Sentences with phrase «engage with viewers»

«Anatomy of Anxieties,» a group show curated by London - based art organization Rowing Projects, is a collection of artworks that engage with viewers — in a metaphysical, visual, narrative and even haptic fashion — on issues of body and anxiety.

The difficulty with Deacon's art is that while aesthetically pleasing, his works struggle to engage with viewers and can often feel impenetrable.

Responsibilities include editing videos, uploading and writing Facebook, YouTube and Instagram posts, working with producers and editors to identify and promote stories, and engaging with viewers across social.

 It applauded the site for offering Vimeo videos and engaging with viewers by using a scrolling webpage, large images and beautiful warm colors.

Engaging with viewers on the live chat and trying to keep up an entertaining commentary as I played was more fun than I expected, and by the end of the game I'd made about $ 10 / hour in donations.

This is not the case for all the work, and two pieces, radically different in form and composition, move beyond the intricacies of internal formal dialogue to effectively engage with the viewer, the gallery space, and larger questions about art's transformational power.

Through an unswerving challenge to the meaning of painting in the world today she gives a voice back to painting: a voice that remains on the pulse, and engages with the viewer in a direct, natural and anything but elitist manner.

In Staring Horse (2004), the canvas is dominated by the direct gaze of a white horse who engages with the viewer as it emerges from a richly worked background.

Classically trained, Fraser exclusively works with oil paint for its flexibility and luminosity, striving to make her paintings beautiful, but also to emotionally engage with the viewer.

Increase public's trust in [company name] by engaging with viewers on social media and posting frequent updates during severe storms.

Not exact matches

But get the corporate site wrong — like failing to include material that engages the viewer and creates interaction with your brand — and prospects are less likely to trust your job site.

The study, which was initiated in 2008 with a budget of $ 35 million, also reveals 56 % of commercial viewers are engaged solely with media — led largely by TV viewing — during the ad break, meaning over half aren't multi-tasking.

The company's ad format — which requires viewers to engage with an ad for 30 seconds to be able to watch 30 minutes of ad - free programming — has been received well by users.

You want viewers to engage with it, talk about it and share it with friends.

In the last year, Vice has secured $ 500 million in financing and signed deals worth hundreds of millions of dollars with established media companies like HBO that are eager to engage the young viewers Vice attracts.

This data can also determine the kind of content that readers and viewers engage with, which in turn feeds into future programming strategies.

You can expect fewer viewers / users / customers but you can get them to engage more, which means a company can survive with 80 % of income coming from repeat sales.

Perhaps that shouldn't be surprising, since Facebook says you pay for a «view» when a video is displayed in a user's news feed for 3 seconds or more, even if the person doesn't actually click on the video to watch with the sound turned on, while YouTube says you pay for a «view» when a viewer watches 30 seconds of your video — or the duration if it's shorter than 30 seconds — or engages with your video, whichever comes first.

By including location extensions in TrueView in - stream and bumper ads, viewers can engage with your brand and see your store's location, business hours and directions to the store.

The characters involved in this affair (Keegan - Michael Key and Annie Parisse) often argue with each other over whether or not they're definitely «bad people,» and the show wants viewers to engage in this debate as well.

Setting is one of the first things we attach to as movie and TV viewers because we engage with it before we have full understanding of the story.

Viewers will be able to engage with broadcasters while watching the game via livestream, and that's something the NBA never had before.

If you want to maximize your publicity and get viewers tuning in to watch you fight, you need more than just fight, you need to connect with the viewer on several levels and engage them so that they tune in and pay for the cards you're on.

Astrid has co-authored Adoption in the Movies, which takes the reader on a guided tour of 27 movies and documentaries that are «dripping with adoption» and asks questions that encourage the viewer to engage in ongoing dialogue and discussion.

Bracknell, UK, 18 November 2009 - The art of ensuring that viewers engage with an intended message and translating this into a winning creative has now become faster and easier with the introduction of a new web - based Visual Attention Service (VAS) from diversified technology company 3M.

«With more than 150 attendees and over 140 online viewers this year, the event also allowed broad outreach about the depth and importance of the activities in which fellows engage, and the many ways that scientists and engineers can contribute in the policy arena,» said Robinson.

Supplementing what faithful fetish chat live viewers might find to be far too pass» for their breed of folk, Mistress Preston takes on a more dominating role wherein you'll witness her engaging in leather - bridled pony play; the real - life smothering of an innocent teddy bear; enforced orgasms;» co-ed wrestling ala Andy Kaufman; panty / stocking face - sitting; armpit sniffing;» jerking a guy off with an actual pearl necklace wrapped around his wiener; taking a load of non-orthodontist recommended man - paste onto her braces; and, some other atypical activities starring cigars, balloons and shoes.

James Penfold, head of partnerships at ITV Commercial, said: «We know that our viewers want to engage and interact with our content in new and exciting ways and this innovative partnership with match.com allows them to do just that.

«She is the perfect personality to help us continue to solidify our place in the relationship and dating space, and it couldn't come at a more exciting time as more viewers are engaging with our shows and personalities across platforms.

Still, for some viewers, you can't go completely awry with this kind of superficially engaging nonsense, so long as the plot is reasonably clever and the cast seems to be having a good time.

A perversely disturbing and highly uncomfortable film that bursts with overwhelming sexual intensity as the characters engage in a compulsive fetishistic psychopathology that is strangely telling, even if it will probably leave most viewers repelled and make them never want to see it again.

Opening with a stark locomotive hijack sequence, the picture announces itself straight away as an unpredictable mainstream distraction, electing to engage viewers early with unsettling theatrics over marquee glamour.

Yet while those comic book references, along with plenty of well - written quips aimed at older audiences, will engage the parents in the theater, the film's introspective second act may fail to hold the attention of younger viewers.

And there's nothing wrong with that, as long as viewers are prepared to open their minds and engage their brains.

But rare is the studio picture allowed to be this abstruse, and engaged viewers will leave with plenty to consider while they decompress over a hypnotic closing credit sequence.

Although it moves along at an incredibly sluggish pace, Beauvois manages to keep the viewer engaged through his delectable direction, breathtaking images of the Limousin countryside, and with the help of several outstanding performances from his cast of leading women.

It transports the viewer like no other show can into another world - with engaging characters and beautiful cinematography.

Patient viewers have to work hard to engage with the film and sustain their interest as the steady pace continues, and the running time closes in on two hours

Ridiculous, yes, but also engaging — and maybe some relief for viewers who are preoccupied with politics but could still use a break from cable news.

This film will keep viewers engaged from beginning to end with its soundtrack too.

The set pieces are just as ludicrous, asking the viewer to buy into the movie too much when we have not been given any reason to engage with the plot in the first place.

It is difficult not to admire Leigh's boldness in giving the Christian virtues of selfless generosity, charitable goodwill and quiet passivity to a backstreet abortionist, but by presenting Vera with an almost cartoonlike saintliness from start to finish, Leigh misses an opportunity to engage seriously with the moral complexity of the abortion issue — and some viewers will be left longing for Vera to be a shadier, more difficult figure, like the protagonist of Leigh's far more confronting «Naked» (1993).

Mercifully, due to nice pacing, clever writing, engaging action and strong performances, with tongue slightly within cheek, viewers should be too busy enjoying themselves to complain.

With enough popcorn and a visit to the «facilities» prior to sitting down for this epic, The Hobbit: The Desolation of Smaug has the potential to keep both hobbitual and casual viewers engaged.

All three characters engage in the kind of sexual practices and dizzying social behaviour that will ensure viewers stick around for every minute of the eight episodes, the first two of which are being directed by James Kent — who made the film Testament Of Youth with Alicia Vikander.

After a bum run of commercial disappointments, Soderbergh struck relative gold with Out of Sight — engaging and funny characters, great casting, and slick stylistic touches in abundance that enhance the story rather than throw viewers for a loop.

Working with a strategized network narrative — one that stands out from the many in Bordwell's samples, the year 2000 film had appeared as less all - encompassing and oddly mapped out, but after the screening I felt that device was no less disciplined as it engages the viewer by revealing some information, dispelling some, while omitting others — those countless fades to black are welcome beats for analysis.

I caught some of the titles: Nugu - ui ttal - do anin Haewon (Nobody's Daughter Haewon) is a delightful film from the South Korean auteur Hong Sang - soo, the story of a female student's «sentimental education» as it were, as she traverses through reality, fantasy, and dreams, we viewers never quite sure what we are watching; Jim Jarmusch's Only Lovers Left Alive (TIFF's Opening Night film) is an engaging and drily humorous alternative vampire film, Tilda Swinton melding perfectly into the languid yet tense atmosphere of the whole piece; Night Moves is from a director (Kelly Reichardt) I've heard good things about but not seen, so I was curious to see it, but whilst the film is engaging with its ethical probing, I found the style quite laborious and lifeless; The Kampala Story (Kasper Bisgaard & Donald Mugisha) is a good little film (60 minutes long) about a teenage girl in Uganda trying to help her family out, directed in a simple, direct manner, utilising documentary elements within its fiction.

Far too wilfully quirky for mainstream audiences, this dry Mexican comedy - drama has enough charm to thoroughly engage more adventurous viewers with its deceptively simple story of a boy and his car.Juan (Catano) is a teen...

One shot he does linger on is Chow standing on top of a car holding a gun in each hand, which only serves to remind viewers of his earlier, more violent and more engaging work with Woo in Hong Kong.