Sentences with phrase «engages working memory»

The act of teaching also engages working memory.

Researchers have detected increased activation in this area at the front of the brain when people are involved in thinking and problem solving that engages working memory.

Not exact matches

From 3 - 6, a child's brain is fully engaged in opening new nerve pathways and developing the executive functions like working memory, planning, and multi-tasking ability.

Twenty - five years may weaken some filmmakers» memories of their work, but not Badham, who is sharp, full of information, and able to dispatch it in an engaging way.

The brain's executive functions must be addressed even though our curriculum is full to overflowing, our days and hours are shortened instructionally, and we can not afford not to integrate these mindful, researched strategies that invite the working memory and prefrontal cortex to engage in the learning process.

Learning to picture the components of a math reading problem (as just one example) in their minds is another strategy that engages and enhances multiple components of working memory.

To engender this success in my students, I work to make sure they're adequately prepared for evaluations by creating lessons that engage high cognitive demands, which develop mental pathways to long - term memory.

The curatorial team, led by Paul M. Farber and Ken Lum, works closely with artists from Philadelphia and around the world to channel historical memory into civically - engaged contemporary public works.

Guirguis seeks to address problems of displacement, environmental destruction, and cultural and historical memory loss in her work, as well as through conversations with local artists engaged in political activism, and workshops with local Santa Monica youth and adult participants.

For thirty years British artist and filmmaker John Akomfrah has engaged with questions of memory and identity, creating works which give voice to the legacy of the African diaspora in Europe.

Finally, Apichatpong Weerasethakul (b. 1970), a prize - winning film - maker, engages with memory and politics (he has refused to show some of his work in own country, rather than see it face censorship) from an experimental, non-linear perspective.

While photography has been her primary medium, she has also incorporated drawing, text, sound, sculpture and video into work that evocatively engages with the intersection of photography, social history and personal memory.

Their work engages with revitalization of memory in the present and with questions of knowledge and history, thus creating the necessary potential for a dialogue and an ever - reforming discourse through which they develop an understanding of situations that surround us.

In addition to engaging with new art - making processes, Hamilton evokes the poetic theme of memory — even, in one work based on vintage film stills, the gothic preoccupation with ghosts.

Carefully stitched over long periods, her appliquéd works engage with her most vivid and important memories.

On view at from NOMA May 29, 2015 — September 7, 2015 New Orleans, LA - Ten Years Gone brings together six artists whose work engages with the broad themes of time, memory, loss and transformation.

Artist Statement: Liene Bosquê's installations, sculptures and social engaged work explores sensorial experience within architectural, urban and personal spaces; emphasizing context, memory, and history.

With each woman, Yoshida would engage in conversation with the artist, discussing details and memories of her life and work.

Their work is a reflection on the conditions of collaboration, engaging relations between public and private property, cultural history and memory.

For the last 30 years Akomfrah has engaged with questions of memory and identity, creating moving - image works which give a voice to the legacy of the African Diaspora in Europe.

His work engages the public domain, memory, and myth, and how these topics are mediated by complex social, economic, and urban landscapes.

[2] His paintings and works on paper «depict places where memory and history converge» [2] and engage with issues of identity and representation.

On Saturday, April 16, 2016, artist Michelle Stuart and exhibition curator Gregory Volk facilitated an engaging insider's perspective on The Bronx Museum of the Arts's exhibition Theatre of Memory: Photographic Works.

Her choices, arranged around selections of her own work, reveal her probing interest in slippages of identity and identification, cultural memory and forgetting and the ways in which artistic action and production engage these issues.

A Foothold on the Rocks presents original works from artists engaging with the Lawrences» memory and aesthetic.

While an apparent cultural connection fuels the artists to directly engage with remembrances of the War, their work argues that the memory of Vietnam belongs to us all in varying ways, regardless of personal associations.

Her work often combines in - depth scientific research with special esthetics and opens new layers for a viewer to reevaluate the mechanisms, which construct nations, modify memories and thus invisibly influence any of us, human beings.Since 2004 Mila has been engaged into long - term projects on the territories of former USSR, in particular, she dedicated last years working in the Caucasus and Caspian Sea region.

The works included in the exhibition engage a concern shared by the four artists in examining the nature of memory and the shaping of collective and individual histories.

For Saturnine Swing, Matthias Bitzer will use both the uptown and Chelsea gallery spaces to present his drawings, paintings, and sculptures, and multi-part installations, ultimately engaging the two spaces and the works contained within to achieve his larger project: a metaphysical space that weaves history, memory, and narrative into a multi-layered realm that addresses the issues activated by our comprehension of reality.

Gallaccio's work engages the viewer not only visually, but also through smell and through memory, which is an important aspect of the work as there is often no physical evidence left from the installations.

Her paintings and installations have always skilfully woven a myriad of ideas relating to identity, memory and history resulting in works of art that have engaged diverse materials and technology in order to conflate

For thirty years, spanning cinema, television and gallery - based installations, John Akomfrah's work has engaged with questions of memory and identity, creating works which give a voice to the legacy of the African Diaspora in Europe.

Sehgal does not photograph or record his work perhaps suggesting that the memories of the participants and the visitors engaging with the work are given the responsibility for remembering and interpreting the experience.

An activity - based workbook helps to engage children and promote the safety needed in sessions for children to work with practitioners and caregivers to build the skills and interpersonal resources needed to re-integrate painful memories and to foster healing after serial traumatic experiences.

This includes training in interventions for cultivating and maintaining a safe and empathic therapeutic relationship; for evoking and processing trauma feelings and memories; for reducing fear, avoidance, and shame; for resolving attachment injuries with specific perpetrators through expressions of anger and sadness; and alternatives to chair - work for clients who are unable or unwilling to engage in these evocative procedures.