Sentences with phrase «engaging cultural production»

Not exact matches

In Livezey's terms, adapted from Robert Wuthnow's, they are more likely to engage in «cultural production,» focused on theology, morality and community, than in traditional social action.

Founded by artists Bjørnstjerne Christiansen, Jakob Fenger and Rasmus Nielsen, SUPERFLEX offers engaging, often humorous perspectives on the social and cultural concerns of our age, from migration to alternative energy production, and from the power of global capital to the regulation of intellectual property.

His book Seeing Power: Socially Engaged Art in the Age of Cultural Production was published by Melville House in January 2012.

Director of Critical Studies and MA / PhD programs in UCLA's Department of Architecture and Urban Design, Sylvia Lavin engages artists, architects, and curators in a series of lively discussions on how cities are increasingly molded by images rather than buildings; on whether art and architecture are converging to form an integrated type of cultural consumption; and if the concept of the masterpiece has finally been destroyed by the sheer quantity of global design production.

Playful in tone and less reliant upon the exploitative construct of the case - study scenario in such large scale video projects as Them, 2007, and Repetition, 2005, Artur Zmijewski's earlier videos stand in contrast to these somewhat over-determined provocations; while recent Zmijewski productions have adopted a nearly formulaic approach to positioning cultural difference and conflict, and thereby seem to codify the subject as «other» a priori — a risk that critic and art historian Hal Foster has insightfully called the «self - othering» of «the artist as ethnographer» — three earlier Zmijewski works engage a simpler, more agile approach.

The mission of the Mark Morris Dance Group is to develop, promote, and sustain dance, music, and opera productions by Mark Morris and to serve as a cultural resource to engage and enrich the community.

Mark Amerika pushes the boundaries of his conceptual artistic production by engaging directly with text and images, responding to cultural and socio - economic concerns.

His new book Seeing Power: Socially Engaged Art in the Age of Cultural Production was also published by Melville House in 2013.

Starting with the premise that memory is political, her projects examine structures of time, memory, and the production of knowledge by engaging with archival materials, individual and collective narratives, and histories that span cultural and national borders.

More about Ladi'Saha In her work, Ladi'Sasha Jones, engages the intersections of digital storytelling, archives and cultural production.

Whether it is identifying new dynamics between art and the public realm, maintaining novel strategies based on contemporary art production and dissemination, or exploring uncharted framework and territory by engaging with artists, SGA is a vital part of Shanghai's cultural community and a catalyst for new experiences.

The SFAC Galleries has commissioned an essay from Malika Imhotep, a writer who engages black femme performance aesthetics, labor and cultural production throughout the African Diaspora.

We are interested in works produced in a range of visual and time - based disciplines that engage with the social dimension of contemporary cultural production.

Her choices, arranged around selections of her own work, reveal her probing interest in slippages of identity and identification, cultural memory and forgetting and the ways in which artistic action and production engage these issues.

Working to redefine the role of arts and culture, our learning programmes connect communities and artists to generate responses to social and cultural issues, developing a closer relationship between the artist, the production of work and an active and engaged audience.

First staged in 2005, BLT's primary aim is the production of discursive sites, wherein cultural producers engage in dialogue on a variety of critical issues.

Working primarily in video since 2000, the artist remained deeply engaged with the politics of image production and reception, using stock footage from Hollywood films, television, and advertising to point to the exhaustion built into much of postwar cultural production.

Processes, which however are not independent from the physicality and bodily presence of their production, or of the cultural spaces they inhabit and engage with.

The work engages with transience as a photographic, cultural and philosophical idea and is created through an expanded response to image production from stills and video to CAD imaging and desktop recording.

His book Seeing Power: Socially Engaged Art in the Age of Cultural Production is forthcoming from Melville House in 2013.

Nato Thompson is also with us, chief curator of Creative Time and author of the new book, Seeing Power: Socially Engaged Art in the Age of Cultural Production.

We speak with organizers Anne Pasternak, the new president of Brooklyn Museum, and president and artistic director of Creative Time; and Nato Thompson, chief curator of Creative Time and author of the new book, «Seeing Power: Socially Engaged Art in the Age of Cultural Production.»

Hồng - Ân Trương's interdisciplinary projects using video, sound, photography, and performance examine structures of time, memory, and the production of knowledge by engaging with archival materials, individual and collective narratives, and histories that span cultural and national borders.

Michael Rakowitz is an Iraqi - American conceptual artist whose work is influenced by his cultural origins, not so much in terms of identity, but as a means through which to engage issues that affect cultural production and the loss of culture.