Even as characters are tweaked and actors bring a slightly different
energy than his other movies, The Best of Me is still the same mushy Nicholas Sparks adaptation with drama so overwrought audience members can't help but laugh — at least until they're sniffling during the closing credits.
Not exact matches
While it has visual
energy to spare, the
movie is more relaxed and less flamboyantly playful
than most of Honore's
other films, unfolding with naturalistic grace — precise but unfussy framing, fluid camera movements — and fewer New Wave - y winks and nods.
Here, Roy possesses a battery, the «only perpetual
energy - generating source
other than the sun» (A statement that's ludicrously wrong as is and wrong even if you buy the analogy, but then again, it's within a
movie with a title that's only half a pun), and it can power a small town.
A stark, brutal, yet tender prison drama starring Jack O'Connell as a violent inmate sent to the same lock - up as his jailbird father (Ben Mendelsohn), the film's shot through with a raw
energy and authenticity that's closer to «A Prophet»
than to most
other British films in the genre, with Mackenzie making the
movie feel like he's bottled up a hurricane of tension, which at any second could kick through the screen at you and hit you with a sock full of snooker balls.
Those speeches, combined with all of the
other combat
movie cliches found in Battle: Los Angeles, reveal the film to be little more
than a traditional war film disguised as an alien invasion flick, tailor - made for a generation of kids raised on first - person shooters and jitter - inducing
energy drinks.