The author is Archbishop Charles Chaput of Denver, the publisher is Doubleday, and the price should be no obstacle to a book that offers a fresh analysis of what has gone wrong with the Church in America, a convincing case for encouragement, wise counsel on how to
engage the public square and, not incidentally, restored confidence in the ability of (some) bishops to teach on faith and morals.
It means the right to
engage the public square with moral debate and works of social ministry.
Not exact matches
We have lost both the desire and the ability to
engage in arguments in the
public square out of fear of being called bigots.
Second, evangelical Protestants will benefit immensely from listening to Roman Catholic thinkers
engaging with the pressing
public square issues of abortion, sexuality, and religious freedom.
We live in a culture in which Christian teachings are accused of being unchristian, Christians are expected to
engage in unending criticism of themselves in the
public square, and Christians are asked, in the name of Christian charity, to reject their claims to truth.
Moreover, there are indications that this book, which is robustly ready to
engage in the
public square of theology, is not just meant for experts.
In the
public square and at the ballot box, we must be more
engaged, not less.
Fortunately for me, Obama and the people around him - folks like Pete Rouse, Valerie Jarrett, Denis McDonough, Melody Barnes, Michael Strautmanis, and Chris Lu - valued results more than reputation, and saw the need to
engage people of faith in the
public square.
The evangelical - moralist sector has gained access to the White House, the Supreme Court, the Congress; it has a near - monopoly on mass media religion news, popular religion, the production of religious celebrities; it makes clear its positions on what it calls social issues, and is
engaged in calling for constitutional amendments and new laws and in protests in the
public squares.
Given that the RHSU Edu - Scholar rankings, by design, favor scholars who've bodies of work and sustained influence, these junior faculty deserve particular note for effectively making the (rarely rewarded) effort to
engage in the
public square.
Scholars of K - 12 and higher education may have differing opportunities to
engage in the
public square.
thru 3/11; New Pictures thru 3/3; Etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Donut Muffin curated by J. Duffett & T. Gonzales / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 3/10 How Much Do I Owe You / No Longer Empty @ The Clock Tower / 29 - 27 41st Ave., Long Island City / thru 3/13 Nancy Dwyer; Visual Conversations / Fisher Landau Center for Art / 38 - 27 30th Long Island City, Queens / thru 4/7 Emerging Artist Fellowship / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Process and Progress:
Engaging in Community Change / Bronx River Art Center / 305 E 140 / The Bronx / thru 5/30 Joan Semmel / Bronx Museum / 1040 Grand Concourse, The Bronx / thru 6/9 Contemporary Cartographies / Lehman College / Bedford Park Blvd West, The Bronx / 2/5 thru 5/11 Reception 3/18 Vital Signs: Dean Dempsey; Susan Fenton, Amy Jenkins; Lorie Novak; Dread Scott / Pelham / 155 Fifth Ave. / Pelham / thru 3/30 OTHER: Walter De Maria / The Broken Kilometer / DIA / 393 West Broadway / ongoing Walter De Maria / The New York Earth Room / DIA / 141 Wooster / ongoing A. Ruppersberg; R. Artschwager; El Anatsui; V. Overton; S. Finch; T. Houseago; Lilliput (group) / High Line Park Leo Villareal / Madison
Square Park / thru 2/15 Sandra Gibson & Luis Recoder / Madison
Square Park / thru 4/5 Opening 3/1 Monika Sosnowska /
Public Art Fund / Doris C. Freeman Plaza: 5th Avenue @ 60th / thru 2/17 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon /
Public Art Fund / Brooklyn Bridge Park / thru 4/26 SELECTED EVENTS: Monday, 2/4, 6:30 PM / David Diao on Barnett Newman / DIA / 535 W 22 — floor 5 / $ Tuesday, 2/5, 6:30 PM / Donald Baechler on his work / New York Studio School / 8 W 8 / FREE Tuesday, 2/5, 7 PM / Vitaly Komar on his work / SVA / Amphitheater / 209 E 23 / FREE Tuesday, 2/5, 8 PM / Trenton Doyle Hancock on his work / Columbia / Prentis Hall / 632 W 125 / FREE Wednesday, 2/6, 6:30 PM / Rebecca Rabinow on Matisse / New York Studio School / 8 W 8 / FREE Wednesday, 2/6, 7 PM / Mierle Laderman Ukeles on her work / The New School Kellen Auditorium / 66 Fifth Avenue / FREE Thursday, 2/7, 6:30 PM / Christopher K. Ho reads, with curators Sara Reisman & Herb Tam / MOCA / 215 Centre / RSVP / FREE Friday, 2/8, 9 AM / Performa: Black Surrealism film program / NYU Einstein Aud.
Such concise allegations elicit
public discussion, directly
engaging viewers in a larger discourse on society that often broaches polemical issues.The medium of modern computer systems became an important component in Holzer's work in 1982 when nine of her Truisms flashed at forty - second intervals on the giant spectacolor electronic signboard in Times
Square.
Information session offered for artists and artist collectives interested in applying to Studio in the Park — a residency program that provides an artist or artist collective use of a 150
square foot mobile studio space, situated in an NYC
public park, to carry out a community
engaged art project over the course of 6 weeks.
, providing an artist or artist collective use of a 150
square foot mobile studio space, situated in an NYC
public park, to carry out a community
engaged art project over the course of 6 weeks.
By exhibiting significant artworks in its storefront location at the edge of Taksim
Square in Istanbul, collectorspace seeks to
engage the general
public on issues that motivate contemporary artists while creating reference points for next generations of collectors regarding their role in supporting knowledge production.
● $ 6,000 living allowance ● $ 2,000 materials stipend (prorated for residencies shorter than three months) ● Furnished one - bedroom condominium with Wi - Fi ● Private workspace (230 — 819
square feet) with Wi - Fi ● Participation in a group exhibition on the second or third floor of McColl Center ● Photo and video documentation ● Technical and administrative services ● Reimbursement for one round - trip economy - class flight ● Opportunities to
engage with McColl Center audiences via
public programs
Taking place across three idiosyncratic locations: the former Methodist chapel at 176 Prince of Wales Road, London, home to the Zabludowicz Collection; a number of vacant shops in the London Borough of Camden; and the 33rd floor of a skyscraper on New York's Times
Square, The Shape We're In encourages the
public to
engage with works in new and informal ways.