Sentences with phrase «enemies on screen as»

Handheld, most importantly for me, has the same number of enemies on screen as it does docked, which was my main concern.

Handheld, most importantly for me, has the same number of enemies on screen as it does docked, which was my main concern.

I loved the arcade style of just having to wipe out every enemy on screen as you progress through each location.

Not exact matches

«Adding platforms for Mario to jump on, or enemies to avoid, is as simple as tapping the screen.

The work - in - progress is now going to be screened at the Tribeca Film Festival on April 24, when New York audiences will be able to see him, bathed in Gibney's shadowy lighting, talking about many of his innermost secrets — including his list of top enemies: Ken Langone, Joe Bruno, Roger Stone (all of whom appear in the video — as does Spitzer's «go - to» call girl «Angelina»).

Tommy Lee Jones (yes, the wig is supposed to look silly) explodes on screen as Thaddeus Stevens, a lifelong abolitionist who spits righteous, hilarious fire at his hateful enemies.

Of course, superfans of the fourth wall - breaking Marvel Comics character will be delighted to see Ryan Reynolds» Merc with a Mouth back on the big screen, slicing up baddies and roasting everyone from his enemies (this time around it's futuristic soldier Cable) to his frenemies (Hugh Jackman's Wolverine) to his own studio, 20th Century Fox, just as he did in 2016's surprise smash «Deadpool.»

the graphics are really quite bad, enemies appear to be superimposed on to the landscape at times and there are many areas where the screen literally tears in half horizontally as you turn the camera.

The HUD is also done well; despite the amount of information on screen (such as enemy markings, objectives, and environmental cues), the HUD never felt cluttered or overwhelming.

It takes a great deal of trickery to make such a farfetched premise fly, so credit director Tony Scott (Spy Game, Enemy of the State) for keeping the action and drama moving at a brisk enough pace to keep out minds engaged more in the events as they unfold on the screen, only realizing that, in the end, it doesn't quite hold up to close analysis.

The turn - based approach Fire Emblem is famous for is gone in Fire Emblem Warriors, and in its place you'll find hordes of enemies to cut your way through (in real time, naturally), screen - filling special moves and a surprisingly deep character development system which not only allows for levelling - up, but permits you to augment each protagonist's abilities on a more granular level, such as selecting and improving their weaponry.

The game which is being described as a third - person shooter with RPG elements, is said to combine non-linear gameplay, fast and frantic shooting, hordes of on - screen enemies, customizable characters, and online multiplayer and co-op modes for up to four players.

Each enemy on screen serves as a separate challenge, tasking players with completing challenges like

It has recently had a new event added known as tap battle which is a rhythm game that has you put your four preferred heroes against a wave of endless enemies that you have to defeat at the right moment by tapping on the screen accordingly.

As the name implies, the stylus becomes your sword, used to aim and attack enemies on screen while moving around the arena freely with the Circle Pad.

Worse yet, if you are surrounded by a large force of allies — such as when you are trying to clear out one of your rooms that has been invaded — rendering said allies also prevents all the enemies from appearing on screen.

Earlier this week, Priest spoke with Newsarama about the his run's origins and inspiration, as well as the characters and characterization he added to the series, and now in the third part of our expansive conversation he digs into the «Enemy of the State» arcs, T'Challa being replaced by Kasper Cole, the cancellation of the series, and his thoughts on T'Challa's big screen ambitions as Chadwick Boseman.

Unfortunately, on - screen objects are so fluid that it can be hard to see individual objects at times, such as when there are objects or enemies jumping back and forth between the background.

It includes most of the aforementioned tracks, as well as «Django Jane,» a contender for the year's defining rap single, with its ferocious flow and David Axelrod sample, delivered on screen in an echo of vintage Public Enemy with gender - fluid 1960s Nation - of - Islam costume design.

This tablet easily handled the demanding Sky Gamblers - Infinite Jets game; I zoomed around Rio with dozens of enemies on screen, and the animations stayed silky smooth as I tried to evade missile attacks and land some of my own.

It was showing wrong weapons used for the kill • Fixed that sometimes you would be stuck on a black screen when kicked from server • Fixed so when a team captures two flags at the same time, the UI could show wrong owner of the flag • Fixed a problem where the capture progress bar was showed as friendly when the enemy was capturing • Fixed a problem with the bipod deploy sound • Fixed a problem that you could be spawned in with no weapons after being killed while using the EOD bot • Fixed problems with health bars not displaying health properly when using EOD bots • Fixed a problem with flickering name tags • Fixed a problem where friendlies could damage friendly helicopters • Fixed a problem where you could get stuck in the co-op menu when attempting to join the session twice • You should now be able to spot explosives • You should no longer spawn in home base if your selected spawn point is disabled while waiting to spawn.

As all of this nonsense is going on you'll unlock stash drops that can award you with new character skins, weapons skins, decals, stickers and boot footprints that flash up on the enemy screen if you kick them to death or off the edge of the map.

That dodgy dodge which doesn't always cancel out of a current animation is a huge problem for me personally, because if you're going to chuck loads of enemies and projectiles on the screen then I need a dodge button that's going to drop everything as soon as it's pressed to get me out of trouble.

On one level the enemy that were supposed to be fleeing from some vehicles as you called in a jet to dispose of them simple didn't appear on the screen, at another time some enemies turned around and shot me during a locked in animation where I had to stab a guarOn one level the enemy that were supposed to be fleeing from some vehicles as you called in a jet to dispose of them simple didn't appear on the screen, at another time some enemies turned around and shot me during a locked in animation where I had to stab a guaron the screen, at another time some enemies turned around and shot me during a locked in animation where I had to stab a guard.

Of course, better upgrades cost more money, and so being miserly early on will help out in the long run as more and more enemies pile onto the screen.

- as Captain Olimar is making his way home, an asteroid onslaught forces him to land on a nearby planet - Sparklium is the fuel for Olimar's Dolphin III ship - with the ship's fuel depleted, you have to find items on this planet which can be turned into fuel - collect everything from seeds to large scale treasures - you need 30,000 Sparklium to make your way home - you are eventually required to find a lost ship part at the end of the game - levels are more linear and puzzle based, and include specific goals / goodies to collect - move Captain Olimar with the Circle Pad, while all other interactions use the touchscreen - blow your whistle, throw Pikmin and also touch certain objects - worlds are called Sectors, with six areas altogether - find all the treasure and look for new passageways to complete a sector 100 % - passageways can grant you access to secret spots or additional levels highlighted with the letter X - the first world is called Brilliant Garden, which has lush forest environments - Yellow Pikmin can easily reach the upper screen, where you can sometimes collect goodies and pull down vines - there's a level where you use yellow Pikmin as a source to connect two wires - connecting the wires lets you see enemies and platforms that were hidden in the shadows - Winged Pikmin can be flung at high speeds, and they can pick up Olimar and help him descend down into new areas - in a later level, you need to use red Pikmin to stomp out fire and clear the way for you - Rock Pikmin are the strongest ones of the bunch and can break crystals - blue Pikmin can swim and fight well underwater - the maximum amount of Pikmin you can have in a stage is 20 - blow your whistle to call over the correct Pikmin for a task or puzzle - Ravaged Rustworks offers a unique industrial environment where you climb on pipes - Loney Tower has you climbing to the top of a tower without any help of Pikmin, and instead use pipes and Olimar's jetpack - Valley of the Breeze, found in the Leafswirl Lagoon sector, relies complete on Winged Pikmin - Barriers of Flame is in the Sweltering Parchlands sector - here you «lll be forced to improvise with Yellow and Rock Pikmin to get around fire - every world ends with a boss stage - one boss fight puts you up against a Fiery Blowhog, where you use Red Pikmin to pick up / feed bombs to the boss - beating bosses gives you treasures worth 1,000 Sparklium each - supports amiibo in the Splatoon, Super Mario and Animal Crossing lines - amiibo can be scanned in to grant you access to secret spots - these are one room puzzle challenges where you collect a statue - these bonus rooms will also get you 200 Sparklium every time - you are limited by how many amiibo you can summon to each secret spot - one of the treasures you will find is an NES cartridge for Ice Climbers, which carries the name «Revenge Fantasy».

Ranged characters can still be cumbersome as targeting specific enemies or other things is a little hit and miss, a problem that came to a head during a mission based around Gandalf and Radagast in which my chosen wizard (Gandalf) insisted on shooting at something across the screen with his staff rather than whipping out his sword and killing the orc that was in the process of pummeling his face in.

Even the fine print on the bottom of the screen indicating kills and enemy positions as they're reported by your fire squad were legible and crisp.

Leaving dodging as your only defense against the multitude of enemies that will be on the screen.

The Titans have special abilities as well, including an electric smoke screen, perfect against those pesky Pilots on your Titan's back, and a vortex shield, which collects all incoming enemy fire and launches it back at them.

This causes dungeon battles to blend more seemlessly with exploration as a result of enemies simply popping up on the current screen with no need to load a seperate one for fighting.

Mario and friends are well animated, as are the enemies, and the HD graphics really make all of the bright colors «pop» on screen.

This is actually a good thing, because the game quite simply can not handle anymore than that, as there is a ton of slowdown when you are fighting enemies on screen while your dragon is firing down fire on the battlefield.

It's a dungeon crawler with a twist, as you're tasked with slicing your way through enemies you encounter by swiping on the screen.

The combat rarely becomes as crazy as say Dynasty Warriors, with usually only around 10 enemies on the screen at one time.

Having the game map on the second screen allows players to get a better view of ally and enemy positions, as well as monitor field vision and various map objectives.

There were a few times when there were a lot of enemies on the screen that I noticed a drop in frame - rate, and a few times when objects in the game did not work as expected, but this did not ruin the overall experience for me.

Worse yet, if you are surrounded by a large force of allies — such as when you are trying to clear out one of your rooms that has been invaded — rendering said allies also prevents all the enemies from appearing on screen.

Enemies appear as fierce as ever, with their over-the-top reactions to your explosive attacks, while special attacks appear exaggeratingly fun to watch on screen.

Holding the R button charges a special attack; activate it just as enemy projectiles are about to hit you and you'll unleash a stunning 360 - degree torrent of shots that will obliterate almost everything on screen.

Senua is always portrayed pretty large on - screen — possibly some of the biggest framing seen in an over-the-shoulder third - person game — and when enemies appear, battles take place as if she and her opponents are always locked on to one another.

One of the things that struck me about «Ophidian Wars: Opac's Journey» was about how engaging it was as a platformer devoid of on - screen enemies.

There's a Tension gauge which, once full, allows you to enter High Tension, a temporary state, which makes you invincible and allows you to use spells and abilities without expending MP, as well as unlocking the ability to double jump and allowing you the opportunity to use the most powerful attack in each characters arsenal: the Coup de Grace, which is the games take on the Musou ability from the Warriors games, allowing you to take out a full screen worth of enemies with a visually dazzling attack.

While it's not as photorealistic as DriveClub, the sheer amount of particles, colours, lasers and enemies on screen at once is enough to dilate your pupils.

The lock - on system begins to go crazy when too many enemies clutter the screen and don't you dare lock - on a flying enemy, because you will never see them as the camera twirls about.

The style keeps you coming back for more though; my 12 - month - old was laughing and following Shantae all over the screen as I was jumping on flying carpets and knocking out enemies, so that counts for something.

As in Destiny, damage numbers will flash on the screen above the heads of enemies after shooting them, allowing you to see how much damage you are doing.

If there are multiple re-spawns, they will be counted down on - screen as the enemies are replaced.

As their name imply, Boosting grants players a sudden burst of speed while the Bomb takes out all on - screen enemies at the expense of your combo chain.

Visually, Vita's beautiful screen displays the multitude of colourful effects and numerous enemies wonderfully and sharply, resulting in a game that looks pretty much like a miniature version of the PS3 game, whilst in a controls sense Vita's sticks perform just as capably as those on the DualShock controller.