Sentences with phrase «engaging exhibition at»

A second, and equally engaging exhibition at The Clark, No Rules: Helen Frankenthaler Woodcuts, traces her groundbreaking work in woodblock printing back to 1973, when Frankenthaler made her first woodcuts.

Not exact matches

The Museum of Brands, Packaging & Advertising in London's Notting Hill has launched a new exhibition series looking at different aspects of packaging innovation, starting with a look at how personalization is being used to engage consumers.

Amy O'Neill at the University of Leeds, organiser of the Smarter Cities exhibition, says: «Today's technology allows us to engage with people in real time.

Engaging Schools will have a booth in the exhibition hall at the ASCD Annual Conference in Boston, MA.

Fans anticipating an engaging and entertaining game from the recent exhibition of Space Channel 5 VR: Ukiuki Viewing Show at Tokyo Game Show 2016 might want to throttle their expectations of the experience.

The current exhibition of work by the late Alan Uglow (1941 - 2011) at David Zwirner highlights the way Uglow's abstract paintings engage with each other and the viewer to create subtle, shifting apprehensions of flatness and illusion.

Elsewhere, the Library at Japan House will offer a new approach to appreciate and engage with books through bookshelf exhibitions curated by Haba Yoshitaka of Bach.

MD / NY also featured Quiet Earth, an exhibition curated by Fairfax Dorn at the Rauschenberg Foundation Project Space, which featured environmentally - engaged works from the 1970s to the present including contributions from Amy Balkin, Donald Judd, Maya Lin, Trevor Paglen, Robert Rauschenberg, and Agnes Denes» Pyramids of Conscience (2005), a Ballroom Marfa commission.

Organized by Catherine Morris, curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, this exhibition takes stock of feminism's enduring influence on contemporary art with a selection of works engaging themes of gender, equality, and empowerment.

Until's Call and Response Program will continue throughout the run of the exhibition at MASS MoCA and will engage communities globally as Cave's project travels to Carriageworks in Sydney, Australia, and the Crystal Bridges Museum of American Art in Bentonville, Arkansas.

Beatriz Cortez and Rafa Esparza's collaborative exhibition at Commonwealth and Council engages with immigrant labor as a metaphor for the construction of a future where multiple imaginaries of gender, race, class, and culture are made possible.

Ballroom Marfa will present an art exhibition of environmentally engaged works at the Rauschenberg Foundation Project Space (455 W. 19th Street in Chelsea), and will orchestrate additional events with Marfa Dialogues program partners at that location.

For his first solo exhibition at the gallery, Sterling Ruby engages with the photography of Robert Mapplethorpe.

With a collection that is still very much in progress, this exhibition will reflect areas of emphasis over the four decades she has been seriously engaged in looking at art.

Artists have 24 - hour access to the studios and are invited to engage with the exhibitions and programs on view and available at Atlanta Contemporary.

From her early conceptual pieces to her current solo exhibition at the Guggenheim Bilbao, Ono's performance, film, musical, and written works engage the active participation of the audience.

The talk will focus on the recent exhibition Period Rooms at the Nieuwe Instituut in Rotterdam, where the historical rooms are engaged in a hallucinatory argument with the «White Cube.»

This Annual Open Call exhibition challenges artists to create works in a box that engage one viewer at a time.

Temporary exhibitions at Jane Addams Hull - House Museum examine social change by engaging contemporary artists, activist, educator, and local organizations.

In 2012, Kelvingrove hosted a range of diverse temporary exhibitions and events, aimed at engaging both current and new museum audiences.

Engaging works of various minimalist artists and choreographers who emerged in the 60s and 70s are on display at the Moderna Muset exhibition.

According to Martin Maloney, writing at the time of the exhibition, «Sensation» «substantially maps the contribution of those participants who have added to the diversity of what art is and what it can say... It has engaged and entertained an audience who find in it a reflection of their own pleasures, anxieties and phobias.»

Meanwhile, at François Pinault's Punta Della Dogana museum, the eminent French collector has engaged LACMA director Michael Govan to join Palazzo Grassi curator Caroline Bourgeois in organizing a similarly ambitious exhibition.

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustration

Bailey is from Australia and recently curated exhibitions for the AIDS 2014 conference including the exhibition Vital Signs - Interpreting the Archive at the Blindside Gallery in Melbourne which featured contemporary artists engaging with the collection of the Australian Lesbian and Gay Archives.

His role at the Lunder Institute for American Art will be a three - year appointment, where Gates will convene artists and thinkers from around the world for retreats, provide opportunities for students and faculty to engage in his practice, and identify opportunities for additional artist residencies, projects, and exhibitions at the Institute, founded in 2017 at the Colby College Museum of Art.

We invite you to engage with exhibitions at Butler Gallery and to explore the Gallery's permanent collection through a rich and varied programme of education and public events.

Together, the film «Substance», the sculptural grid fragments, and the object at the Metropolitan Museum engage a multi-layered conversation between histories of exhibition sites; concepts of public space and private property; and the paradoxical legacies of historicism and modernism in architecture and design.

A concurrent exhibition of new and recent work at Timothy Taylor Gallery, defiantly entitled An Ongoing Investigation reminds us that Hiller is an artist still very much engaged in her projects, collections and series, some of which have been accumulating since the very start of her career.

Ballroom Marfa will present an art exhibition of environmentally - engaged works at the Rauschenberg Foundation Project Space (455 W. 19th Street in Chelsea), and will orchestrate additional events with Marfa Dialogues program partners at that location.

For her current solo exhibition «Caerulea» at Gallery Paule Anglim, Clare Rojas engages audiences with a new series of large abstract works.

Given Müller's investment in content (which, it should be stated out front, never overwhelms the paintings» interlocking Cubist framework but rather engages it in a kind of communion), it is impossible to look at this exhibition of late paintings — almost all of them completed in the two years before the artist's death — without meditating on the extra 24 years of life (in Christopher Marlowe's version) that Faust received in exchange for his soul.

For her 2017 Perlmutter residency, Jones will create new work in response to the rich cultural history of the Rose Art Museum and of Brandeis, engaging the university community in the creation of a score inspired by Louise Nevelson's 1967 retrospective exhibition at the Rose.

Legacy in Continuum: Bay Area Figuration, on view at the Bakersfield Museum of Art from March 22 through May 27th is an exhibition that demonstrates the continuing impact of a very engaging, flexible style.

Engaging exhibitions and lectures on photography are the main focus at Holden Luntz Gallery, a sleek two - story Worth Avenue space that seeks to educate, entertain and engage.

As hinted at in the exhibition title, Axell engages with both contemporary stereotypes of femininity as well as centuries old role ascriptions and correctively intervenes in persistent gender relations: reflecting on art history — such as Venus iconography, Leda with the Swan depictions and distinguished portraits like Leonardo da Vinci's Mona Lisa — she subverts historically sedimented, male perceptions of femininity and renegotiates the socially constructed image of women as either «angel in the house» or femme - fatale.

Photographer Sheila Pree Bright describes 1960Now, her solo show at the Museum of Contemporary Art of Georgia, as a «participatory and interactive exhibition interpreting intergenerational views of activism through social engaged art.»

Fifteen years on, their Dear Art exhibition, originally conceived for and shown at the Museum of Modern Art Ljubljana / Museum of Contemporary Art Metelkova, is a response to Stilinović's text in the form of a snapshot of art's relationship to politically and critically engaged practice in the present day.

These commissioned pieces complement the second part of the exhibition that showcases the work of artists in residence at Dieu Donné, a New York - based nonprofit paper workshop that has been providing opportunities for artists to engage with the process of handmade paper since 1976.

Acclaimed for his sculptures, installations and public artworks that investigate the relationship of the human body to space, Gormley's fifth solo exhibition with Sean Kelly engages the grid to evoke the experience of inhabiting a human body at «the other side of appearance.»

The Chinese and British artist Su - Mei Tse's latest exhibition, Elegy at Edouard Malingue Gallery, Hong Kong, is an engaging presentation of a multi-disciplinary practice that incorporates audio, installation, photography and sculpture to compose a body of...

In 2011 Goodman Gallery curators Tony East and Claire van Blerck produced The Night Show, a 3 - part exhibition staged at Goodman Gallery Cape Town, which sought to destabilise the notion of the white cube and to engage with contemporary art practice on its own terms, courting the spontaneous and embracing the ephemeral.

Since then, Anderson has engaged with the artists represented in the Foundation's collection, organizing numerous exhibitions including Souls Grown Deep: African - American Vernacular Art of the South (1996) presented in conjunction with the Atlanta Olympic Games at Michael C. Carlos Museum at City Hall East, The Quilts of Gee's Bend (2002) while director at the Whitney Museum of American Art, and Hard Truths: The Art of Thornton Dial (2011) at the Indianapolis Museum of Art.

Please take a look at our website for further details: http://www.momentaart.org/momenta-art-past-projects-2015.html Reviews of our exhibitions or events in a traditional sense are welcome, but we also encourage cross-disciplinary approaches that expand and engage with the themes explored by artists and other participants through our programs, possibly addressing broader socio - political phenomena of the year.

I am hoping that I organized and installed an exhibition in which viewers can see my curatorial «whole» while at the same time being able to engage individually with the work.

Rauschenberg, who was always deeply engaged with other artists, would have been well aware not only of the aesthetics of Minimalism but also of related developments, such as process art and Conceptualism, which had been incubating since at least 1962 and began to emerge in exhibitions and art journals in 1966 — 67.

Influences converged, passion and intellect were engaged, and seminal moments occurred to help shape the process: in 1962 when Irving Blum (who had taken over Kienholtz's position at the gallery) gave Andy Warhol his first solo gallery exhibition ever at Ferus (the Campbell's Soup Can Paintings); in 1963, when Hopps moved to the Pasadena Art Museum and presented the first retrospective of Marcel Duchamp in the US; in 1966 with Ed Kienholtz's epochal retrospective at the LA County Museum; and in the decade from the late fifties to the late sixties when Ed Moses, Billy Al Bengston, and Ed Ruscha among a handful of others were on center stage.

During her tenure at the Davis Museum, she also conceptualized and curated the exhibition The Space Between: Artists Engaging Race and Syncretism, which explored how artists across the African Diaspora engage and bring into accord their multipartite heritages and identities.

A complement to the Jones Center, The Contemporary Austin's downtown location, the Betty and Edward Marcus Sculpture Park at Laguna Gloria is committed to a vibrant, engaging program of exhibitions alongside thoughtful land stewardship.

In St. Louis, there is the Saint Louis Art Museum, the Contemporary Art Museum, the Pulitzer Foundation, and the Kemper Art Museum at Washington University, all of which are free and consistently have dynamic, engaging exhibitions and programing.