film evoking a specific state
of mind.
While the
ending is a huge anticlimax the acting by the large is fantastic with Fassbender and McAvoy in particular
continuing on their fine turns and the direction
of Singer is often highly inventive, therefore the
film feels frequently fresh.
Peter Bradshaw: Our countdown
continues with a masterstroke
of power and pathos: Michael Haneke's haunting
film about the
end of a life
Star Wars: Episode VII - The Force Awakens,
continuing the beloved original trilogy about Luke, Leia, Han & Chewie that
ended in 1983, is directed by J.J. Abrams,
of the
films Mission: Impossible 3, Star Trek, Super 8 and Star Trek Into Darkness.
While the ever - lessening dollar and Hollywood's ever - escalating tentpole ambitions will
continue to rob Titanic's performance
of meaning, it really was a thing
of beauty: opening pre-Christmas with an unextraordinary $ 28.6 M (8th for the year, behind such
films as Liar Liar and Scream 2) and then just staying strong, maintaining $ 20 + M weekends through the
end of February and hanging onto first place through the first weekend
of April (when Lost in Space earned its only claim to fame).
Accordingly, with all the necessary exposition and basic plot and character foundation taken care
of in the first
film, in X2 Singer and scripters Michael Dougherty and Dan Harris waste no time in
continuing the angst - ridden lives
of our genetically - mutated heroes and villains from right where the first
film ended.
He
continues to prove how talented and intelligent he is making
films that are meaningful and engaging, and I can't be happier with the way The
End of the Tour turned out.
For all the problems we may have with the idea
of a black man fighting for the side that would
continue to enslave his own people, by the
end of the
film, it's his character that reminds us
of the bond between the Civil War and the cinema myth
of the American West.
But then the
film leaps past the
end of the series to
continue the story
of the transport Serenity and its crew.
After an astonishingly intense start to the action, the tension somehow
continues to steadily rise throughout, leading to one
of the most emotional and satisfying
endings to a
film you're likely to see this year.
Starting in the late 1980s, Herzog began to focus much more on documentary storytelling (though he had always made documentaries previously, and would
continue to make fiction
films, going forwards), and now has a body
of work that includes such nonfiction masterpieces as Little Dieter Needs to Fly, Grizzly Man, the Oscar - nominated Encounters at the
End of the World and Cave
of Forgotten Dreams.
I kind
of put myself in a bad spot by opening the month (and the year) with Arnie's disastrous adventure involving Armageddon in
End of Days, a
film I didn't really feel comfortable with «associating» with any others as...
Continue reading TBT: Saving Private Ryan (1998)
The game coincides with the new 2012 reboot
of the
film, but that is where the tie in
ends, it's an adventure that
continues the story on what happened after the events
of the
film.
And through the
end of next week, the New York Film Festival
continues screening independent and critical
films.