Sentences with phrase «enemy encounters do»

These encounters occur in specific locations in the castle and begin the same as normal enemy encounters do.

Basic light and heavy attacks along with blade twisting is simple to master at first but enemy encounters do rise up the difficulty curve with forces that are more than capable of dishing out just as much damage as our main protagonist.

Enemy encounters don't happen while dungeon crawling unless you step on a title with an enemy icon, and you can instantly warp back to base from the map screen at any time it gets too difficult or you need to save.

Not exact matches

Escape Dead Island has a fairly liberal checkpoint system though, so I never found myself with too much time lost, and certainly not as much time lost as some of the unbalanced later encounters in the game that were only beaten through enemies getting stuck, about 45 rounds of shotgun ammo fired wildly in no certain direction, and perhaps my wife doing some kind of voodoo magic so that I would stop cursing at the TV.

As you explore the various lands of Fantasy Life, you do encounter some tough enemies, sometimes alone and sometimes with NPC's that does add an element of excitement to the game.

Much like the previous entries, Far Cry 5 will see you get in the middle of some truly spectacular action sequences, stealthing through enemy territory, and encountering deadly wildlife as you do your best to survive in the open world.

But we're finally over that hump and now we're spending time polishing and improving those encounters and giving enemies more specific things to do.

What the Founders didn't count on was that, even though they easily conquer the technologically backward natives they encounter when they first arrive, these Ddaerans have mystifying powers that will make them dangerous enemies

Who is this Alien-esque creature, where did it come from, how and when will you encounter it in the game, and does its leafy - green energy beam rain flowers or death upon your enemies?

In the game's defense it does try to break up the sense of monotony that comes with most encounters by utilising a couple of enemy types.

I think the fact that Blue Reflection doesn't comprise of really long dungeons and forced enemy encounters is definitely a positive, especially considering how chapters fly by really quickly and the game is heavily story and character development focused.

Not only can you increase the stats of your character by the usual means of earning EXP, WP or purchasing cool equipment, but you can also stick with a particular fairy whose skills and abilities complement your own and level them up or you can choose a Fairy that may not necessarily have the same skills and abilities that you do but work against certain enemies that you may encounter in the game world.

They're fun, they do their job, but they can't truly contend with some of the best examples of the third - person genre, and honestly they feel a little out of place within the game's narrative — Lara doesn't feel like she's surviving in these encounters, she feels like she's thriving, blasting straight through enemies with ease which doesn't really match her portrayed demeanor very well.

Smashing an enemy with a huge hammer just doesn't feel like it has any true impact, instead you get a fairly dull sound and the hammer just keeps swinging round like it never encountered a skull in its path.

The combat system of nonviolently defeating enemies, while not a farfetched idea and probably have done before (where you escape or flee enemy encounters), was given a cool twist in the game.

Speaking of which, Gears of War: Judgment tackles the narrative issue of Baird and Cole encountering enemies that weren't introduced until Gears of War 3, as well as why the new enemies and weapons don't make appearances later in the timeline, by simply never mentioning it.

The only negative is that the game uses random encounters; every few steps an invisible enemy attacks and you are pulled from the field to an arena to do battle.

On my first trip I encountered some enemies I had no chance against and I was unceremoniously punished for daring to do what I was told to by losing five minutes of what we all know is a very short life when the age of the universe is taken in to account.

As the Plasmids did before, the Vigors do add some seasoning to enemy encounters.

Pandora is a wasteland, but often it does feel completely devoid of anything, with a lot of aimless wandering around before ambushes with enemies — and many encounters I had in the game had a massive jumps in difficulty.

Little Nightmares is a unique horror experience that simply doesn't compare to anything that I'd played before, as not once did I encounter a jump scare or ferociously loud piece of music, instead the fear came from knowing where my enemy was and hoping they didn't see me, knowing that every footstep I make can be heard, and knowing where the exit was but not knowing if I'd get there safely.

There are times where even experienced players will need to retry encounters because enemies are just doing far more damage than they feel like they should be.

It doesn't show you the true variety of enemies you can encounter on the various levels.

Some of the enemies from the previous game do make a comeback on American Nightmare, although they are much more subdued and easier to tackle as compared to other enemies that you encounter as you go along.

My time with Swords of Ditto did suffer from frame rate issues as the number of enemies in the area increased, reaching a point of near - unresponsiveness when encountering over a dozen enemies at a time.

Enemy encounters play out in ruffly the same way as they do in dark souls: you want to draw out enemies and fight them one on one as groups can easily overwhelm you.

As is, the game's more cerebral approach during the level - to - level gameplay allows the combat to feel rewarding and special when you finally do take axe - to - enemy, especially during the game's epic boss encounters.

But in doing so, you'd always start out in that weakened state, and if you encountered an enemy you would never win, thereby getting trapped in the dungeon forever.

This can be any combination of movement and fire orders as well as setting orders of engagement to do things like take all opportunities to fire at the enemy or to run if an enemy is encountered.

Shadow of Mordor does away with the blustering and actually delivers something that has never been seen in a video game before: a system where enemies remember their encounters with you and where your actions determine who will be your foe... who will be your nemesis.

I'm hoping players relying on stealth in the early game don't hit a barrier when they encounter large waves of enemies later in the game.

When the series went to life bars in Sly 2 and 3 they did something more subtle: everytime you die in boss encounters, the game slightly decreases the amount of damage you take with each hit and increases the damage enemies take with each hit.

Enemies are usually encountered by pretty much walking into them, and while potion effects do last quite a while you can't actually guzzle them during combat, so taking them is a bit of a guessing game.

There are not a lot of times you will encounter enemies, but when you do, again you will have to figure out how to get past these creatures.

And while the characters look a little cute from the get - go, don't let that fool you as your enemy encounters you have to avoid appear nothing but.

The map size is great but just like with SPG2 I do find the long journey times (especially with the slower early - game ships) to be fairly tedious, though travelling through enemy sectors does lead to a lot of enemy encounters (not necessarily a good thing, depends on how much you like the game's combat).

Sadly we do not encounter enough of these enemies, despite being a focal point of the story.

You unlock abilities so quickly that an encounter against enemies at the end of the game doesn't really feel markedly different than one at the start.

From the start - up menu, to the enemy encounters, the music does a fantastic job of engrossing you in its world.

Having to land directly on top of an enemy fly (having to point the control stick down to do so), then immediately trying to dash to the left in the air (having to point the control stick up and to the left) and reorient yourself to stomp the next enemy, only to be greeted by a claustrophobic enemy encounter on the other side of a rather long chasm pushed my stress levels past the comfort zone.

While they're certainly entertaining, I didn't find them necessary for standard enemy encounters.

Some might fall off because of the amount of grinding you might need to do, and some might even be put off by the amount of enemies you encounter just going from point a. to point b. but if you are a fan of games like these you know that these things are just a small part of a much bigger picture and that picture is so well worth it when it all comes down to it.

While the game did have me constantly on the edge of my seat, I knew that the only enemies I would ever encounter would be either the Baker family or these disgusting demonic creatures seemingly made out of a substance which is scattered all around the house.

However one small gripe with the combat is with the enemies, as they seem to be somewhat dumbed down for some reason and can easily be manipulated, although this can not be said about the boss battles you encounter which will give you some challenge and sometimes it might even take you out a few times before you finally manage to take it down, but this is why the Tales games combat is so appreciated because once you do something that takes some effort you feel so rewarded once you pull it off which is not always standard in today's JRPGs in my mind.

Larger areas feature boss encounters like a fight against a giant water snake and those lead into smaller passages littered with weaker enemies as well as campsites to take a brief break (though Gladio and Cor's respites don't come with the fun of Ignis» detailed meals).

You attack the enemies while trying to rack up combos by countering their attacks and you get graded on how well you did when all enemies in the near distance is taken out, and sometimes you get the option to go in stealthy which is in my mind the way to play a Batman game but then again you sometimes need to get deep and dirty and just button mash your way to victory as you will encounter a lot of enemy battles as you progress.

The teaser trailer introduces different enemies and bosses players will encounter, an assortment of melee and ranged weapons at your disposal, and some of the moves you'll be able to do.

While these images don't showcase buddy characters such as Mia they do paint a bloody image of the powerful enemies the player will encounter throughout their journey.

Because the AI sees the player based on a trace from the center of the head, but a headshot can be done by trace to any part of the head, most encounters begin by advancing slowly against a corner until just enough of each enemy is exposed for a headshot, before the center of the head is exposed to set off guard attention.

The enemies do not pull punches, demanding that the player uses all of the strategic tools at their disposal in every encounter.