Sentences with phrase «end time and location»

The start time and end time and location of the hearing are the same.

Not exact matches

I ended up opening eight locations over the next five years, and then sold some of them to spend more time with my growing family.

The company is also planning to open 10 more locations in Canada by the end of its 2019 financial year, hoping to add up to 25 new shops in Taiwan and China, as well as build a presence in Singapore and Malaysia in the same time frame.

To that end, both companies offer flexible scheduling and allow employees to work from home or other locations at least part of the time.

At the end of the day, ROBS can be used with a variety of business purchases: start - ups, first - time franchise locations, existing small businesses and existing franchises.

The morning ended with our usual play and socialization time in our fun, child friendly, safe location.

A highlight this year, for the first time Great Wolf Lodge is partnering with Alexs Lemonade Stand Foundation at all 14 U.S. Great Wolf Lodge locations to generate funds and raise awareness to help end childhood cancer.

Usually the beginning of day and end of day are the best times to have indirect light, but it will depend on your location and where the sunlight comes through the window.

I took lots and lots of clothes so I can work on some posts in a beautiful location but then ended up doing none of that and just spent time with Sharjeel & Serena.

Location and time was set but we somehow both ended - up at a different sight in Potsdam.

Stuart has interviewed, with few exceptions, all involved with the 1974 production in some capacity (associate producer Scott Bushnell declined comment because her words have betrayed her in the past; indeed, if The Nashville Chronicles has an antagonist, it's the Lady Macbeth - like Bushnell), and with their quotes he has compiled a linear oral history that begins long before the location shoot (Altman's time in the service) and ends long after: Stuart concludes with his own critique of the screenplay to Nashville 12, the aborted sequel that would've reunited the entire Nashville cast save Keenan Wynn (dead), Dave Peel (born - again), and Scott Glenn (written out because his Pfc. Kelly had such an opaque personality).

This section of the game is also extremely challenging especially when you trigger the wormhole for the first time and it ends up summoning Wanderers spawning around random locations near the objective.

And especially this film, because it starts in sunlit, beautiful nature and ends with this very dark and damp slaughterhouse; I thought of Bernardo Bertolucci's STEALING BEAUTY - it has very beautiful Neapolitan sunshine on Liv Tyler's body, on the beautiful locations - and at the same time, he shot DELICATESSEN and SE7EN, and he is called the «Prince of Darkness» -LCB- Due to his expert Chiaroscuro technique -RCAnd especially this film, because it starts in sunlit, beautiful nature and ends with this very dark and damp slaughterhouse; I thought of Bernardo Bertolucci's STEALING BEAUTY - it has very beautiful Neapolitan sunshine on Liv Tyler's body, on the beautiful locations - and at the same time, he shot DELICATESSEN and SE7EN, and he is called the «Prince of Darkness» -LCB- Due to his expert Chiaroscuro technique -RCand ends with this very dark and damp slaughterhouse; I thought of Bernardo Bertolucci's STEALING BEAUTY - it has very beautiful Neapolitan sunshine on Liv Tyler's body, on the beautiful locations - and at the same time, he shot DELICATESSEN and SE7EN, and he is called the «Prince of Darkness» -LCB- Due to his expert Chiaroscuro technique -RCand damp slaughterhouse; I thought of Bernardo Bertolucci's STEALING BEAUTY - it has very beautiful Neapolitan sunshine on Liv Tyler's body, on the beautiful locations - and at the same time, he shot DELICATESSEN and SE7EN, and he is called the «Prince of Darkness» -LCB- Due to his expert Chiaroscuro technique -RCand at the same time, he shot DELICATESSEN and SE7EN, and he is called the «Prince of Darkness» -LCB- Due to his expert Chiaroscuro technique -RCand SE7EN, and he is called the «Prince of Darkness» -LCB- Due to his expert Chiaroscuro technique -RCand he is called the «Prince of Darkness» -LCB- Due to his expert Chiaroscuro technique -RCB-.

Logan told the press that the script for the new Bond film, which is not due out until the end of 2015, is in process and he would be using his time in Ireland to «soak up the local color now that I'm here,» with a view to including the country as a location in the next film.

Leverage back - end analytics to track usage and performance - related data that are relevant to your business: e.g. volume of users, geographic location of users, content viewed, average time spent in a course or number of questions answered incorrectly in a course.

Once a tyre is getting close to the end of its life the Connesso app will allow you to order a replacement directly through the interface and organise the time and location for the fitting.

12th Annual St. Patrick's Parade in Historic Delano Date: March 17, 2018 Time: From: 12:00 PM to 01:00 PM Location: Begins at Douglas & McLean and ends at Douglas & Walnut 16th Annual Tallgrass Film Festival Date: October 17, 2018 - October 21, 2018 Time: Various times Location: Various locations around downtown Wichita 2018 Wichita Riverfest Date: June 1, 2018 - June 9, 2018 Time: Event times vary Location: Downtown Wichita 37th Annual Wichita Asian Festival Date: October 27, 2018 Time: From: 05:00 PM to 09:30 PM Location: Century II Performing Arts & Convention Center Autumn & Art 2018 Date: September 14, 2018 - September 16, 2018 Time: Friday, 6 - 9 p.m.; Saturday 10 a.m. - 7 p.m.; Sunday 10 a.m. - 5 p.m. Location: Bradley Fair Derby BBQ Festival Date: June 8, 2018 - June 9, 2018 Time: Begins Friday at 6 p.m. Location: High Park Great Plains Renaissance & Scottish Festival Fall 2018 Date: September 29, 2018 - September 30, 2018 Location: Sedgwick County Park Great Plains Renaissance & Scottish Festival Spring 2018 Date: April 21, 2018 - April 22, 2018 Location: Sedgwick County Park ICT Bloktoberfest 2018 Date: October 12, 2018 - October 13, 2018 Time: Friday, 5 - 9 p.m.; Saturday 10 a.m. - 9 p.m. Location: WaterWalk Open Streets ICT 2018 Date: September 23, 2018 Location: Douglas Avenue from Glenn Street to Roosevelt Street 14th Annual Anime Festival of Wichita Date: June 29, 2018 - July 1, 2018 Time: TBA Location: Hyatt Regency Wichita 4th Annual Wichita Mini Maker Faire Date: July 21, 2018 - July 22, 2018 Location: Exploration Place Autism CARE Walk Date: April 28, 2018 Location: WaterWalk Belle Plaine Tulip Festival Date: Location: Downtown Belle Plaine Celebrate America Date: June 30, 2018 Location: Old Cowtown Museum Midwest Beerfest Date: October 12, 2018 - October 13, 2018 Time: TBA Location: Expo Hall at Century II Midwest Huntfest 2018 Date: March 24, 2018 - March 26, 2018 Location: Century II Performing Arts & Convention Center Old Cowtown Victorian Christmas Date: Time: From: 06:00 PM to 09:00 PM Location: Old Cowtown Museum Old Town Farmers» Market - Winter Market Date: Location: Distillery 244 Old Town Pumpkins at the Park 2018 Date: Location: Tanganyika Wildlife Park

Making money is definitely attainable with a lot of hard work and perseverance; and while it may not pay off straight away, the time you're investing in it a the beginning is a long term investment which will hopefully lead to a location independent lifestyle in the end

The adventure will end at a different location and meet our driver right in time to get back to Antigua.

Rainbow Family Yoga + Surf Rejuvenation Retreat with Saul David Raye and special guests Marianela Ortiz and Juampa Barahona Start Time: Sunday, July 25, 2010 at 10:30 pm End Time: Saturday, July 31, 2010 at 1:30 am Location: Pranamar Villas & Yoga Retreat Price: $ 500 for locals, which includes all the yoga activities.

One key ingredient that contributes to the success of every T&C event is the great energy and charged ambiance that permeates the evening from beginning to end, starting with the revelation of the secret location 24 hours ahead of time by text message.

These and other charms we have gathered at Tesoro Los Cabos with its elegant Skypool lounge in the heart of the most modern district of Cabo San Lucas, the diversion never endings, because we have the best location in town, just a few steps you will find classy shops, varied nightclubs, restaurants with a lot of options and many water activities to have a fun time and feel a new experiences.

Sometimes you might stumble across a cave that looks exactly like every other cave or a tomb that looks just like any other tomb, but there's rarely anything interesting about them and the treasure you gain at the end is often just a few plates and idols and such that can be sold for some gold, which is fine, but after a while you start to feel the need for more interesting items and locations to make adventuring worth the time.

This new trailer showcases the brutal hand - to - hand combat and devastating magical spells that Viking warriors and Shieldmaidens will unleash in early 2017, alongside a brief taste of the stunning locations and gruesome enemies that players will face as you rebuild your village and protect your clan from mythological enemies and the Norse end - of - times — Ragnarok.

- the team has been adding weapons one by one because they want the same amount of attention for each weapon - the team learned that when they added two new weapons at once, one would end up getting overshadowed by the other - there were more new stages than returning stages because bringing back old stages would have little surprise - since they want to satisfy both new and returning players, they changed the order of stage additions - there weren't any major direction changes in balancing from Splatoon 1 - there have been more pattern combinations between weapons and stages, so there was more involved to balance them all - matchmaking is handled by getting 8 players with similar rank points, and then they're split by weapons - the rank point gap between S + players is bigger than ordinary players - only about one in 1,000 active players are in the S +40 to S +50 region in Ranked Battles - there's even less than one in 10 players that reach S +, while 80 % of the overall player base are in A or less - about 90 % of S + ranked players are within a + / -150 hidden ranked power range - rock was the popular genre in Splatoon, so they tried changing it for the sequel - they prioritized making good background music first before forming the band to play that music - the design team would make the CD jacket - like artwork afterwards - due to this, the band members would often change; some getting added while some others removed - Off the Hook is an exception, as they first decided they would be a DJ and rapper along with their visuals first - Off the Hook's song came afterwards - In Splatoon street fashion was the trend, but in Splatoon 2 they tried adding more uniqueness - the aim was to add Flow with ethnic clothing and Jelfonzo with high fashion - all Jellyfish in this world are born by splitting, which means Jelfonzo was born by splitting from Jelonzo - Jellyfish are like a hive mind - when they hold a wedding ceremony, they're just simply holding the ceremony - Jelonzo and Jelfonzo start gaining their own consciences so they can speak - Flow used her working holiday to go on a trip before reaching Inkopolis Square - during the trip, she met the owner of Headspace - the owner liked her, so she got hired to work there - Bisk has a unique way of speaking: anastrophe - the team tried to express him as an adult man - they made him into a giant spider crab because they wanted someone with high posture - he came from a cold country and broke up with his girlfriend to join a band - just like Flow, he became attracted to squids - Crusty Sean finally has his own shop, but he opened it because he's someone who follows the current trends - one of the trends happens to be people opening their own shops - drink tickets aren't stacked, but the probability is higher than a single brand - the music in Inkopolis Square changes depending on the player's location - sounds contribute to creating atmosphere in the location - the song at front of Grizzco Industries had an atmosphere that feels like some smell can radiate from the game screen - as for Salmon Run, they imagined it as a Japanese restaurant outside Japan that is not run by a Japanese person - each time the player moves between the shops, the game uses an arrange shift that shows the personality of each inhabitant - the arrangement in Shella Fresh is related to Bisk's guitar and mystery files that describe his past - with the Squid Sisters moved to Hero Mode, Off the Hook was put in charge in guiding battles and festivals - Bomb Rush Blush has an orchestra «because it would sound like the final boss» - the team wanted to express the feel of the story's real culprit with this music - the probability of each event occurring in Salmon Run is different - there are no specific requirements, meaning they're picked randomly - this means it's possible for fog to appear three times in a row - the Salmon have different appearances based on the environment they're raised in - if the environment is harsher, they would become large salmon - Steelheads and Maws have big bodies, while Scrappers and Steel Eels have high intelligence - Salmons basically wield kitchenware, but everybody else has a virtue in fighting to actually cook the Salmons - Grill is the ultimate form of this - when Salmons are fighting to the death, they can feel the same sense of unity - they would be one with the world if they were eaten by other creatures, and they also fight for the pride of their race - MakoMart is based on a large supermarket in America - the update also took place on Black Friday in America, which was why Squids are buying a lot of things in the trailer - Arowana Mall looks like it has more passages because there are changes in tenants and also renovation work - Walleye Warehouse has no changes at all, because the team wanted to have at least one map that stayed intact - the only thing different in this map is the graffiti, which is based on the winner of Famitsu's Squid Fashion Contest - all members in the band Ink Theory graduated from music university - they are well - educated girls who also do aggressive things - the band members wearing neckties are respecting the Hightide Era from the prequel - the team will continue adding weapons and stages for a year, and Splatfests for two years - the team will also continue to make more updates including balancing

Towards the end of the quest, there are some large locations where the frequent battles become very time consuming and nearly unbearable.

Given that time has moved on 5 years from the end of the first game, it'd be nice to see Joel and Ellie in a new location too.

«We've heard from developer after developer that they're spending valuable engineering time to combine various signals like location and sensor data just to determine when the user has started or ended an activity like walking or driving,» read an excerpt from an official...

I can't even begin to count how many times an NPC specifically told me to check out a certain area, and I ended up backtracking over every possible location because I couldn't remember specifically where that area was located.

«Another, Once Again, and Many Times More» is the title of the fifth annual Martos Gallery summer exhibition, on view from July 12 through September 1, 2014 at the New York gallery's East End location at 12395 Main Road in East Marion on the North Fork.

Now you're ready to tune your AM radio over to the Veronica Vex pirate radio program all the way down to the low end of the dial on a Friday night after midnight or between six and eleven on Sunday evening The time and location of this program often changes making it impossible for the FCC to triangulate the location of Veronica's broadcasting equipment.

Since being installed in time for 1708 Gallery's InLight exhibition this past November, Comet has been enormously popular in its location on the Boulevard end of the Atrium where it lights up the museum campus both inside and out.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory LabyrinAnd A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinand Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory LabyrinAnd Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory LabyrinAnd Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinand Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinand Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

If either the photons have precisely the same energy, and / or are emitted at precisely the same time from precisely the same location in precisely the same direction, or otherwise are emitted so that they end up in the same direction passing the same point at the same time, then the brightness temperature would be infinity.

The New York Times reports that no fewer than four restaurants have tried and failed to make a go of it in that location in the past 12 years, leaving New York Burger Co. franchisee Jonathan Moldovan wondering what he can do to end that pattern.

The information allegedly collected was «metadata,» information about the digital envelope that carries specific correspondences over a network, which can include an individual's phone numbers, date, time, duration, and location of a communication, the wireless device IDs or addresses of devices on the other end of the message or call, Internet routing information — but not the substance of the communication itself.

With that in mind, we can adjust the time for our Memphis location (which observes CST) to see that the eclipse will start at 11:52 AM, the peak coverage will occur at 1:22 PM, and the eclipse will end at 2:50 PM.

We've heard from developer after developer that they're spending valuable engineering time to combine various signals like location and sensor data just to determine when the user has started or ended an activity like walking or driving.

Glympse is a particularly good one, offering apps for all major smartphone platforms, location - sharing with no sign - up, and the ability to share your location with someone and have that authorization automatically end after a period of time.

While the high - end design and dual - lens camera are set to keep their places on the Honor 9, it appears that the 2017 model will change the location of the fingerprint scanner, this time putting it on the front panel, similar to the Huawei P10.

Seasonal Clerk I (part time) Location: Universal Access Program, Amherst Field Office, Amherst Start Date: 4/29/18 End Date: 9/3/18 About the Department of Conservation and Recreation: The Department...

As for the smaller companies, likely backed by angel investors or trying to make it on a paper - thin budget, these companies are having a hard time getting into the core markets, and they end up in suburban locations.

All our locations end up meeting consistent, high - quality Gap Inc. standards, but the way we get to that result differs in every market and requires us to be nimble and customize our approach every time.

Renewing your commercial property lease at the end of your initial lease term should be a time to evaluate the effectiveness of the location and the viability of the location in the future.

She will be performing «The Maybe» about a half - dozen more times between now and the end of the year, «each unannounced and in a different location in the Museum.»