Sentences with phrase «ends at the art museum»

The parade ends at the art museum.

Not exact matches

Union Square Hospitality Group (USHG) was founded by Danny Meyer and includes some of New York City's most beloved restaurants: Union Square Cafe, Gramercy Tavern, Blue Smoke, Jazz Standard, The Modern, Cafe 2 and Terrace 5 (located at the Museum of Modern Art), Maialino, Untitled and Studio Cafe at the Whitney Museum of American Art, North End Grill, Marta, and Porchlight.

Gary Vikan was named Director of Baltimore's Walters Art Museum in 1994; he stepped down from that position at the end of March 2013.

At the time, visit this site the Nazis — who knew that their fight was coming to an end — were destroying valuable pieces of artwork that they once hoped would end up in the art museum Hitler dreamed of building.

Thursday marks the end of Jason Reitman «s series of live readings at the Los Angeles County Museum of Art and, for most of us, that's a relief.

This collaboration between Google Arts & Culture and the Natural History Museum in London brings a Jurassic beast to life and offers an environmental call to action at the end.

The Art of Murder A Dead - End Job Mystery, Book # 15 By Elaine Viets ISBN13: 9780451476135 Author website: http://www.elaineviets.com/pages/bio.asp Brought to you by OBS reviewer Kayt Synopsis: From the national bestselling author of Checked Out, Helen Hawthorne must pose as a painter at Fort Lauderdale's famous Bonnet House Museum to catch... Continue reading →

Check out the Denver Art Museum's Untitled Final Fridays, an evening program at the end of each month with offbeat activities organized throughout the museum, a cash bar, and live Museum's Untitled Final Fridays, an evening program at the end of each month with offbeat activities organized throughout the museum, a cash bar, and live museum, a cash bar, and live music.

On Yusuph Safarov street just at the end of the seaside promenade to the east side of Baku you can find the the Baku Museum of Modern Art.

The preview is full of walking and bus tours of historic neighborhoods, like the golden - era Hollywood homes in Old Las Palmas and the swanky South End; a cocktail party and decorative arts sale sneak peek at the Palm Springs Air Museum; a tour of Frank Sinatra's «Twin Palms» estate; and more.

12th Annual St. Patrick's Parade in Historic Delano Date: March 17, 2018 Time: From: 12:00 PM to 01:00 PM Location: Begins at Douglas & McLean and ends at Douglas & Walnut 16th Annual Tallgrass Film Festival Date: October 17, 2018 - October 21, 2018 Time: Various times Location: Various locations around downtown Wichita 2018 Wichita Riverfest Date: June 1, 2018 - June 9, 2018 Time: Event times vary Location: Downtown Wichita 37th Annual Wichita Asian Festival Date: October 27, 2018 Time: From: 05:00 PM to 09:30 PM Location: Century II Performing Arts & Convention Center Autumn & Art 2018 Date: September 14, 2018 - September 16, 2018 Time: Friday, 6 - 9 p.m.; Saturday 10 a.m. - 7 p.m.; Sunday 10 a.m. - 5 p.m. Location: Bradley Fair Derby BBQ Festival Date: June 8, 2018 - June 9, 2018 Time: Begins Friday at 6 p.m. Location: High Park Great Plains Renaissance & Scottish Festival Fall 2018 Date: September 29, 2018 - September 30, 2018 Location: Sedgwick County Park Great Plains Renaissance & Scottish Festival Spring 2018 Date: April 21, 2018 - April 22, 2018 Location: Sedgwick County Park ICT Bloktoberfest 2018 Date: October 12, 2018 - October 13, 2018 Time: Friday, 5 - 9 p.m.; Saturday 10 a.m. - 9 p.m. Location: WaterWalk Open Streets ICT 2018 Date: September 23, 2018 Location: Douglas Avenue from Glenn Street to Roosevelt Street 14th Annual Anime Festival of Wichita Date: June 29, 2018 - July 1, 2018 Time: TBA Location: Hyatt Regency Wichita 4th Annual Wichita Mini Maker Faire Date: July 21, 2018 - July 22, 2018 Location: Exploration Place Autism CARE Walk Date: April 28, 2018 Location: WaterWalk Belle Plaine Tulip Festival Date: Location: Downtown Belle Plaine Celebrate America Date: June 30, 2018 Location: Old Cowtown Museum Midwest Beerfest Date: October 12, 2018 - October 13, 2018 Time: TBA Location: Expo Hall at Century II Midwest Huntfest 2018 Date: March 24, 2018 - March 26, 2018 Location: Century II Performing Arts & Convention Center Old Cowtown Victorian Christmas Date: Time: From: 06:00 PM to 09:00 PM Location: Old Cowtown Museum Old Town Farmers» Market - Winter Market Date: Location: Distillery 244 Old Town Pumpkins at the Park 2018 Date: Location: Tanganyika Wildlife Park

An intimate 5 room contemporary Inn, At Journey's End Bed and Breakfast is conveniently located on a quiet tree - lined street just steps away from fabulous restaurants, museums, art galleries, shopping and a romantic stroll along the Bayfront.

Amenities At the Hostel: 2 Single sex Dorms with 6 - 10 bunks Private Room with queen bed and shared bathroom Private / Family Room with 4 beds and own bathroom Free WIFI Free Continental Breakfast BBQ Linens in the price 24 hour access Fully equipped Kitchen Refrigerators and dried food storage Laundry Facilities Lockers Large Garden area Viewing Deck Ping - Pong Table Free street parking Tourist Information and local information Loads of communal spirit Near The Hostel: Local Art District within 10 minutes walk Local restaurants within 10 minute walk Grocery stores within 15 minute walk Coffee shops within 10 minute walk Bus Route at the end of street Authentic Mexican restaurant around the corner Local Bars within 10 minute walk Downtown and Convention Center within 20 minute walk Local Museums and Library within 20 minute walk You must produce a valid out of state government issued ID at check At the Hostel: 2 Single sex Dorms with 6 - 10 bunks Private Room with queen bed and shared bathroom Private / Family Room with 4 beds and own bathroom Free WIFI Free Continental Breakfast BBQ Linens in the price 24 hour access Fully equipped Kitchen Refrigerators and dried food storage Laundry Facilities Lockers Large Garden area Viewing Deck Ping - Pong Table Free street parking Tourist Information and local information Loads of communal spirit Near The Hostel: Local Art District within 10 minutes walk Local restaurants within 10 minute walk Grocery stores within 15 minute walk Coffee shops within 10 minute walk Bus Route at the end of street Authentic Mexican restaurant around the corner Local Bars within 10 minute walk Downtown and Convention Center within 20 minute walk Local Museums and Library within 20 minute walk You must produce a valid out of state government issued ID at check at the end of street Authentic Mexican restaurant around the corner Local Bars within 10 minute walk Downtown and Convention Center within 20 minute walk Local Museums and Library within 20 minute walk You must produce a valid out of state government issued ID at check at check in

According to Susan Milbrath, the curator of Latin American art and archaeology at the Florida Museum of Natural History, groups of indigenous Mayas associated eclipses with end times and destruction.

With her retrospective at L.A.'s Museum of Contemporary Art recently ended, Benglis reflects, «You know, the reason things are coming back is that they never left.

As I dug deeper I was struck by the sense of outrage and loss this painting aroused in so many people: The family of Lea Bondi, determined to reclaim the stolen portrait she had failed to recover in her lifetime; the Manhattan District Attorney who sent shock waves through the international art world and enraged many of New York's most prominent cultural organizations when he issued a subpoena and launched a criminal investigation following the surprise resurfacing of Portrait of Wally; the New York art dealer who tipped off a reporter about the painting during the opening of the Schiele exhibition at MoMA; the Senior Special Agent at the Department of Homeland Security who vowed not to retire until the fight was over; the art theft investigator who unearthed the post-war subterfuge and confusion that ultimately landed the painting in the hands of a young, obsessed Schiele collector; the museum official who testified before Congress that the seizure of Portrait of Wally could have a crippling effect on the ability of American museums to borrow works of art; the Assistant United States Attorney who took the case to the eve of trial; and the legendary Schiele collector who bartered for Portrait of Wally in the early 1950s and fought to the end of his life to bring it home to Vienna.

The Whitney museum's one - eyed view, doesn't explain that the art world was at a crossroads at the end of the sixties.

Current plans call for the tour to end at the UC Berkeley Art Museum & Pacific Film Archive in August 2019, though additional venues are under discussion.

FORTHCOMING EXHIBITIONS: Organized by Trevor Schoonmaker at the Nasher Museum of Art at Duke University, «Southern Accent: Seeking the American South in Contemporary Art» is traveling to Speed Art Museum in Louisville, Ky., where it opens at the end of the month (April 30 - Oct.

The monumental exhibition Art and China after 1989: Theater of the World opened at the Guggenheim Museum in the end of 2017.

He returned to his artistic practice in 2005, and has since exhibited in several group exhibitions including State of Mind: New California Art Circa 1970 co-organized by the Berkeley Art Museum and the Orange County Museum of Art; Ends of the Earth: Art of the Land to 1974 at the Museum of Contemporary Art, Los Angeles; and Afterlife: A Constellation, curated by Julie Ault as part of the 2014 Whitney Biennial.

The presence of Tokyo Brushstroke I & II at the Parrish Art Museum continues the legacy of Lichtenstein on the East End.

With his work End of a New Dawn, reviewed by Jonathan Goodman in Art in America (Oct. 2005, p. 180), he won the Best New Contemporary Artists Award 2005 at the Kunstnerenes Hus Museum in Oslo, Norway.

On view concurrently to Ends and Means, Lutz's Artificial Tree (Brillo Tree), a 15 ft. tall stack of replicated Warhol Brillo Boxes, produced in association with The Andy Warhol Museum will be on view at the Carnegie Museum of Art, Pittsburgh, PA, through February 2013.

A NEW EXHIBITION at the Museum of Modern Art in New York is dedicated to works by women artists created between the end of World War II in 1945 and the onset of the Feminist Movement in the late 1960s.

Other recent solo exhibitions include Fred Wilson, Objects and Installations 1979 — 2000, a retrospective organized by the Center for Art, Design and Visual Culture at the University of Maryland, which traveled to seven venues nationally from 2001 — 04, including Saratoga Springs, Berkeley, Houston, Andover, Los Angeles, Chicago and ending its run at the Studio Museum in Harlem; Life's Link at the Savannah College of Art and Design Museum of Art in 2012; Fred Wilson: Works 2004 — 2011 at the Cleveland Museum of Art in 2013; and Fred Wilson: Local Color, Studio Museum in Harlem in 2013.

The photograph Sendeschluss / End of Broadcast I (2014) by Wolfgang Tillmans was included in the group exhibition Unfinished Conversations: New Work from the Collection at The Museum of Modern Art in New York.

Pruitt - Early officially ends it long withdrawal from New York, in a series of retrospective shows; Jack Ferver fans worship at the Abrons Arts Center; the New Museum brainstorms how to monetize; PS1 brainstorms how to fix the Rockaways.

Pipilotti Rist appears on permanent display at P.S. 1 Contemporary Art Center and had one of thirteen «independent, large - scale works» in «Open Ends,» at The Museum of Modern Art through January 2, 2001.

Lyrical Abstraction was the title of a circulating exhibition which commenced at the Aldrich Contemporary Art Museum, Ridgefield, Connecticut from April 5 through June 7, 1970, [18] and ended at the Whitney Museum of American Art, New York, May 25 through July 6, 1971.

Mazur in Monet Exhibit at Currier Museum Ends Nov 13, 2017 Michael Mazur's painting «Pond Edge» (1996) is currently on view at the Currier Museum of Art in Manchester, NH, in conjunction with its exhibit «Monet: Pathways to Impressionism.»

Art critic Christian Viveros - Faune in fact ends his January 2012 article in Art Review magazine Pg 50, about how OWS has been handling their involvement with their OWS events at art museums saying: «Artist's have a responsibility to address the issues of their time - creatively, provocatively, thoughtfulArt critic Christian Viveros - Faune in fact ends his January 2012 article in Art Review magazine Pg 50, about how OWS has been handling their involvement with their OWS events at art museums saying: «Artist's have a responsibility to address the issues of their time - creatively, provocatively, thoughtfulArt Review magazine Pg 50, about how OWS has been handling their involvement with their OWS events at art museums saying: «Artist's have a responsibility to address the issues of their time - creatively, provocatively, thoughtfulart museums saying: «Artist's have a responsibility to address the issues of their time - creatively, provocatively, thoughtfully.

Group Activities - New York Artist Union, the WPA, and the Art Workers Coalition Teach - in - Working Conditions Seminar with Precarious Workers Brigade (London), UKK (Young Art Workers, Copenhagen) and a representative of the Chilean Ministry of Culture - Ongoing discussions with representatives from local unions and working centers such as UWA, IWW, Teamster, Writer's Guild of America East, New York Taxi Workers Alliance, and others - Monthly book club on labor law, organizing, workplace occupations, and radical history - End Sotheby's Lockout Solidarity Action at the Whitney Biennial with Occupy Museums, Occupy Sotheby's and Arts & Culture - Joining other OWS labor affiliated working groups such as Labor Outreach Committee, Occupy Your Workplace, and 99 Pickets, as part of the Labor Alliance cluster

London, UK (2013); Light at the End of the Tunnel, Egeran Galley, Istanbul, Turkey (2012); Ivan Navarro: Fluorescent Light Sculptures, Frost Art Museum, Miami (2012); Nacht und Nebel, Fondazione VOLUME!.

Recent projects such as Crash Pad for the 8th Berlin Biennial, Every End is a Beginning at the National Museum of Contemporary Art in Athens and Fin de Siècle at Swiss Institute will be used to highlight aspects from Angelidakis's exhibition practice where the artist becomes curator, the exhibition becomes a medium and the exhibition device an exhibited object.

The trip ended at the Yokohama Museum of Art with «Cai Guo - Quiang: There and Back Again» (until October 18th).

Recent shows include: «The end of magic» at Outpost, Amsterdam 2012 (solo); «Women's lines» at Pantocrátor gallery, Barcelona 2012; «Sphinx» at Fake Space, Beijing 2011 (solo), «This joke ain't funny anymore» at Zina Athanassiadou gallery, Thessaloniki 2009 (solo); The Beautiful is just the first degree of the Terrible» at the State Museum of Contemporary Art, Thessaloniki 2009; «Women only» - Leonidas Beltsios collection at Margaris Art Foundation, Amfilochia 2008 and the 13.

Recent exhibitions include System of Objects, The Dakis Joannou Collection Reloaded by Andreas Angelidakis at DESTE Foundation in Athens (co-curator and exhibition architecture), 2013; DO - IT Moscow at Garage, 2014 (exhibition architecture); Crash Pad, A preliminary statement for the 8th Berlin Biennial, 2014 (artist); Every End is A Beginning at National Museum of Contemporary Art Athens, 2014 (artist, co-curator); Fin de Siècle at Swiss Institute / Contemporary Art, New York, 2014 (curator, exhibition architecture); and 1:1 Period Rooms at Het Nieuwe Instituut, Rotterdam, 2015 (artist, curator).

2015 - 2016 Open This End: Contemporary Art from the Collection of Blake Byrne, Nasher Museum of Art at Duke University, Durham, North Carolina; travels Ohio State University Arts Space, Columbus, Ohio; Miriam and Ira D. Wallach Art Gallery, Columbia University, New York; Ronna and Eric Hoffman Gallery of Contemporary Art, Lewis & Clark College, Portland, Oregon, USA 30 Americans, Detroit Institute of Arts, Detroit, USA

In the Affirming Spirit of «Surviving Sandy,» Seven Artists and Events That Made New York Great This Year Thomas Hirschhorn's Gramsci Monument; Trisha Baga at Greene Naftali and the Whitney; William Copley and Bjarne Melgaard at Venus Over Manhattan; Trisha Donnelly at MoMA and Rosemarie Trockel at the New Museum, lingering from the end of 2012; and Banksy's month of art in New York.

Other projects include Rubicon, presented at Sperone Westwater Gallery in 2013, the Hudson River Watershed and the upcoming East End Field Drawings, which will be exhibited at the Parrish Art Museum, Water Mill, NY, in the fall.

might serve as the inscrutable sound bite of this traveling exhibition curated by Anthony Huberman which started at the Contemporary Art Museum in St. Louis last fall and ends at the Culturgest — Fundação Caixa Geral de Depósitos in Lisbon this summer.

Me Broni Ba Split Ends, I Feel Wonderful Fowler Museum at UCLA Artist Talk with Betzy Bromberg University of California, Los Angeles The Art of Hair in Africa Los Angeles, CA September 17th, 2015, 7:30 PM filmmaker in attendance

1987 1987 Biennial Exhibition, Whitney Museum of American Art, New York (catalogue) Perverted by Language, Hillwood Art Gallery, Long Island University, Greenvale, NY (curated by Robert Nickas, catalogue) Reconstruct / Deconstruct, John Gibson Gallery, New York (curated by Robert Nickas, catalogue) Extreme Order: Cemin, Gober, Halley, Lemieux, Steinbach, Lia Rumma Gallery, Naples (curated by Collins & Milazzo, brochure) Primary Structures, Rhona Hoffman Gallery, Chicago (curated by Robert Nickas) Avant - Garde in the Eighties, Los Angeles County Museum of Art, Los Angeles (catalogue) Paint — Film, Bess Cutler Gallery, New York Post-Abstract Abstraction, The Aldrich Museum of Contemporary Art, Ridgefield, CT (curated by Eugene Schwartz, catalogue) NY Art Now: The Saatchi Collection, Saatchi Gallery, London (catalogue) Generations of Geometry, Whitney Museum of American Art at The Equitable Center, New York Similia / Dissimilia, Columbia University Art Gallery, New York; travelled to Sonnabend Gallery and Leo Castelli Gallery, New York; Städtische Kunsthalle, Düsseldorf, Germany (curated by Rainer Crone, catalogue) The Castle, documenta 8, Kassel, Germany (curated by Group Material) Reinhard Onnasch Galerie, Berlin (catalogue) Anti-Baudrillard, White Columns, New York (curated by Group Material) Recent Tendencies in Black and White, Sidney Janis Gallery, New York (curated by Jerry Saltz, catalogue) Terrae Motus, Grand Palais, Paris (catalogue) The Beauty of Circumstance, Josh Baer Gallery, New York (catalogue) New York Now, The Israel Museum, Jerusalem, Israel (catalogue) 1986 Admired Work, John Weber Gallery, New York Spiritual America, CEPA Galleries, Buffalo, NY (catalogue); travelled to Stavanger Faste Galleri, Stavanger, Norway (curated by Collins & Milazzo) New New York, Cleveland Center for Contemporary Art, OH Signs of Painting, Metro Pictures, New York, and Donald Young Gallery, Chicago Painting and Sculpture Today 1986, Indianapolis Museum of Art, Indianapolis, IN (catalogue) Paravision II, Margo Leavin Gallery, Los Angeles (curated by Collins & Milazzo) Political Geometries: on the Meaning of Alienation, Hunter College Art Gallery, New York (catalogue) Post Pop, Michael Kohn Gallery, Los Angeles Tableaux Abstraits, Villa Arson, Centre National d'Art Contemporain, Nice, France (catalogue) Europa / Amerika, Ludwig Köln Museum, Cologne, Germany (catalogue) End Game: Reference and Simulation in Recent Painting and Sculpture, Institute of Contemporary Art, Boston, MA (curated by David Joselit and Elisabeth Sussman, catalogue) Ashley Bickerton, Peter Halley, Jeff Koons, Meyer Vaisman, Sonnabend Gallery, New York The Hidden Surface, Middendorf Gallery, Washington, DC Geometry Now, Craig Cornelius Gallery, New York Surfboards, Michael Kohn Gallery, Los Angeles Art and Its Double: A New York Perspective (El arte y su doble), Centre Cultural de la Funcacio Caixa de Pensions, Madrid; travelled to Fundación Caja de Pensions, Barcelona (catalogue) Rooted Rhetoric, Castel Dell «Ovo, Naples (catalogue)

1988 Cultural Geometry, Deste Foundation for Contemporary Art, Athens (curated by Jeffrey Deitch, catalogue) Collection Sonnabend: 25 Years of Selection and Activity, Museo Nacional Centro de Arte Reina Sofía, Madrid; traveled to CAPC Musée d'art contemporain, Bordeaux, France; Art Cologne, Cologne, Germany; Hamburger Bahnhof Museum für Gegenwart, Berlin; Galleria Nazionale d'Arte Moderna, Rome; Museo d'Arte Moderna e Contemporanea, Trento, Italy; Musée Rath, Geneva; Sezon Museum of Art, Tokyo; Miyagi Museum of Art, Sendai, Japan; Fukuyama Museum of Art, Hiroshima, Japan; National Museum of Art, Kyoto, Japan (catalogue) Galerie Lelong, New York A Drawing Show, Cable Gallery, New York Hover Culture, Metro Pictures, New York Art at the End of the Social, The Rooseum, Malmö, Sweden (curated by Collins & Milazzo, catalogue) Australian Biennale, Art Gallery of New South Wales, Sydney, Australia; travelled to National Gallery of Victoria, Melbourne, Australia (catalogue) La Couleur Seule: L'Experience du monochrome, Musée Saint Pierre, Lyon, France (catalogue) Hybrid Neutral, Modes of Abstraction and the Social, I.C.I. Exhibition: University Art Gallery, The University of North Texas, Denton, TX; travelled to J.B. Speed Art Museum, Louisville, KY; Alberta College of Art, Alberta, Canada; The Contemporary Arts Center, Cincinnati, OH; Richard F. Brush Art Gallery, Gainesville, FL; Santa Fe Community College Art Gallery, Gainesville, FL (curated by Collins & Milazzo, catalogue) Works Concepts Processes Situations Information, Galerie Hans Mayer, Düsseldorf, Germany (curated by Robert Nickas) American Art of the Late 80s: The Binational, Museum of Fine Arts and Institute of Contemporary Art, Boston, MA; travelled to Städtische Kunsthalle, Düsseldorf, Germany; Kunsthalle, Bremen, Germany; Württembergischer Kunstverein, Stuttgart, Germany (catalogue) Carnegie International, Carnegie Museum of Art, Pittsburgh, PA (catalogue) New Works, Daniel Weinberg Gallery, Los Angeles A Debate on Abstraction: Systems and Abstraction, The Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York (catalogue) Viewpoints: Postwar Painting and Sculpture from the Guggenheim Museum Collection and Major Loans, Solomon R. Guggenheim Museum, New York Three Decades: The Oliver Hoffman Collection, The Museum of Contemporary Art, Chicago (catalogue)

A Selection of American Art: Minimalism and After, Galerie Ronny Van de Velde, Antwerp, Belgium (catalogue) The Kitchen Art Benefit, Curt Marcus & Leo Castelli Galleries, New York Re-Framing Cartoons, Loughelton Gallery, New York Grids, Vrej Baghoonian Gallery, New York Modern Detour / Umweg Moderne: R.M. Fischer, Peter Halley, Laurie Simmons, Wiener Secession, Vienna (catalogue) The Last Decade: American Artists of the 80s, Tony Shafrazi Gallery, New York (curated by Collins & Milazzo, catalogue) Weitersehen 1980 — 1990, Krefelder Kunstmuseen, Museum Haus Lange and Museum Haus Esters, Krefeld, Germany (catalogue) Mel Bochner, Peter Halley, Robert Rauschenberg, Sonnabend Gallery, New York Classical Modernism: Six Generations, Sidney Janis Gallery, New York Peter Halley, Annette Lemieux, Meyer Vaisman, Galerie Antoine Candau, Paris Peter Halley, Jeff Koons, Meyer Vaisman, Galerie Carola Moesh, Berlin 1989 Nonrepresentation: The Show of the Essay, Anne Plumb Gallery, New York (catalogue); travelled to Security Pacific Corporation, Los Angeles (curated by Jeremy Gilbert - Rolfe, catalogue) Horn of Plenty, Stedelijk Museum, Amsterdam (catalogue) Buena Vista, John Gibson Gallery, New York (curated by Collins & Milazzo, catalogue) Abstraction in Question, John and Mable Ringling Museum of Art, Sarasota, FL (catalogue); travelled to Center for the Fine Arts, Miami Paula Cooper Gallery, New York A Climate of Site, Galerie Barbara Farber, Amsterdam (curated by Robert Nickas, catalogue) Science — Technology — Abstraction: Art at the End of the Decade, University Art Galleries, Wright State University, Dayton, OH (catalogue) Prospect 89, Frankfurter Kunstverein, Schirn Kunsthalle, Frankfurt am Main (catalogue) Re-Presenting the 80s, Simon Watson Gallery, New York (catalogue) Ten + Ten: Contemporary Soviet and American Painters, Fort Worth Museum of Art, Fort Worth, TX; travelled to San Francisco Museum of Modern Art, San Francisco, CA; Albright - Knox Art Gallery, Buffalo, NY; Milwaukee Art Museum, Milwaukee, WI; Corcoran Gallery of Art, Washington, DC; Artists» Union Hall of the Tretyakov, Krymskaia Embankment, Moscow, USSR; State Picture Gallery of Georgia, Tbilisi, Georgian Soviet Socialist Republic; Central Exhibition Hall, Leningrad, USSR (catalogue) The Silent Baroque, Villa Arenberg, Galerie Thaddaeus Ropac, Salzburg, Austria (catalogue) New Editions, Pace Prints, New York Psychological Abstraction, Deste Foundation for Contemporary Art, Athens (catalogue) Exposition Inaugurale, Fondation Daniel Templon, Musée Temporaire, Fréjus, France (catalogue) Wittgenstein: The Play of the Unsayable, Wiener Secession, Vienna, Austria; travelled to Palais des Beaux - Arts, Brussels (catalogue) Abstraction — Geometry — Painting, Albright - Knox Art Gallery, Buffalo, NY; travelled to Center for the Fine Arts, Miami, FL; Milwaukee Art Museum, Milwaukee, WI; Yale University Art Gallery, New Haven, CT (catalogue) New Work by Gallery Artists: John Baldessari, Bernd and Hilla Becher, Ashley Bickerton, Mel Bochner, Carroll Dunham, Fischli + Weiss, Gilbert & George, Peter Halley, Barry Le Va, Haim Steinbach, Meyer Vaisman, Terry Winters, Robert Yarber, Sonnabend Gallery, New York Gober, Halley, Kessler, Wool: Four Artists from New York, Kunstverein, Munich (catalogue) Projects and Portfolios: The 25th National Print Exhibition, Brooklyn Museum, Brooklyn, NY (catalogue) Recent Acquisitions, Carl Solway Gallery, Cincinnati, OH Buena Vista, John Gibson Gallery, New York

In addition, the depth of experience at the Parrish among curators and decision - makers and the institution's relationships to the East End's art and educational community provide the kind of foundation that is a fundamental requirement for a top - tier museum.

Just the year prior, in the spring of 1957, the Whitney Museum of American Art opened a major retrospective of the artist's work which traveled to a number of American institutions ending at the Baltimore Museum of Art in June of 1958.

The nonprofit Artists Space was forced to close for several months this past year because of construction in its building, while Jeffrey Deitch, the gallery impresario and former director of the Los Angeles Museum of Contemporary Art, has announced he's returning to the SoHo space where he mounted some epic events, displacing the Swiss Institute at 18 Wooster Street at the end of the summer.

1995 Pasted Paper: Collage in the 20th Century, Louis Stern Fine Arts, Los Angeles, CA 25 Years: An Exhibition of Selected Works, Margo Leavin Gallery, Los Angeles, CA Between Reality and Abstraction: California Art at the End of the Century, Art Museum of South Texas, Corpus Christi, TX 1994 Balls, World Cup USA 1994, Newspace, Los Angeles, CA Twentieth — Century Drawings, Los Angeles County Museum of Art, Los Angeles, CA In Plain Sight: Abstract Painting in Los Angeles, Blue Star Art Space, San Antonio, TX Paintings of the 80's, RosamundFelsen Gallery, Los Angeles, CA Fractured Identity: Cut and Paste, Julie Saul Gallery, New York pen & ink, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA Fawbush Gallery, New York Very Visual Dialogue, Personal Journeys in Abstract Painting, Rancho Santiago College Gallery, Santa Ana, CA