Sentences with phrase «end video spaces»

Narrow rooms lead to dead - end video spaces.

Not exact matches

At the end of the day, however, as competing platforms continue to flood the space, and as brands increasingly shift television ad dollars into digital, only one clear victor in the battle for online video has emerged: creators.

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Jores Okore Ends Goal Drought With Equaliser vs Chelsea (Video) Chelsea's Eden Hazard Ghosts Into Space To Open The Scoring vs Luckless Aston Villa

We have a loft space upstairs that ends up being a catch all for things like suitcases, laundry baskets, extra blankets, video game stuff and other random items.

Put on your 3 - D glasses, this narrated video takes viewers on an end - to - end journey through the International Space Station.

On this new episode of The Golden Briefcase 2.0, Tim and Jeremy share a bunch of recent Picks of the Week and touch on a variety of interesting topics including some new trailers (for Mad Max: Fury Road, Sinister 2, Insidious Chapter 3) as well as: cliffhanger endings, streaming platforms, love of video stores (including Jimmy Kimmel's amazing Vulcan Video promo), the internet's relationship with movies (hence the title), the still existent Space Jam website and so much video stores (including Jimmy Kimmel's amazing Vulcan Video promo), the internet's relationship with movies (hence the title), the still existent Space Jam website and so much Video promo), the internet's relationship with movies (hence the title), the still existent Space Jam website and so much more!

In true video game fashion, it turns out that dictator Putzki survived his end despite exploding from the unforgiving vacuum of space.

These might be packaged together with a video as a single unit accessed at the end of the video, or may be deployed as separate standalone assets interleaved at spaced intervals between video and other content nuggets.

On the high end, they must push in - to the tablet PC space with iPad - like devices that also deliver video, music, games — and books.

To this end, www.callistoproject.eu promotes a continuous exchange of information with main stakeholders and general public, using interactive spaces for discussion, such as blog and web conferences, and offering project documents, videos, scientific literature and other relevant documentation.

Regardless of where you end up, there will be ample opportunities in the video game space for programmers to find employment.

By the end of»78 video games exploded into pop culture madness, mainly thanks to the number one pick on our list, Space Invaders.

Following their humble beginnings with Computer Space and Galaxy Game in 1971, though the end of the»70s with the megahit Space Invaders, onto dominating the beginning of the»80s with Pac - Man, Galaga, and hit after hit, video arcade games had established themselves as a major industry.

Namco, a major developer of mechanical arcade games, had been a well - established company in Japan since they started up in 1955, and by the end of the»70s were already major players in the video arcade market thanks to their first game, Gee Bee (an elaborate take on Breakout) and their first space shooter Galaxian (inspired by Space Invaspace shooter Galaxian (inspired by Space InvaSpace Invaders)

While The Witcher 3 marked the end of Geralt of Rivia's adventures in the video game space, developer CD Projekt Red still has plans to make more games set in the universe of the White Wolf.

Rose and Christopher Y. Lew, the Whitney's associate curator who gave the young artist her first New York solo show, walked in at the end of her 10 - minute video and chattered over until the film looped back to the beginning: «When I first came back to Earth after 128 days in space,» the astronaut David Wolf intoned while pools of opalescent fluid shifted onscreen as if agitating a new cosmos.

Filling the wall of the opposite end of the space, the video - work and manifesto of Matthew Burbidge, RP01a, consists of a series of images from art institutions, finance and institutions of power.

To this end, he uses diverse expressive means: photography, video, internet projects, installations and performances in the urban space.

Music by Rufus Wainwright from a digital video work by Douglas Gordon floods the small oblong space, while a jaunty Jim Lambie sculpture of burnished metal hanging at the far end throws back reflections of the audience.

, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.

Waters's video is part of the group show «Seep», that just ended at PEER, an exhibition of four recent London MA graduates (including Kristeps Ancans, Josh Berry and Caroline Streck) who, along with three BA graduates (who are in turn developing a forthcoming project with the non-profit space Auto Italia) recently completed a year - long studio residency with Acme Studios.

I blundered through a misty nocturnal gloom, past a mock - up observatory, ending up in a space where a video took me on a journey through a tessellated universe.

SELECTED GROUP SCREENINGS 2016 Greater New York, MoMA PS1, Long Island City 2015 UnionDocs Collaborative Projects, Spectacle Theater, Brooklyn 2015 Slideluck LA VII, The Space, Los Angeles 2014 Convergence, New York Film Festival, NYC 2014 Slideluck NYC XVIII, Photoville, Brooklyn 2013 Aberrations of Time, 14 Lilienblum Street, Tel Aviv 2013 7th Annual Red Hook Film Festival, Brooklyn Waterfront Artist's Coalition, Brooklyn 2013 Distrital 2013, District Film Festival, Mexico City 2013 Video Dumbo, Eyebeam, NYC 2012 ExDox, Cologne Art and Moving Image Awards, Cologne 2012 Endless Plain, Armory Center for the Arts, Pasadena 2012 Our Haus, Austrian Cultural Forum, NYC 2012 End Tymes Fest, Outpost Artist Resources, Brooklyn 2012 Videorover: Season 3, Contemporary Arts Center, New Orleans 2012 Videorover: Season 3, Manhattan Neighborhood Network, NYC 2012 Videorover: Season 3, Nurture Art Gallery at IndieScreen Cine Club, Brooklyn 2011 UnionDocs» Looking at Los Sures, Carpenter Center for the Visual Arts, Cambridge 2011 Visible Evidence, Tisch School of the Arts, New York University, NYC

On the cacophonous end of the spectrum are the videos themselves, booming, bouncing off the walls, their soundtracks often bleeding into other areas of the gallery space.

PS: More videos covering Plovdiv Night coming soon: M — Ute Müller, Christoph Meier at Sariev Contemporary; Craig Havens: An Ending Is Only The Beginning Of Another Story at Cosmos Cinema; and Dimitar Solakov: The Story of Art — a Concise Version at Sariev Project Space.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

1995 Video Spaces: Eight Installations, The Museum of Modern Art, New York, USRites of Passage: Art for the End of the Century, Tate Gallery, London, UK 3e Biennale d'art contemporain de Lyon, Musée d'Art Contemporain, Lyon, FR

Ending its tour at MOCA's Geffen Contemporary from MoMA PS1 and the Stedelijk Museum Amsterdam, the show featured over 250 works over all of the Geffen's 55,000 square feet of exhibition space with videos, room - sized installations, drawings, intimate sculptures, and a large gallery featuring all of Kelley's transfixing Kandor sculptures.

Presented as a looping video program throughout the day in MAD's sixth - floor Project Space, ALTERNATE ENDINGS, RADICAL BEGINNINGS is the 28th annual iteration of Visual AIDS» longstanding Day With (out) Art project.

No matter where you decide to do your high - end compact phone shopping, you're looking at nationwide GSM network support, carrier freedom, 4G LTE speeds, 32 GB internal storage space, 4 GB RAM, pre-installed Android 8.0 Oreo software, a 720p «Triluminos» display, 19MP rear - facing camera with Super slow motion video recording, IP68 water and dust resistance, and 3D Creator capabilities.

Invest in a hefty microSD card and you'll have plenty of space to play with on the Galaxy Tab S3, but it only comes with 32 GB of storage built - in, which is a paltry amount for a high - end tablet, since you're likely to want to fill it up with games, apps and videos.

So that YouTube video ends up taking the same amount of vertical space as on a phone with a 16:9 display, but there's a lot more room for a web browser or Twitter feed as a result.

In fact, several of them just released videos on Trading Spaces» Facebook page sharing what they've been up to since the show ended and their thoughts on bringing the gang back together again.