Sentences with phrase «energetic color and line»
The work of Vermont - based artist (and visual art professor at Dartmouth College) Enrico Riley seems to vibrate with energetic color and line.
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In keeping with the Type R's global performance heritage, all five color choices are bold and energetic, complementing the aerodynamic body's aggressive lines.
In the case of Seeded (1960), the first work on the right as visitors enter the gallery, these colors are amalgamated in an energetic mass of swirls, curves, bold lines, and planes of color that are further enlivened by patches of canvas left bare.
Kline's pastoral line - drawings, portraits, and watercolors, transitioned in the mid 1940s to energetic abstractions, then to grand architectural black and white paintings and abstractions similarly structured, but more atmospheric color works.
The artist's personal interpretations of invisible worlds, such as sound and space, manifest as vibrant colors and energetic lines.
His line is restrained compared, for example, to the compulsive, energetic line of Franz Kline; Diebenkorn's canvases are composed of flat, brushed, horizontal color patches, whereas in the works of Jackson Pollock colors were dripped and poured.
He employs the use of heavy energetic lines with distinctive and brash colors creating expressionistic images that explode in vibrancy and power.
Thompson's work features personal interpretations of invisible worlds, such as sound and space, through vibrant colors and energetic lines, embodying what the gallery refers to as «an emotional understanding of complex concepts through expressive, rhythmic mark - making.»
Painting in 1950, this 18 - by -24-inch Sapolin enamel on paper reflects the artist's decision in the late 1940s to eliminate «color from his palette in order to focus on line, form and imagery» resulting in «the birth of a confident and energetic synthesis of abstraction, biomorphic forms and gestural «action painting»... The black and white abstractions also demonstrate the crucial relationship between drawing and painting in de Kooning's oeuvre.
His methods, while still conceptual, enabled him to let the energetic qualities of color, line, and form emerge.
The pieces range from recognizable to deconstructed abstractions, with well - known characters reduced to energetic lines and bright color fields.
Joanne Greenbaum's prints are an energetic profusion of overlapping techniques and colors, featuring clusters of architectural forms, irregular shapes, and doodle - like lines.
Gail's work is inspired by nature and the human figure, however, her artistic process is mainly intuitive, creating her paintings with an emphasis on color, energetic line work and collage.
Referencing and manipulating styles of antique cartography, Macfarlane's work injects energetic lines and vibrant bursts of color into her portrayals of early modern cityscapes.