Sentences with phrase «engaging exhibition space»

Not exact matches

Sony has unrivalled expertise when it comes to AV technology solutions and understands how to create a state of the art solution that will fulfil every industry's requirements, let it be creating an engaging learning environment through rich multimedia platforms or providing the most advanced technologies for corporate and exhibition spaces.

Fans anticipating an engaging and entertaining game from the recent exhibition of Space Channel 5 VR: Ukiuki Viewing Show at Tokyo Game Show 2016 might want to throttle their expectations of the experience.

MD / NY also featured Quiet Earth, an exhibition curated by Fairfax Dorn at the Rauschenberg Foundation Project Space, which featured environmentally - engaged works from the 1970s to the present including contributions from Amy Balkin, Donald Judd, Maya Lin, Trevor Paglen, Robert Rauschenberg, and Agnes Denes» Pyramids of Conscience (2005), a Ballroom Marfa commission.

SALT LAKE CITY — Analogital is an exhibition of international artists who engage with concepts generated from the transitional space between analogue and digital.

Ballroom Marfa will present an art exhibition of environmentally engaged works at the Rauschenberg Foundation Project Space (455 W. 19th Street in Chelsea), and will orchestrate additional events with Marfa Dialogues program partners at that location.

The Hydro - Québec mediation space will enable visitors to engage in two digital experiences linked to the exhibition: Peindre le geste and Mitchell Riopelle.

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

Engaging with contemporary concepts and approaches, Brunswick Street Gallery provides curated exhibition spaces for emerging creative arts practices.

This past spring, the gallery relocated to a 4,000 - square - foot space in Hollywood with the capacity to support large - scale projects and exhibitions, aiming to represent both local and international contemporary artists and engage with the community to encourage cultural conversation.

Her work explores the politics and poetics of the built environment, engaging and transforming the architecture of the exhibition space, often in implausible ways.

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustration

Center, in turn, exists as an independent exhibition space founded by artist Lin May and home to coeval.gen.in, an internet - based platform for artists, writers and curators engaging with a critical use of technology and digital economy.

The exhibition The World was Flat shows contemporary art that engages with ideas about time and space.

We focus on new commissions, giving the opportunity to artists to engage with the public space through our city and community projects, such as opening up closed gardens within the center of Athens to house public art exhibitions and bridge our formidable cultural heritage with contemporary art initiatives.

Together, the film «Substance», the sculptural grid fragments, and the object at the Metropolitan Museum engage a multi-layered conversation between histories of exhibition sites; concepts of public space and private property; and the paradoxical legacies of historicism and modernism in architecture and design.

Ballroom Marfa will present an art exhibition of environmentally - engaged works at the Rauschenberg Foundation Project Space (455 W. 19th Street in Chelsea), and will orchestrate additional events with Marfa Dialogues program partners at that location.

During their one - year residency, curators engage a broad range of artists to create a series of exhibitions in Disjecta's dynamic 3,500 - square - foot space.

Art in General gives selected artists the opportunity to create and present new work by providing them with a high level of organizational and conceptual support including artist fees, production fees, exhibition space, a solo exhibition, promotion, and opportunities to engage with audiences through free online and public programs.

The opportunity to present an exhibition in the dynamic Minnesota Street Project space aligns with the gallery's mission as it looks towards its next phase, when it will continue its tradition of exhibiting major works of historic significance international in scope alongside prominent local Bay Area artists, while also providing a platform for promoting and nurturing young artists with engaging new exhibitions and programming.

Another very different kind of socially engaged artistic intervention into lived urban space that has garnered a lot of media attention is Superflex's copy of the executives» restroom in the New York JPMorgan Chase headquarters installed inside the Olympic Restaurant in the same building as the exhibition with its entrance on 115 Delancey Street.

We engage emerging artists, patrons, and creative professionals by providing studio and exhibition space, curatorial opportunities, workshops and classes, conferences, and other resources.

Engaging exhibitions and lectures on photography are the main focus at Holden Luntz Gallery, a sleek two - story Worth Avenue space that seeks to educate, entertain and engage.

is an exhibition that creates critical spaces for viewers to consider and engage with a number of environmental concerns such as sustainability, water remediation, drought, etc..

Acclaimed for his sculptures, installations and public artworks that investigate the relationship of the human body to space, Gormley's fifth solo exhibition with Sean Kelly engages the grid to evoke the experience of inhabiting a human body at «the other side of appearance.»

Located in the Fields Corner neighborhood of Dorchester, DAP provides studio and communal space to artists, while programming our gallery space with regular exhibitions of critically engaged, emerging local artists, as well as artist talks and lectures.

This exhibition is comprised of two engaging bodies of work: Reflections and Colour & Space.

In this part of the exhibition space, the artists presented a six - channel video on projection screens situated in a way that mirrors the video's own 5.1 surround sound, engaging the visual, sonic, and physical fields as a combined object.

In addition to a long career of exhibition in traditional museums and galleries, he is a respected innovator and pioneer for his projects engaging with public space, which can now be found in over fourteen countries around the world.

During her tenure at the Davis Museum, she also conceptualized and curated the exhibition The Space Between: Artists Engaging Race and Syncretism, which explored how artists across the African Diaspora engage and bring into accord their multipartite heritages and identities.

Through its exhibition space in Athens, Greece, DESTE engages in an extensive exhibition program that promotes both emerging and established artists, and aims to broaden the audience for contemporary art, enhance opportunities for young artists, and explore the connections between contemporary art and culture.

Her recent exhibitions include One Step Forward, Two Steps Back, Times Museum, Guangzhou, 2013; Alternatives to Ritual Goethe Open Space, Shanghai, 2012; Institution for the Future as part of the Asia Triennial, Manchester, 2011; Taking the Stage OVER, a one - year exhibition engaging aspects of live art, Shanghai, 2011.

Each year, Wave Hill commissions a diverse group of emerging New York - area artists to create a new body of work or site - specific project for a solo exhibition in the Sunroom Project Space, providing an engaging setting for artists to contemplate, explore and ultimately transform the gallery using various materials and techniques.

These possibilities included engaging the floor, ceiling and corners of the exhibition space; taking advantage of architectural features such as doorways and moldings; fencing off segments of the exhibition space with «barriers» of light; and, by the time of his 1969 retrospective at the National Gallery of Canada, developing special installations, or «situations,» consisting of specially constructed architectural spaces containing room - filling light.

Phenomenal: California Light, Space, Surface, companion book to the exhibition of the same name, explores and documents the unique traits of the phenomenologically engaged work produced in Southern California during those decades and traces its ongoing influence on current generations of international artists.

As Open / Close will be on display in Cuchifritos, a nonprofit art space that is located in the Essex Street Market, this forthcoming exhibition seeks to engage, highlight, and explore the complex undercurrents that define the social terrain of a popular New York City shopping district.

Art (Inter) Actions provide a distinct entry point to engage with the exhibitions at Cuchifritos Gallery + Project Space, as well as connect the community to the contemporary art world.

Just as the opening sentence of a book functions as an invitation to the reader, the exhibition proposes openings for the viewer to navigate and engage with the collection via the selected artworks within each space.

Pablo Bronstein's unique intervention at the ICA forms a point of reference and springboard from which a diverse range of programmed and spontaneous events challenge and engage audiences over the course of the exhibition, inviting artists and audiences to experience the ICA in deconstructed and reinterpreted spaces.

There, Trecartin presents his newest movie, a video work that situates various projection screens throughout the exhibition space in a way that mirrors the movie's own 5.1 surround sound, engaging with the visual, sonic, and physical fields as a combined object.

Like the song De Colores, upon stepping into the Buggy Factory's amazing exhibition space, one was engaged and uplifted by thought - provoking work incorporating a variety of colors and forms by the following seven artists:

In his piece, Formless Figure (2015) now on view in the main exhibition room at Robert Wilson's Watermill Center, Arsham engages the viewer by challenging the very wall of the space to perform in a unique, mysterious way.

The SCAD Museum of Art presents The Moon is Asleep, an exhibition by Robin Rhode, who engages the wall as both an edifice of the hallowed spaces of the museum and as a symbolic boundary or border.

A culmination of five years of research and production by Suki Seokyeong Kang, the exhibition «Black Mat Oriole» is conceived as an installation that brings together sculpture, painting, and video to engage viewers with the power and politics of space.

In an open letter, founder and director Matthew Strauss wrote: «For the past ten years White Flag Projects has worked to provide context and opportunities to artists at pivotal junctures in their careers, and give St. Louisans a space to engage with these exhibitions in the most direct way possible.

Wanderlust: Actions, Traces, Journeys 1967 - 2017 is a 50 year survey exhibition that considers the themes of action and exploration outside of the studio and how artists engage this theme in various ways, including walking, cartography, land use, endurance, and the consideration of public space.

Founded by Aimee Friberg in 2013, CULT engages viewers inside and out of the formal white space, with experiential programming including: talks, dinners, art tours and nomadic exhibitions.

BLACK ICE SPACE GALLERY, PORTLAND MAINE April 7th - May 13th, 2017 An joint exhibition with Shoshannah White that explores the tactile and evolving arctic landscape through sculpture, frottage, photography and drawing http://www.space538.org/ http://www.shoshannahwhite.com/ CANADA: DAY 1 Opening March 17th runs until November 12th, 2017 Canadian Museum of Immigration at Pier 21, Halifax, Nova Scotia Young will exhibit «The Space Between Held Hands» a new socially - engaged project that records the negative space between clasped hands of Syrian newcomers to CSPACE GALLERY, PORTLAND MAINE April 7th - May 13th, 2017 An joint exhibition with Shoshannah White that explores the tactile and evolving arctic landscape through sculpture, frottage, photography and drawing http://www.space538.org/ http://www.shoshannahwhite.com/ CANADA: DAY 1 Opening March 17th runs until November 12th, 2017 Canadian Museum of Immigration at Pier 21, Halifax, Nova Scotia Young will exhibit «The Space Between Held Hands» a new socially - engaged project that records the negative space between clasped hands of Syrian newcomers to CSPACE GALLERY, PORTLAND MAINE April 7th - May 13th, 2017 An joint exhibition with Shoshannah White that explores the tactile and evolving arctic landscape through sculpture, frottage, photography and drawing http://www.space538.org/ http://www.shoshannahwhite.com/ CANADA: DAY 1 Opening March 17th runs until November 12th, 2017 Canadian Museum of Immigration at Pier 21, Halifax, Nova Scotia Young will exhibit «The Space Between Held Hands» a new socially - engaged project that records the negative space between clasped hands of Syrian newcomers to Cspace538.org/ http://www.shoshannahwhite.com/ CANADA: DAY 1 Opening March 17th runs until November 12th, 2017 Canadian Museum of Immigration at Pier 21, Halifax, Nova Scotia Young will exhibit «The Space Between Held Hands» a new socially - engaged project that records the negative space between clasped hands of Syrian newcomers to Cspace538.org/ http://www.shoshannahwhite.com/ CANADA: DAY 1 Opening March 17th runs until November 12th, 2017 Canadian Museum of Immigration at Pier 21, Halifax, Nova Scotia Young will exhibit «The Space Between Held Hands» a new socially - engaged project that records the negative space between clasped hands of Syrian newcomers to CSpace Between Held Hands» a new socially - engaged project that records the negative space between clasped hands of Syrian newcomers to CSpace Between Held Hands» a new socially - engaged project that records the negative space between clasped hands of Syrian newcomers to Cspace between clasped hands of Syrian newcomers to Cspace between clasped hands of Syrian newcomers to Canada

The exhibition curated to coincide with EVA did just that, with a reading space displaying copies of Ugandan magazine Transition and a programme of public interventions that actively encourage audiences to engage with this material.

Parallel process is a group exhibition showcasing the work of four artists whose practices engage with the way color and line navigate time and space.

Currently on view at Fused Space, San Francisco is «architecture undigested,» a group exhibition featuring artists whose works engage with the built environment in surreal and thought - provoking ways.