Sentences with phrase «ending tones of the story»

Amid the serious, world - ending tones of the story, the writers at Larian Studios were never afraid to pepper in some pop culture references or cheeky witticisms.

Not exact matches

While the series mostly keeps a suspenseful tone there are a few moments of seemingly long dialogue which just seemed to pad the running time, but again those might make more sense on subsequent viewings - once you know how the story ends it practically begs to be watched at least one more time.

With a lively tone and an intricately plotted multi-strand story, this Japanese drama holds our attention using humour, drama and an end - of - the - world scenario.

At a seemingly lean 105 minutes, the film feels more like 205 minutes as it chugs along to its big twist ending (ahem, Señor Shyamalan at your service), and though the story gains some momentum in the middle with the introduction of a group of ghost hunters, the random change in direction doesn't quite fit with the rest of the film's tone.

The movie really doesn't work until the final act, after we've had to suffer through a lot of confusing tone changes, half - hearted story beats and dead end CGI spectacles.

In addition to praising Garland as being a true auteur (while explaining that Garland himself «says he's not an auteur»), VanderMeer touched upon how the film version of his first Southern Reach novel differs in terms of not only tone, but the actual ending to the story:

In the spirit of Youth's reflective tone and its story of a man looking back on his achievements in search of self definition, we pay tribute to 50 final films, in alphabetical order starting with Chantal Akerman's No Home Movie and ending with to Edward Yang's Yi - Yi.

If they do, they end up sugar coating the truth or adding in some sort of love story or fictitious subplot to lighten the tone.

Near the end she pretty much defines the tone of her book when she writes, «But stories are more important than statistics.»

Rather than a dramatic denouement, the ending is more in keeping with the tone of story.

Be careful not to break the tone or pacing of the novel too much or the epilogue will end up sounding like the intro of a new story rather than the closing of the current one.

And it's a game, like nothing I've played before, of stories, each different of tone, length, delivery, every one wrapped up within the framing of a wholly separate one — the one you see first, the game's title still on the screen, but won't properly understand until the end credits.

Story and tone isn't enough to carry a game and to that end, Rockstar has tweaked the game's signature gunplay to near perfection, turning the once so - so combat into an incredible spectacle of bullets and blood.

Even so, knowing the sad ending to Kelley's story and that he touched the lives of so many people in L.A., there is a shadowed tone that hangs over the exhibition.

It depends, of course, on what actually ends up happening in Vancouver and San Francisco but also on the number and tone of the news stories.