At the other end of the intimacy scale is Christopher Young's gigantic Drag Me to Hell, represented by a fine performance of the terrific
end title piece.
Thomas Newman's Revolutionary Road seems to have drifted off the radar already, which is a pity because it's a fine score — exemplified by the beautiful
end title piece heard here.
The near - eight - minute
end title piece that closes Mercenaries 2 makes a great finale and is the score in a nutshell — bold, confident, dynamic, ballsy, hugely enjoyable.
Not exact matches
Jonathan S. Tobin, the senior editor of the blog of the conservative Jewish magazine Commentary, published a
piece on the survey shortly after its appearance,
titled «The Beginning of the
End for Liberal Jewry.»
Both
pieces talk about the movie's origins (spawned from a
title and open -
ended concept) and filming in the desert, while the commentary finds Corman with apparently no idea how bad his movies are.
As I stated earlier, Shadow Complex starts off with this genre's obligatory «here's how super-powered you'll be by the
end of the
title but you'll need to gradually re-earn every
piece of it by playing through the game» type beginning.
In the
end, Philomena is a charming film that (in the spirit of the
title character) lets the villains of the
piece off the hook without truly examining the scope of their damage over the years.
Where Charles Bernstein's classic, original score for «A Nightmare on Elm Street» is back for another lullaby here, the composer's «Deadly Friend» hits CD to re-animates a robot - possessed girl next door with equal components creepiness and absurd humor, with the
end title droid chants of «Bee Bee, Bee Bee» certainly one of the nuttiest vocal
pieces heard that decade.
Publishers wanted a larger
piece of pie and managed to convince online retailers that they should be the ones who established the
end cost and limited the ability for said retailers to discount the
titles for a competitive advantage.
So many
titles that appear in there get an anime series, where it's a short thirteen episode series like Letter Bee, or a never -
ending series like One
Piece.
Be careful or you might
end up with a
piece of land you can't get a building permit for, isn't
titled, or has other major problems making it almost worthless.
I new this was going to
end up like it did... BAD!Since the beginning i been expressing my concerns, im an Hardcore NG fan and player, and i have already tested this
piece of shit, it does not deserve the
title of NG!Its not the first time i say get Yosuke Hayashi out of the prodution of NG
titles and DOA, Yosuke Hayashi is just a kid without no vision for this franchises he is a Ninja Dog and he does not reflect the Path of the mentor that Ninja gaiden series just like DOA shoud follow!!!!!
For a unique
end to the exhibition, Craig - Martin chose to give the final gallery over to a monumental
piece by Tom Phillips
titled A Humument, which has been in the works for almost 50 years.
She Was a Picture of Delight, but Perhaps the Real Winner on the Night Was the Host City Itself Belfast Telegraph; December 3, 2013; Deeney, Donna; 617 words... who should win but in the
end it was French - born artist Laure Prouvost who walked away with the
title for 2013 for her
piece Wantee... other three nominees — Tino Sehgal, David Shrigley and Lynette Yiadom - Boakye at Buildings 80/81 in Derry until January.The...
The
piece combines live actors, musicians, and vocalists in a dance of rituals, using video projection to show the «futile struggle to maintain control amongst the fraying fabric of a mind,» and
ends with one vocalist singing the
title song, a favorite of Biggs» grandfather.
In addition, Fischli and Weiss gave each work a poetic, often ironic
title based on its appearance: a vertical assemblage involving a bottle, a carrot, and a spatula, all held together by a
piece of cord, is called The Roped Mountaineers; a bottle and metal vice form the base of an almost impossibly cantilevered construction, with a tea kettle, a trowel, and a feather duster reaching
end - to -
end out into space, in As Far As It Goes.
Typically with that «no
title»
piece, the artist conjured a visual treat that was alarmingly erased at the
end of the exhibition, thereby affording an extra-special ephemeral affect.
And when I finally did get a copy of the
titles, I found myself trying to tie the
title to the
piece in some semantic way and then also found myself wondering if the artist really was so wholly divorced from the meanings of the words or whether their meaning actually did
end up informing the shape of the final painting.
Visitors to the 2009 Venice Biennale may recall Kjartansson as hirsute, hard - drinking painter hard at work in the Icelandic pavilion, slugging beers and painting portraits of a Speedo - clad model for a
piece he
titled The
End (Venice), a joyfully irreverent take on the typically serious genre of performance.
The
piece,
titled «The Embassy,» engages local rappers and artists in putting an
end to the gun violence that's aff ected the lives of so many New Orleans natives.
She made the
piece (which bore the wonderfully open -
ended title of Art Is...) with a grant from the New York State Council for the Arts and nothing in the way of publicity, at a time when documenting performance art was almost an afterthought and marketing it was a joke.
It seems that the whole of Londonderry had expressed an opinion of who should win but in the
end it was French - born artist Laure Prouvost who walked away with the
title for 2013 for her
piece Wantee.
The literality of the painting's
title clashes with the visual, referencing its saccharine effect, while in the
end this
piece offers nothing but an abstract representation.
We
ended up choosing bits and
pieces from a few comments to form the following
title for the new course:
The actual contribution of the author's article often
ended up playing a secondary role compared to the credit the author received for getting a
piece into the journal, which could well be, depending on the
title, no small feat in itself.