Sentences with phrase «end of the film exploring»

He can barely hide his anger at Ira & Christine's presence, as well as Ira's apparent wealth (unfortunately this is the beginning and end of the film exploring class tensions between the two couples), making his presence add a slight amount of unease to some scenes.

Not exact matches

In the end you can say the film lack entertainment, yeah there's enough to keep you amused for 100 minutes but the film uses all of it's tricks way too soon withou going deep into the themes it tres to explore.

At the end of the day there is nothing here that hasn't really been done before, but the fact its been created around a culture and heritage that hasn't really been explored fully on film before makes all the difference.

The film asks who we really are inside, explores the ideas of illusion vs. reality, what is artificial vs. what is human, the scary end of all things vs. the wondrous beginning of something else entirely different and new.

The film is a romantic view of an era often explored from the perspective of the great depression, of the end of a class system, of a broken Europe plagued by continental and civil way.

A new featurette for co - writer / director Edgar Wright's new film The World's End has been released, in which the connection between The World's End and Wright's Shaun of the Dead and Hot Fuzz is explored.

Phantom Thread explores how the artist's relentless drive for perfection can induce a kind of madness, and if this does turn out to be Daniel Day - Lewis's final film, he could hardly have ended on a more appropriate note.

Edith, at sea in her new life and intimidated by Lucille, explores the house (by the end of the film the layout is clear, essential to the suspense of the finale).

Whether or not Anna deserves to be committed must be left for the film itself to reveal; what is clear is the commitment of the cast and crew to a labyrinthine plot which is worth exploring, even if the ending leaves you wishing you could call a «memory detective» to explain it to you.

That's the theme the film explores and by the end of it, Logan's a changed man, setting the stage for X-Men: Days of Future Past.

Filmed in the rugged and remote region of Tierra del Fuego, Chile, «The Man at the End of the World» explores the beauty and mystery of Tierra del Fuego through the eyes of one of its original pioneers, Don Germán.

Players will visit key locations from the films, including Bag End, Bilbo's Hobbit - hole in Hobbiton, trek through the treacherous High Pass over The Misty Mountains, and explore the depths of Goblin - town, Mirkwood and Rivendell.

Orlandi — known for his politically engaged work — will explore the parallels between Turpin's fight against the extremist views of the 30s and our own generation's struggle with terror, while Smith's new film subtly remembers Turpin's day job of a window cleaner, by filming the mesmerising lines of contemporary East End window washers at work.

The selection includes artist films and videos that explore how we see and how we react to the world via the imagery, aesthetics, icons of mountains, snow and ice and indeed their ever ending mutations.

Whose beginning is not, nor end can not be presents new and recent works that explore recurring themes and new subject matter through a wide range of media including film, drawing, installation and performance.

Opening with Picabia's solid early Cubist paintings which quickly diffused various critics» claims of painterly illiteracy, the show plows ahead through Picabia's scintillating obsession with Dada, examines his short - lived fascination with film, explores cutting edge experiments with Renaissance and Transparency painting techniques, shows his controversial war - time figurative paintings, and ends (rather deflatedly) with his return to Abstraction.

«Since there is no equivocal definition of life, most current definitions are descriptive,» reads Hannah Black «s «Beginning, End, None» three - channel film installation, a triptych of audio - video collage exploring what it means to be alive through the ambivalent idea of the «cell.»

While Garland's last film was heavy on the technology side of sci - fi, this one is all about the science end of things, exploring the kind of beauties and monsters that strange twists of evolution might cook up.