Sentences with phrase «engaged by the images»

Both editors, collectors, potential collaborators in the business, but most important the normal readers that were moved and engaged by the images.

They were also less attentionally engaged by images of others in distress when co-occurring conduct problems presented.

Not exact matches

Explaining the new rules and underscoring golf's negative image, the party's corruption watchdog said on Thursday that golf was a game enjoyed by a former police chief who engaged in «massive» bribery.

A study by Adobe has shown that 39 percent of people will stop engaging with a website if images won't load or take too long to load.

In short, BritishMPs on their overseas forays project an image of engaging cynicism, ribaldhumour, frumpy clothes (Memo to committee clerks: confiscate all MPs beige anoraksat Heathrow; issue Kiwi shoe polish), and a blunt, honest directness, allcombined with a slight bafflement that so many foreigners by now still have notaccepted the wisdom of becoming British.

The Secretary General of the All Africa Students» Union (AASU) and Ghana's representative to AASU, Mr Fred Awah, has been dismissed with immediate effect by the National Union of Ghana Students (NUGS) for engaging in fraud which has tarnished the image of Ghana at both the continental level and the international diplomatic community.

NOVA, the weekly science series on PBS, is in its 44th season of educating and entertaining audiences with programs driven by engaging story lines, striking images and glimpses into the human side of science and technology.

Our study suggests that these images could be overlooked by people who are engaged in other activities such as using their phones, reading the newspaper, or forwarding their TV recordings to resume the program they were watching.

When a child engaged in Moved by Reading moves the image of the farmer to the tractor, she isn't just playing.

The study found that women who felt greater «thinspiration» by viewing images of thin models were actually less likely to engage in weight - loss behaviors.

An engaging clinical topics section includes many commonly presenting conditions with succinct text supplemented by clinical images and short movie clips.

By keeping things a little more «real» and avoiding extreme over-the-top scenarios, this moderately engaging comedy manages to offer some good laughs while providing lessons about self - esteem, body image and making the best of a difficult situation.

After a brief cold open, the opening credits roll over images of brothers Mike (Adam Devine) and Dave (Zac Efron) Stangle engaging in flashy, over-the-top partying antics: lots of face - pulling and slow - motion, backed by a bass - heavy party - hard pop song.

The initiative, by leading charity the Tennis Foundation, aims to radically change the way tennis is delivered in schools — making it more relevant and engaging for children from all backgrounds while also attempting to rid it of its elitist image.

Highly engaging, creative writing lesson based on the original Sandman image by Dina Bova.

The following resources are provided: - Engaging and colourful step - by - step PowerPoint - Frankenstein extract - Teacher lesson guidance; - Interpretation worksheet; - Analysis worksheet; - Writing to analyse help - sheet All images are licensed for commercial use, and are cited on the final slide of the PowerPoint.

Students learn to: - Define key terms related to the historical context of The Holocaust; - Remember and understand key information about Anne Frank's experiences, that they learn from an engaging PowerPoint presentation; - Read extracts from Anne Frank's diary; - Answer a range of questions to demonstrate their understanding of Anne's diary; - Analyse the language features used by Anne Frank to create dramatic images in the mind of the reader; - Peer - assess each others» learning attempts.

The following resources are provided: - Engaging and colourful step - by - step PowerPoint - Poem - Teacher lesson guidance; - Identifying worksheet; - Analysis template; - Writing to analyse help - sheet - Analysis model All images are licensed for commercial use, and are cited on the final slide of the PowerPoint.

The Sandman Creative Writing Lesson + Chirstmas Fun The Sandman: Highly engaging, creative writing lesson based on the original Sandman image by Dina Bova.

It allows children to engage their pre-reading skills (phonemic awareness) by identifying beginning letter sounds of various images.

As with all the rich media resources produced by EducationCity, the computing module is designed to engage pupils and teachers alike through the use of colourful images, animation, text, voice over, sounds, music and interactions.

By taking images of brains of those who routinely engage in contemplative practices, neuroscientist Richard Davison discovered that «their mental practice is having an effect on the brain in the same way golf or tennis practice will enhance performance.

Highly engaging, poetry lesson based on the original Sandman image by Dina Bova.

Amelia Bedelia The Book Report — by Lisa Johnson For teachers and educators, the ability to creatively combine web content with interactive images offers an exciting way to share engaging digital platforms for learning.

Since Facebook superimposes a square Avatar graphic in the lower left - hand corner of the Cover Graphic, our Facebook graphic also attempts to incorporate that into the overall design aesthetic by using a «lifestyle» image of people engaged in the act of reading and / or writing (typically with large smiles on their faces).

So, we make sure that we use visually engaging fonts, images and design to give your book every chance it deserves to be lovingly held by a prospective reader.

The goal here is to gain visibility with new fans and engage with them daily by posting images about your books, events, and more.

Adding texture engages Web visitors by using images that have a 3D feeling, giving your site dimension, visual interest, and freshness.

 It applauded the site for offering Vimeo videos and engaging with viewers by using a scrolling webpage, large images and beautiful warm colors.

Simply by using the hashtag #screenshotsaturday on Twitter or Instagram, game developers can engage with one another by sharing images, GIF's, and videos to promote their projects to the community.

Whether appropriated by some contemporary figurative painters or aligned with some sort of new figuration, where the painters «find everything to be a matter of images» (to quote Barry Schwabsky from the online catalogue for «A New Subjectivity»), Abstraction clearly and demonstratively engages with the problems of painting (and collage and sculpture) despite the surprising conservatism of Kerry James Marshall.

The project takes its point of departure from a 1968 sculpture of the same name by Noguchi, engaging the expansive collection at The Noguchi Museum alongside iconic images from the history of space exploration.

The artists see themselves as collectors engaged with the postproduction notion of recycling and reshaping images in order to reexamine history and by default, the future.

In this exhibition, key works by Bacon and Warhol will engage in an intelligent dialogue with those by some of the many different painters who have worked on the borderline between these two artistic languages, developing their own vocabularies with an emphasis on the manipulation and transgression of images, creating direct and indirect actions and narratives.

Shot by Gorka Postigo, these images capture de Palma engaging with each work as an extension of her body and a tool for expressing identity: a talismanic conductor of physical sensation and emotion.

Opie also engages in a dialogue about image - making in the age of selfies, going so far, by way of contrast, as to frame some of her subjects in ovals that suggest refined cameos.

By merging the photographic image with monumental and synthetic materials, she expands the boundaries of how a photograph can be physically engaged.

Director of Critical Studies and MA / PhD programs in UCLA's Department of Architecture and Urban Design, Sylvia Lavin engages artists, architects, and curators in a series of lively discussions on how cities are increasingly molded by images rather than buildings; on whether art and architecture are converging to form an integrated type of cultural consumption; and if the concept of the masterpiece has finally been destroyed by the sheer quantity of global design production.

Kobena Mercer has appropriately referred to this generation of «cinematic activists» as being engaged with the cultural struggle that takes place within the «domain of image - making» through self conscious cinematic strategies.6 In each instance, the individual filmmakers and voices that make up the collectives, workshops, and groups that formed in this tumultuous period in Britain's cultural history give shape to an image of race otherwise mediated by outside entities.

The exhibition features works by both well - known artists, such as Charles Burchfield, Edward Hopper, Charles Sheeler and Grant Wood alongside engaging images by lesser - known talents, among them Francis Criss, Louis Gugliemi and Katherine Schmidt.

Joffe ennobles the people she paints by rehabilitating the photographic image but, crucially, recognises that it is paint itself — its spatio - temporal complexities rather than attendant theories or sociopolitical ideas surrounding subject matter — that keeps us engaged.

The works featured include Brassaï's well - known Paris de Nuit images, Ilse Bing's early formalist compositions, Doisneau's free - spirited and engaging photographs of Parisian nightlife, and André Kertész's early night photographs from Hungary — the purported inspiration for Brassaï's Paris series — as well as remarkable New York images that reveal the artist's consistently innovative vision further inspired by the night.

Within her images and installations, she unearths associations between different actors (people, objects, and sites), which, in many cases, problematize the ways that different organizations engage their publics and are shaped by socioeconomic and cultural developments.

Mark Amerika pushes the boundaries of his conceptual artistic production by engaging directly with text and images, responding to cultural and socio - economic concerns.

Within her images and installations, she unearths associations between different actors (people, objects, and sites) that, in many cases, problematize the ways in which different organizations engage their publics and are shaped by socioeconomic and cultural developments in society.

The 1970s were marked by «crosshatchings», an abstract pattern which dominated the paintings, while it was the variety of images that engaged with the ambiguities of perception and themes of memory, sexuality and contemplation of mortality which were introduced in the 1980s.

Frustrated by this tendency in photography, Beshty turned to Adorno to explore the ways in which images might be able to «reclaim moments of heaviness,» challenging photographers to engage the concrete.

They approach the street not as detached observers but as engaged participants by turning to portraiture, urbanscapes, serial photography, or unconventional manipulations of the photographic image.

We are engaged by the simple and by the complex beauty of the image.

Her work is driven by conceptual concerns but is deeply engaged with the processes and mechanics of making, especially the production of images.