Sentences with phrase «end scene of»

According Remedy's drama director Stobe Harju, the team has locked down the «shivering» end scene of Quantum Break, which is important to the rest of the scenes.

Locked the end scene of @quantumbreak @remedygames.

I always liked the end scene of The Hangover movie where the guys are scrolling through all the pictures from their crazy night and they saw they had been partying with carrot top.

In addition, K - pop singer Taeyeon's first solo music video I, and the end scenes of Crouching Tiger Hidden Dragon: Sword of Destiny were also filmed here.

Not exact matches

At the end of «The Force Awakens,» she was thrown into Starkiller Base's trash compactor, and in «The Last Jedi,» she literally shows up for just one scene to fight Finn.

Some bears say scenes like these Greece riots herald the end of capitalism as we know it (Photo: Yannis Behrakis / Reuters)

Near the end of the speech McConaughey gets the team to do the humming routine from «The Wolf Of Wall Street,» and then tells the players the story of how it ended up in the movie (Leonardo DiCaprio saw McConaughey warming up with the routine before the scene and asked him to do it on cameraof the speech McConaughey gets the team to do the humming routine from «The Wolf Of Wall Street,» and then tells the players the story of how it ended up in the movie (Leonardo DiCaprio saw McConaughey warming up with the routine before the scene and asked him to do it on cameraOf Wall Street,» and then tells the players the story of how it ended up in the movie (Leonardo DiCaprio saw McConaughey warming up with the routine before the scene and asked him to do it on cameraof how it ended up in the movie (Leonardo DiCaprio saw McConaughey warming up with the routine before the scene and asked him to do it on camera).

A relative newcomer to the scene, the BTCChina Pool is one of the biggest players around despite only launching at the end of 2014.

A relative newcomer to the scene, BTCC (also known as BTC China) is one of the biggest players around despite only launching at the end of 2014.

And its ending scenes are some of the best storytelling Nolan has ever done (and that's saying something seeing how he ended «Inception»).

It's the end of an era at Business News, with long - running columnist Joseph Poprzeczny calling time on his well - read column, State Scene.

What it's about: «Empire» surpassed even the first «Star Wars» movie in fame, with its unforgettable twist at the end and meditative scenes of Luke training with Yoda.

Mad Max rode a winning streak in several technical and behind - the - scenes categories to score six Oscar statues last night, though the film ended the night shut out of most of the show's major categories, such as Best Picture and Best Director.

Behind the scenes, the end of another era was just beginning.

For the average American retirement saver, the world of investing can feel a lot like that scene near the end of «Indiana Jones and the Last Crusade.»

Most of the incidents — more than 56 percent — ended on the shooter's initiative, when the shooter either killed himself or herself, simply stopped shooting, or fled the scene.

The scene of Kim Jong - un shaking hands with Moon Jae - in brought cheer to financial markets as the two leaders vowed to work towards denuclearizing the Korean peninsula, hopefully ending a seven - decade conflict.

This week's jittery behavior by REITs (real - estate investment trusts) is the latest scene in an eternal tragedy of investing: When too many people want to own something all at once for the wrong reasons, they will almost certainly end up sorry they bought it at all.

It's also a talent notably absent from the current Canadian political scene — except in the person of one Justin Trudeau, Prime Minister of Canada, who sits at precisely the opposite end of the ideological teeter - totter from O'Leary.

Concerned about these departures, a group of women inside Nike started the behind - the - scenes survey that eventually ended up on Mr. Parker's desk.

It was the blockbuster book of the 1980s, catching the spirit of the age in all its glittery egotism («Masters of the Universe») and cheap urban politics (the opening scene is an 80s version of «mau - mauing» that ends up exploding in chaos, not like the scripted routines Wolfe described in «Mau - Mauing the Flak Catchers» a decade earlier).

End Scene Matthew Loftus lives in the Sandtown - Winchester neighborhood of Baltimore and works as a family physician.

I'm reminded very vividly of the ending of The Princess and the Frog, when the villainous Doctor Facilier is overtaken by the demons that gave him his power in a scene straight out of Doctor Faustus.

One might well ask: What is the point of all of these distressing details when the end of the novel will, in most cases, be a sentimentalized scene of happy family life?

Again, I really want to stress this is not about the messy never ending post divorce antics with an NPD but the culture of leaders in this publishing / speaking / minor celebrity circle that have smeared names and reputations in order to appear one way while behind the scenes another story is going on.

Now at almost 600 comments, the one thing I hope for outside of the apologies that Julie (and others) so richly deserve is an end to the evangelical / pomo / dispensational / Calvinist / church - growth / emergent / author / leadership / Christian conference scene (pick one or more categories as YMMV).

At the end of the movie, we see some tension between these two characters, but this scene would have developed that tension more had it made the final cut.

To that end, you will find articles on theology, biblical interpretation, interviews, debates and changes and trends within the Church scene from a whole range of people.

Director Niki Caro keeps the camera pointed away from both Jewish and Christian faith, besides a brief scene of two Rabbis praying as they face certain death on the business end of a Nazi flamethrower.

Is he, then, here constructing an «ideal scene» in which the conditions for belief as based on «sight» are as favorable as they could possibly be, only to suggest that such belief is not, in the end, the most important or permanent kind of faith?

Religious people speak of God when human knowledge (perhaps simply because they are too lazy to think) come to an end, or when human resources fall — in fact it is always the deus ex machina that they bring on to the scene, either for the apparent solution of insoluble problems, or as strength in human failure — always, that is to say, exploiting human weakness or human boundaries.11

At the end of ages, when we at last receive permission to pull back the tent curtain to peer at the glory, the scene that will greet us will not be what we expect.

The chapter ends in a scene of harmony, the division between the old Paul and the church having been overcome through God's revelation of Christ to the persecutor.

To continue a bit with the end of that last idea: so if a group of people are on the scene of some event covered by the news, then obviously there would be great value in knowing some directly transferred assessment values from their brains, rather than what today we get as a summary from a few reporters plus maybe a few witnesses that still have to express what they saw.

In the second scene he had announced his refusal «to live under the eye of eternity» But by the film's end he has overcome the hubris of that technique for coping:

Not happy with his life, Hader's character travels to Los Angeles to off someone and «ends up finding an accepting community in a group of eager hopefuls within the LA theater scene.»

Also, take the end of October through the last day of December and imagine three full months of non-stop «it's a small world after all» played everywhere you go, in every store, every mall and every business, all day, every day, and then you get home to an evening to yourself and your favorite channel is playing a 10 hour marathon of the old «It's a small world» Disney video that takes you on a magical tour of the ride and a behind the scenes segment on how they did all the animatronics.

This is movingly portrayed in a dramatic scene at the end of the Fourth Gospel, where Peter meets the risen Jesus on the lake shore, after a night's fruitless fishing.

Bishop Persell, viewing the scene from the perspective of the Episcopal Diocese of Chicago, draws an even stronger conclusion: «If you're formed in opposition and negativity, you're bound to keep on splitting — there's always need for more purity, and you don't live with ambiguity very well, so you end up in a church of one.»

They opted to end the year with five weeks of various prayer experiences: intense silent prayer and Taizé chants; the sharing of bread and the cup, combined with a spontaneous blessing of one another; Zen - type silence; and guided meditations on gospel scenes.

[The book of Acts and the Epistles] would then form the first scene of the fifth act, giving hints as well (Rom 8; 1 Cor 15, parts of the Apocalypse) of how the play is supposed to end.

The detective begins at the end, at the scene of the crime after it has been committed.

The scene which ends act one is the most dramatic and revealing of the play.

And the Doctor runs through what kind of man he could be in a jocular way — a fighter, a lover (winks at Rose), etc. and then ends the scene by launching that guy off the ship into the air for a murderous fall to earth: «No second chances — I'm that kind of man.»

A case can be made for its having come in the past with the coming of Jesus, for its gradual growth in the present, or for its coming only in the future with a catastrophic end of the earthly scene.

The Revelation sees the whole universe as the scene of the battle between God and the Devil, between Christ and Antichrist, between good and evil, a struggle which will continue to the end of time.

For reasons given in Chapter 4, the expectancy of a speedy end of the existing world scene did not basically pervert the ethical insights of the early Church, and still less those of Jesus.

Whereas, Jesus himself foresaw and taught the imminent end of the world and of history by an abrupt incursion of God into the human scene.

C. S. Lewis's A Grief Observed, written after the death of his wife Joy, ends with an evocation of this scene from the Paradiso.

The end of the play would be much more comfortable for us if we could treat the Portia of the trial scene as an allegory of the Divine Judge who forces Shylock (the allegorical sinner) to relinquish all his wealth with the conditional restoration of a part of it upon his baptism» that is, he must throw down everything he has and follow Christ.