Sentences with phrase «engaged by architecture»

In churches, the senses were purposely and vividly engaged by architecture and decoration that dazzle the eye.

Not exact matches

It is unlike it at several important points: (1) it is engaged in not alone but with other people, some and perhaps many of whom are likely to be strangers; (2) it is conducted by someone usually a minister or priest — and is channeled through regular forms; (3) there are appeals to the eye in the sanctuary's architecture and appointments and to the ear in music and spoken word which are not usually present in private worship; and (4) in the singing of hymns and the unison repetition of prayers and responsive readings there is opportunity for corporate vocal self - expression.
The architecture of Ancient Greece is the architecture produced by the Greek - speaking people (Hellenic people) whose culture flourished on the Greek Christian & Michaela: «Thank you for your amazing dating service — we are now engaged and planning our wedding for next year!
Backed by more than 30 years of experience, LEO designs engaging learning architectures that fit seamlessly into businesses and improve performance throughout the entire organization.
Backed by more than 30 years of experience, we design engaging learning architectures that fit seamlessly into businesses and improve performance throughout the entire organization.
Not much of that goes on when teachers come together by choice to engage in a deep and personal study of the architecture of accomplished teaching.
By contrast, Romania's great cities such as Braşov and the capital, Bucharest, offer an engaging melting pot of history, culture, fine architecture and art along with contemporary shopping, entertainments and a host of superb restaurants, bars and cafes.
So while you engage in a variety of missions, you get to meet a handful of historical figures like Queen Victoria, Charles Dickens and Florence Nightingale in order to «help» shape London to what it has become today by ferreting out the nefarious Templars who have imbedded themselves into the architecture of London itself.
The exhibition [September 25 - November 20] features works that engage the building's architecture by Patrick Wilson of Los Angeles, Odili Donald Odita of Philadelphia, and German - born, New York - based Manfred Mohr.
This was the last in a series of shows by Williams since January 2017 that have engaged different aspects of his work, including collage, architecture, photography, publications, sculpture, and now theater.
Director & Chief Curator of High Line Art, and produced by Friends of the High Line, High Line Art invites artists to think of creative ways to engage with the uniqueness of the architecture, history, and design of the High Line and to foster a productive dialogue with the surrounding neighborhood and urban landscape.
Beyond the museums, villas, and grand urban plans that by the mid-20th century had become emblematic of a modern architecture, Giedion was concerned with the chairs, tables, beds, bathtubs, and kitchens — the objects that more immediately organized quotidian life and increasingly shaped the way humans engaged with the world.
``... and finally found myself perplexed but totally engaged by the slow - motion collapsing architecture of Memory of Oceania.
The book never engages with the arguments of a whole generation of modern scholars about the meanings of Gothic architecture in the 18th century — its use to advertise social status or national identity, for example, or the importance of Freemasonry to Batty Langley, or the way that the style was deployed by the coterie centred on Walpole as a signifier of heterodox sexuality.
Director of Critical Studies and MA / PhD programs in UCLA's Department of Architecture and Urban Design, Sylvia Lavin engages artists, architects, and curators in a series of lively discussions on how cities are increasingly molded by images rather than buildings; on whether art and architecture are converging to form an integrated type of cultural consumption; and if the concept of the masterpiece has finally been destroyed by the sheer quantity of global design production.
Catherine Opie is engaged in issues of documentary photography and in how aspects of identity and collective behaviors are shaped by architecture.
The eight 2018 artists represent a variety of approaches, including projects that relate to Wave Hill's history and architecture; engage with our community by working with participants in our public education programs; and investigate the history of horticulture and botany in unique ways.
Lawless writes, «I'm attempting to engage the viewer by exploring spatial and color relationships, scale, the similarity between packaging and architecture, and the ways that manipulating visual logic can animate what we see.»
The installation, originally commissioned for the Turkish Pavilion at the 2009 Venice Biennale, is accompanied by a text situating the included locations within a Calvinoesque narrative that engages the poetics and politics of space, architecture, violence, and international relations.
These artists represent a variety of approaches, including projects that relate to Wave Hill's history and architecture; engage with our community by working with participants in our public education programs; and investigate the history of horticulture and botany in unique ways.
American Art set the standard for the national art survey courses for the last decade by providing a thorough and engaging chronology of art, including painting, sculpture, architecture, decorative arts, photography, folk art, and graphic arts.
Blueprints engages the organizational forces of material and dematerialized architectures by considering the physical and psychical distance between the drawn and the built, the architectural representation and its muse.
In addition to the Boston landscape architecture firm Reed Hilderbrand and New Orleans - based Trahan Architects, the museum is engaging Beck Group of Austin as general contractor, with project management by Austin's Benz Resource Group and in consultation with the Lady Bird Johnson Wildflower Center and Nelsen Partners of Austin.
In This Hello America... engages both the physical and social architecture of Bard College by re-envisioning the cultural space produced by Sasson Soffer's public art sculpture Hello America (1980), located near the campus center.
The work melds the natural world with the architecture of the gallery by engaging the sunlight and view of trees through the window.
He is an immaculate painter, working carefully by hand with tape and a drywall blade to create seamless planes that seem at once solid and transparent, referential to the modernist architecture that dots the Southern California landscape and to the iconic «light and space» artists and West Coast hard edge abstractionists (Larry Bell, Frederic Hammersley, Robert Irwin, John McLaughlin) who have engaged with these peculiarities and particularities of atmosphere and surface in their work.
Art historian Gloria Sutton engages LA - based artist Julian Hoeber in a conversation that focuses on how the artist's work critically transposes architecture and visual art by translating spatial paradigms of the body and the built environment (e.g. exploring notions of interiority, rumination and the liminal).
My favorite in the booth was a light painting called All Colors White by Torolab, a collective from Germany whose work is socially and technologically engaged across all mediums; from paintings, photographs, architecture, and design.
Director Sally Tallant says, «By using iconic and historic sites, as well as existing galleries and museums, the Biennial is an opportunity to explore the city's architecture and its context, while engaging with contemporary art.
The large - scale, two - floor intervention designed and built by Preus responds to the Art Center's experimental architecture by Doug Garofalo, and echoes its mission to engage the community through participation in the arts.
Modernism: On and Off the Grid, curated by Niko Vicario, brings together works engaged with the legacy of Modernist architecture and design.
From September 20, 2012 through May 19, 2013, the Guggenheim Museum Bilbao is pleased to present Inhabited Architecture, a new exhibition of works from the Guggenheim Museum Bilbao collection that engages in a reflection on the concept of architecture and its ability to suggest a past or present created by us and our relationships with others.
Blueprints Artists: Trisha Brown, Peter Halley, Sean Paul, and Nick Relph Curated by Stephanie Harris «Blueprints engages the organizational forces of material and dematerialized architectures by considering the physical and psychical distance between the drawn and the built, the architectural representation and its muse.
The unique relationship that it has with its landscape, seascape, and architecture will be explored and engaged with by this inventive and thoughtful artist in a way that I am sure will make it one of the must - see exhibitions of the year.
Her new Breakfasts With series asserts equality by adding to the compositions of photographers like Irving Penn and Stephen Shore, building atop their visual architectures and making them more visually engaging.
Engaging the architecture and layered dynamics of the historic English and American Camps located in San Juan Island National Historical Park as its primary venue, the exhibition extends its inquiry and presentation into the urban context of Seattle, including a central group exhibition at Georgetown's studio e gallery, and a solo presentation hosted by Specialist, located in Pioneer Square.
His interdisciplinary practice playfully engages spatial and social architectures by creating platforms for experimentation, discussion, and collaboration.
These allusions grow further still in work that expands upon the traditional definition of painting by engaging with walls, floors and architecture.
At the morning's press conference, Armory Show founding director Paul Morris discussed the new, more engaging and experiential layout of the booths, designed by New York - based architecture firm Bade Stageberg Cox.
Several newly - commissioned works are being shown, some of which engage directly with the architecture of the building, as in Jorge Pardo's creaking doors which fit over the Museum's windows and Rirkrit Tirananija's Untitled, 2006, where he creates a neon light that spells out the first four lines of a Nirvana song by Kurt Cobain.
Container No. 2 by Zachary Fabri is the second in a series of works that engages the architecture of a performance space.
Curator & Director of High Line Art, and produced by Friends of the High Line, High Line Art invites artists to think of creative ways to engage with the uniqueness of the architecture, history, and design of the High Line and to foster a productive dialogue with the surrounding neighborhood and urban landscape.
The building was designed by local architecture firms Tony Owen Partners and Silvester Fuller, who were engaged by property developer Ceerose.
As Telegram co-founder Nikolai Durov noted, TON is aimed at solving the shortcomings of existing cryptocurrencies like Bitcoin and Ethereum by delivering «a fast and inherently scalable multi-blockchain architecture» which has a capacity to process millions of transactions per second, offers intuitive user interfaces and contributes to transformation of the existing Telegram user base into an engaging ecosystem.
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