Not exact matches
Two years ago, Chinese
photography and video was poised on the brink, its sheer
energy, mass
and quality readying it for launch into an international presence.
Despite saying of
video, «We are all sick of biennales where it takes 20 minutes to see every work,» Serota went on to modestly admit that he had «begun to understand what it felt like to be Picasso
and Braque in 1907 — absolutely determined to bury the previous century,» which in his case was presumably to bury Picasso
and Braque, as he considered, «the real
energy has gone into
photography, film, new media.»
In this series, Elisabeth Rosenthal reported what I consider the most exciting story on
energy and development in years — a vivid description in words,
video and photography showing how a single solar panel has had an utterly transformative impact on a household
and village in rural Kenya.