Not exact matches
Recent
novels by evangelical leaders say more about popular American Christianity
than about the
end times.
Its final meaning, therefore, can not be determined from its own limited perspective any more
than we can determine the meaning of the early episodes of a
novel without reading it to the
end.
But rather
than end the
novel on this ambiguous note, Greene uses a somewhat awkward device to resolve the ambiguity.
By the
end of the
novel, after more
than 500 pages of calumny against the Catholic Church, the reader learns that «both the Vatican and Opus Dei... [turn] out to be completely innocent» (559).
What's the Deal: More character study
than action movie, this adaptation of Martin Booth's 1990
novel «A Very Private Gentleman» is instead concerned with the inner workings of its amoral antihero, whom we witness do very bad things at film's start that haunt him until the very
end.
Beyond its best little moments, the movie is addressing a serious issue, and it feels awfully churlish to complain that its earnest depictions of soldiers in psychological pain isn't
novel enough, or that Koale's performance is a little shakier
than Teller's, or that the movie doesn't have much to say about the Iraq War in particular, or that it eventually tries to pass off a lack of resolution as an abbreviated happy
ending.
Shirley Jackson's classic 1959
novel The Haunting of Hill House gets the full effects - laden,
end - of - the - century treatment from action director De Bont (Speed, Twister), which essentially means more computer - generated phantasms and a much, much louder audio track
than Robert Wise's superlative 1963 version.
The pain that Deadpool experiences from his loss is so great that it
ends up literally ripping him in half, and punishes his mutant body in more
than a few
novel, funny, and satisfyingly graphic ways.
Still, better to have reached those lofty heights at all
than to stand as average to slightly above average entertainment that many similarly - themed and far less profitable YA
novel adaptations have
ended up as.
On the other hand, I found the
end of the movie to work better
than the
novel.
Considerably more is made of the film's debt to John Ford, specifically The Searchers (a debt underscored in an alternate
ending that apes its famous bookend shots),
than to the graphic
novel series on which Goodman's script is allegedly based, and we learn that the phrase «brutal functionism» was coined to describe the movie's props, including a blade fashioned from Damascus steel that took 100 hours to sculpt for a few seconds of screentime.
It's loaded with delightful twists, the main one perhaps guessed by the most prescient members of the audience, though if you read the Welsh
novel «Fingersmith,» which features even more detail
than the movie, you will of course know the dramatic
ending.
Lili Elbe is a technical accomplishment rather
than a flesh - and - blood person, a pure image, an artwork, emphatically a girl rather
than a woman, who
ends the film resembling nothing more
than one of those fragile beauties who die of tuberculosis in 19th century
novels.
The
end result is a passable thriller that could (and should) have been so much better, with the less -
than -
novel premise, unfortunately, negatively coloring everything that transpires over the course of the film's slightly overlong running time.
The list of icons making appearances was truly unprecedented: Superman soars twice — once in the «return» and the other as Ben Affleck; Crockett and Tubbs exude cool; Ethan Hunt falls short; Captain Jack Sparrow sets the stage for the finale; Jack Black sometimes wears stretchy pants; Huey Long is resurrected and somehow over-played by Sean Penn; the mass appeal of the DaVinci Code
novel fizzled onscreen; Robert Altman's amazing career
ended with an excellent adaptation of a radio series starring Garrison Keillor's made for radio face; Johnny Depp tried to untrack his career with The Libertine; Nicolas Cage was front and center in the disastrous remake of The Wicker Man, but if the preview is any indication, his sleep - walk was merely a tune - up for this year's Ghost Rider; Woody Allen (with Scarlett Johansson as his muse) re-emerged with his best comedy since Crimes and Misdemeanors; amazingly, Jen and Vince's real life break - up was more entertaining
than the film version; and while on - set hook - ups seem to the norm, how could the dreadful You, Me and Dupree have been an aphrodisiac for Kate and Owen?
But I still struggle to discern a reasonable artistic argument for having Hobbs hit a game winning home run at the
end of The Natural rather
than deliberately strike out as he does in Bernard Malamud's
novel.
In the opening section of The Stranger's Child, Alan Hollinghurst jumps into the milieu of some of the greatest
novels in English, the
end of the dress - for - dinner era that came just before World War I. His fine and elegant writing seems to be more than an homage to novels such as Brideshead Revisited or Howard's End; the precision of his language allows Hollinghurst to tease out what his characters are actually thinking even as what comes out of their mouths is the proper, dining - room appropriate thing to s
end of the dress - for - dinner era that came just before World War I. His fine and elegant writing seems to be more
than an homage to
novels such as Brideshead Revisited or Howard's
End; the precision of his language allows Hollinghurst to tease out what his characters are actually thinking even as what comes out of their mouths is the proper, dining - room appropriate thing to s
End; the precision of his language allows Hollinghurst to tease out what his characters are actually thinking even as what comes out of their mouths is the proper, dining - room appropriate thing to say.
Think of the rush you get from racing to the
end of an up - all - night
novel — except there are seventeen of these, each less
than ten pages long.
I wrote a
novel that
ended up getting more
than half request for the full ms, and then... nothing and uhm and errr and we're still deciding.
The Last Empress, which opens where Empress Orchid
ends, lacks the compelling rags - to - riches / love story elements of Empress Orchid and tends to read like a series of vignettes not a continuous
novel - probably the result of trying to squeeze nearly half a century of turbulent history into less
than 300 pages.
Michelle Hoover's The Quickening covers roughly the same timeframe and space as Jane Smiley's Some Luck: from the beginning of World War I (rather
than its
end in Smiley's
novel) to 1950, on neighboring farms in the upper Midwest.
My recent
novel, Delirium, may have a smaller audience
than a happy -
ending - romance but it's what I am drawn to write.
Captured by death squadrons, they somehow manage to escape... In this remarkable
novel, Betancourt, an activist who spent more
than six years held hostage by the FARC in the depths of Colombian jungle, returns to many of the themes of Even Silence Has an
End.
The Goldfinch may have won Donna Tartt the Pulitzer, praised by judges as a
novel which «stimulates the mind and touches the heart», but the acclaimed title's 800 - odd pages appear to have intimidated British readers, with less
than half of those who downloaded it from e-bookseller Kobo making it to the
end.
He's the New York Times bestselling author of They Both Die at the
End, More Happy
Than Not, and History Is All You Left Me, and all his
novels have received multiple starred reviews.
Most writers are lucky to get to the
end of a
novel with anything more
than a gut sense of what they did.
Find out what happens next as we come close to the
end of the reading of the crime
novel, Bigger
Than Jesus by Robert Chazz Chute.
Burd's first
novel has some of the trappings of the traditional coming - out - while - coming - of - age story, and his
ending seems more willful
than artful.
So I stayed with the book, and was engaged in how the various storylines played out, that is, until I got to the
end: I am afraid that the
novel just stopped rather
than ended when it came to the resolution of some of the plotlines.
More
than ever, people need regular doses of the kind of hope, optimism and happy
endings that they get from romance
novels.
How does someone who never imagined releasing anything other
than a traditionally published
novel end up self - publishing an interactive collection of poetry, exclusively for the iPad?
Be careful not to break the tone or pacing of the
novel too much or the epilogue will
end up sounding like the intro of a new story rather
than the closing of the current one.
There's plenty of introductory freebies on offer as well as host of public domain
novels to download and the big clear screen makes it a pleasure to use as a mini ebook reader and certainly significantly better
than a smaller smartphone size even if you do still
end up turning pages a little too often.
Although this might give you a headache to calculate how much you will
end up paying to read a book, in practice, a 175 - page
novel may only cost less
than $ 1 which is still in the acceptable price range for eBook that most Chinese readers are willing to spend according to Tech in Asia.
I wasn't expecting to see quite the volume of cut - scenes that the game
ended up having, and the game feels more like a fully - animated visual
novel with RPG side - quests
than an actual RPG.
Playing as some other characters, more like a short story with multiple
endings than a full sized light
novel, I think will add a lot of color and fun to the game as well.
• Streamlined month -
end accounts closing by introducing a
novel system which was considered 50 % more efficacious
than the previous one.