Sentences with phrase «energy as his works of art»

His videos are a mix of hip hop, technology, and social media and possess the same energy as his works of art.

Not exact matches

As David Zinger, Employee Engagement Speaker put it «Employee engagement is the art and science of engaging people in authentic and recognized connections to strategy, roles, performance, organization, community, relationship, customers, development, energy, and happiness to leverage, sustain, and transform work into results.»

Parenthood in my 30s led me to take up my spiritual journey, and after several decades of being active in Unitarian Universalism, in my 60s I have also come to think of myself as a progressive Christian as well as a UU — a return to the faith I grew up in, but on a different level, taking scripture seriously but not literally (and for me, serious literature can be scripture too, especially poetry, and scriptures of other faiths...) I am content to say God is a mystery, a word we use to point to all that is good and beautiful and healing, a creative energy at work that we can experience through our loving relationships, through art and music, through the pursuit of science, and in the «church» of nature.

I'm new to the ramifications and specific processes involved, but am pursuaded this is the likely model for future publication projects that most benefit the first person on the food chain: the writers / artists who conceived them, who are trying to make some kind of living doing what they do best, hoping to find an audience for their work as a * first * resort rather than wearing themselves out with full - time day jobs of no comparable skill or education preparation — but that pay the bills, maybe — and that leave little energy and reserves for their art.

On the first floor, Ceal Floyer's wall of speakers blaring the engaged signal of a failed telephone call, Line Busy (UK)(2011), is both a minimal work of art and a note of restrained humour; Cory Arcangel's hacked computer game screens, MIG 29 Soviet Fighter Plane and Clouds (2005), could be either political statement or benign dreamscape; while Allora & Calzadilla's Solar Catastrophe (2012) is a hard - edged abstraction made from solar panels, as well as an ironic admission of the wreckage left behind by this renewable energy source.

Few collectors of emerging artists devote as much time, energy, and resources to ferreting out the cutting - edge as Michael and Susan Hort, who trawl the nooks and crannies of galleries and art fairs to find work by up - and - comers that catch their eye — and who often, with their support, go on to widespread renown.

This results in conflicting energies that appear to be incompatible with the self - image of Conceptual art and its emphasis on rationalization since the 1960's: in employing her handwriting as a medium and assembling material - informed montages, Darboven is, furthermore inserting a subjective ductus into her conceptual works, literally inscribing her own life - time, the span in which her works were written, into these: «am burgberg — heute... und keine worte mehr... und eine welt noch.»

Art historian Irene V. Small says: «The desire of the artist who, molding a work's skeleton and then manipulating its tensile skin, treats it as a corpus, an organic entity with formal and emotive energies of its own.

Focusing its energies on the mounting of exhibitions onsite and off - space, and on the publishing of artist books, La Salle de Bains is working towards new exhibition formats and methods of mediation, such as the 2012 show Tell the Children / Abstraction pour Enfants (an echo of Andy Warhol's Painting for Children Pop art show at Galerie Bruno Bischofberger, Zürich, in 1983), which introduced children (and adults) to very contemporary abstract paintings by artists including Claudia Comte, Lisa Beck and Olivier Mosset — all hung at children's eye height, on vividly patterned wallpaper.

Trained in twentieth - century Modernist avant - garde movements, she has continued her investigations of subcultures, outsider artists, and emerging art movements with such original work as the essay «A Partial and Incomplete Oral History of the Mission School» in the BAMPFA catalog Barry McGee; the exhibition catalog Energy That Is All Around; and the introduction to Bruce Conner: The Afternoon Interviews.

Professor Baglione's work leverages 41 Cooper Square as a learning laboratory, exposing students to practical applications of theory they learn and to research projects related to state - of - the - art building controls and energy efficient operations.

While Whitten has been exhibiting at home and abroad throughout his career, there has been a recent resurgence of interest in his work, which has been included in major group shows such as Energy / Experimentation: Black Artists and Abstraction 1964 — 1980 at The Studio Museum in Harlem (2006); High Times Hard Times: New York Painting 1967 — 1975, organized by Independent Curators International (2006); and Blues for Smoke organized by the Museum of Contemporary Art, Los Angeles, California in 2012.

Baldly put, a work of art was said to emanate this aura as a result of the transference of energy from the artist to the art, an aesthetic variant of the law of thermodynamics.

Michael Straus, Chairman, The Andy Warhol Foundation for the Visual Arts «Sharon Louden has invaluably gathered together in this book an exceptionally diverse range of artists» experiences in order to illustrate, in a manner otherwise inaccessible, the inherent tensions that artists face in constantly balancing their drive to devote core time and energy to creating new work and their wish to share that work with the world with the complexities, as well as the joys, of their personal and family lives.»

They are staggering because they move back the invention of abstraction from circa 1910, when Kandinsky was said to have set art on a new path with his first «non-representative» paintings, to 1861, when Houghton produced The Holy Trinity, a dark crisscrossing of red and blue lines up and down the paper that then go left to right, then down again in twists and spirals, and up once more in energetic slashes, a working and reworking of energy fields so layered and physical that it can accurately be described as action painting.

There is a trapped energy in the quick precision of the drawings that makes them engaging and complete works of art on their own as much as they function as illustrations of form and scientific and philosophical method.

It includes works by Philadelphia - born artists such as Man Ray and Alexander Calder who became prominent abroad, where they were closely aligned with modern movements in Europe, and others who remained in the city in which the Pennsylvania Academy of the Fine Arts provided a center of energy and a place to teach.

Darsie Alexander, Executive Director of the Katonah Museum of Art, says, «In creating this exhibition, we wanted to think about our entire campus as an extension of our creative energy, giving artists free reign to explore the hills, gardens, and frontage of the KMA as well as making works for the gallery space.

While the art world has become global in reach during the past several decades, contemporary artists from Africa are still vastly underrepresented at art fairs, galleries and museum in the West, despite the creative energy and innovation of artists who either make their home on the continent, or who work as part of the worldwide African diaspora.

Lombardi's sociograms were executed so precisely that today they are considered to be both unique historic works of art as well as being responsible for bringing to light scandals, such as the questionable career of George W. Bush and his ties with Harken Energy.

Since graduation, Thomas has gone on to work as a freelance illustrator, serve as the President of Creative Energy 360, and work as a part - time art teacher.

The exhibition, entitled The White Stag Group, comprises some 80 works and reflects the youthful dynamism and energy which artists such as Basil Rakoczi, Kenneth Hall, Thurloe Conolly and others brought to the Irish art scene, when they settled here, mainly as conscientious objectors, at the outbreak of World War II.

Nor is it easy to show that intangible «products» such as more efficient software, better financial mechanisms or new works of art can't, in theory, create value without increasing energy use.

Including celebrities such as Ellen Page and Leonard Cohen, a cross section of organisations working with youth, workers's right, indigenous peoples, art, clean energy, women and food have signed it.

That effort merits a story in itself but what makes it even more noteworthy is that the people of Greensburg, Kansas have chosen to move from ordinary to extraordinary... Imagine a community for 1500 people designed as a state of the art working model for green building and energy, hybrid design efficiency and genuine intelligent design.