Sentences with phrase «engaged art viewers»

Whether this shift is prompted more by an art - historical interest in enriching the archive or a market - driven desire for a new source of product is a discussion for another time — either way, the result is a new appreciation for semi-forgotten greats that pushes them back into the contemporary discussion, a boon for engaged art viewers on the search for buried treasure.

Not exact matches

Bracknell, UK, 18 November 2009 - The art of ensuring that viewers engage with an intended message and translating this into a winning creative has now become faster and easier with the introduction of a new web - based Visual Attention Service (VAS) from diversified technology company 3M.

He created a work of art and engaged the viewers in a discussion of grand ideas.

If you're a regular viewer of trendy BBC arts programme, The Culture Show, you'll already be aware of this, but in the unlikely event that you're not... the series is engaging in a search for the public's favourite British design icon.

I like that the viewer must engage in a tactile way to get the full effect of the art.

This is not the case for all the work, and two pieces, radically different in form and composition, move beyond the intricacies of internal formal dialogue to effectively engage with the viewer, the gallery space, and larger questions about art's transformational power.

The artists in this exhibition employ a diversity of media to create intriguing experiences that engage the senses, activate the imagination, and provide connections between the viewer and the work of art.

We promote engaging and transformational art experiences with the goal of connecting the viewer's personal experience with relevant areas in contemporary culture.

The legendary Venezuelan artist Carlos Cruz - Diez discusses his experiments with colour and movement, and how he engages viewers with his art.

Located in the Blanche and Irving Laurie Foundation Art Stairway, this site - specific installation uses allusive words on the walls and windows to successfully engage the viewer.

Furthermore, it engages with the concept of Ultra Subjective Space, central to the practice of teamLab Japan, referencing the non-perspectival depiction of space in premodern Japanese art and situating the viewer directly within the realm of the artwork.

It tends to focus on the sculptural object, whereas the wall photos show an art that engages the viewer well beyond structure.

Entitled Transcending Boundaries, the exhibition will feature two never before seen works that celebrate the possibilities of technology in terms of art and engage the viewers in the exploration of themes such as creativity, play, life and fluidity.

Sim Smith Gallery works closely with collaborators to inspire multidisciplinary projects aiming to engage new audiences for the work and changing the viewer experience through exhibition design, curation and by taking art outside of the traditional gallery setting.

From that competition arises the question of the intentionality of the architecture, installation or art object: does it seek to engage the viewer on an equal footing of open dialogue or does it seek to talk down and manipulate?

He soon began expanding his art into 3D, following the logic of engaging the viewer with the work, in a similar way to that of artists in Russia half a century before him.

As the first actively engaged studio artist to curate the Whitney Biennial, I think that viewers will see on the fourth floor the prominence of autonomous «things» and an emphasis on art's materiality.

Launched in Miami in 2010 as an art fair alternative by seven galleries from New York and London, SEVEN is a unique initiative committed to presenting artworks on their own terms and providing an intimate, personal way to engage the viewer.

The program takes a fresh approach to immersive installation and embraces innovative ideas, provocative content and interactive projects, engaging first time viewers and art critics alike, while fostering a greater awareness of the important messages found in contemporary art.

It continues to explore viewer preferences based on the Framework for Engaging with Art, including museum visits, art - viewing preferences, demographic characteristics, and experiences using the DMA Web siArt, including museum visits, art - viewing preferences, demographic characteristics, and experiences using the DMA Web siart - viewing preferences, demographic characteristics, and experiences using the DMA Web site.

Each work asks the viewer to stretch their imagination and invites their curiosity in a struggle to identify their marks, engaging in the creative process through the act of exploration of the Art.

While the exhibition considers the art historical background of the relationship between artwork and viewer, and its growing status over time, it asks, how do these works engage and forge relationships with audiences in distinctively different ways from any other works of art?

David Lawrey & Jaki Middleton's collaborative practice draws on popular visual culture, art history and cinematic traditions to create works that engage the viewer via optical phenomena, juxtaposition and repetition.

In one weird, hyphenated word, NOW - ISM insists that the works in it are both of the moment — particular to the circumstances in which they were made and attuned to the digital phase of the Information Age as it hurtles us through the first decade and a half of the twenty - first century — and outside of time: unshackled by the constraints of context and the restrictions of history because, as works of art, they are fully present in the moment and available to be intimately engaged by innumerable viewers, over and over again, in perpetuity.

In Zodiac, Dodson takes on these peculiar associations and promises to engage the imagination of the casual viewer as well as that of the art connoisseur.

At the same time, I'm greatly interested in the concerns of perceptual art, a genre of painting I adore not leastwise for it's inclusiveness (one needn't have a knowledge of art history to enjoy Op - art), but also for the way its static images engage the viewer in the conscious act of looking.»

She's primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research in the state of contemporary art in redeveloping cities, including a process blog called «breakfast with the artist.»

She is primarily concerned with artist and viewer experiences of making and engaging with art, and conducts ongoing research in the state of contemporary art in redeveloping cities, including a process blog called «Breakfast with the Artist.»

With Meireles's larger installations in the show, viewers are confronted by entire rooms filled with art, engaging them to experience the work through direct participation, either by walking through it or inhabiting the space.

The act of assembling physical elements adds a tactile layer to the video art which integrates the props and in doing so breaks the boundaries between us as viewers and the artist themselves as we are reminded that they have actively engaged with what appears on screen.

l Los Diez moved abstraction from purely visual, formal concerns toward conceptual and phenomenological ends, in line with other contemporaneous international art movements, to engage both the viewer and the broader collective conscience of Cuba.

From farm to table, from gallery to home, Local Fare is a unique opportunity for viewers to acquire fine art and engage in the creative scene while supporting the larger Nashville community.

The works ranged from highly saturated colored op - art paintings to large - scale light and glass sculptures that allow the viewer to activate and engage with the art works.

Stanczak and his teacher Albers preferred the use of «perceptual art» to describe these paintings which engaged the viewer's eye and mind, but critics preferred Op as a counter to «Pop Art.&raqart» to describe these paintings which engaged the viewer's eye and mind, but critics preferred Op as a counter to «Pop Art.&raqArt.»

Art works should engage, articulate, problematise, open new ways of seeing, place the viewer in jeopardy of their received opinions, move the artists to the limits of what they know or believe, excite, incite, entertain, annoy, get under the skin, and when you've done with them, nag at your mind to go take another look.

And that was just one assault this March on my very assumption about how art engages me, the viewer.

The viewer can indeed understand the logic of Eliasson's works here, and the art indeed engages on an intellectual level — but the installation somehow lacks the awe of the great British master, that in many ways Eliasson captured with his weather project — but after all; they are experiments.

This was also the time when Fluxus and Body art became pivotal art movements testifying to this development, engaging the viewers themselves into the process of making artworks.

Viewers can visit the Untitled website built for Day With (out) Art 2011 by Creative Time here to watch a trailer, view the list of participating venues, access the Resource Guide, respond to the film, and engage in dialogue about the work necessary to end AIDS.

Founded by Aimee Friberg in 2013, CULT engages viewers inside and out of the formal white space, with experiential programming including: talks, dinners, art tours and nomadic exhibitions.

Widely known as an icon of Op art, Riley first came to prominence in the 1960s — notably after her participation in The Responsive Eye exhibition at MoMA in 1965 — creating visually disruptive black - and - white paintings that actively engaged the viewer's perception, using geometrical patterns that were quickly taken over by the fashion and design industries throughout the «Swinging Sixties».

Here, young kids have the opportunity to engage, play with, reinvent, the concept of the artist, therefore allowing an open dialogue between the viewer / audience, and the work of art.

Active as artist, writer and publisher, he engages the viewer in a challenging discourse about the place of art in social and political life.

This transverse and trans - historic revision of her collection of contemporary art encompasses five interrelated thematic modules that viewers can engage with at will, without having to follow a single and pre-defined itinerary.

Buhlebezwe Siwani is an engaging South African artist who relies on an exceptional combination of performances, installations art and photography in order to get the delicate messages across to the viewers.

She is most interested in developing exhibitions that engage non-traditional audiences while concomitantly challenging viewers to re-think their perceptions about art, art - making and the role of the museum / gallery.

The colorfully engaging, fantastically themed large format paintings of New York City - based artist Inka Essenhigh are certain to wow viewers in an exhibition called «A Fine Line,» on view at the Virginia Museum of Contemporary Art (MOCA), in Virginia Beach, from March 17 through August 19.

«Drawing art objects is a way to engage our sense of history and become active viewers.

The work of art links the daily to the sublime; or, in Martin's terms, by engaging and moving the viewer, art can reveal the basic perfection.

My ultimate goal is to create a compelling work of abstract art that engages the viewer, is endlessly absorbing and fosters a meaningful dialogue.»