Sentences with phrase «engaging exhibitions on»

Not exact matches

«He will engage in the traditional duties of opening the summit on November 10, touring the exhibition stands, receiving the summit communiqué and presiding over the closing on Saturday, November 12.
From engaging histories and research - driven treatises, to provocative exhibitions and popular films, to mobile applications and podcasts, Science book and media reviews feature smart commentary on a wide range of timely scientific topics.
When the largest Hollywood studios take firm stances on inclusion and invest in a broader range of stars, it is frustrating that an exhibition filled with such wonder and thought does not engage more directly in these concerns.
Drawing on the exhibition fight motif of Rocky's sixth cinematic outing, much of the film details the arduous preparation that the two elder statesman have to engage in as they aim to be in tip - top shape for their elongated return to the ring.
Because we had already focused heavily on project - based learning for many years and frequently recruited public audiences for student exhibitions, we had a track record of engaging with the community.
Education • Our education work currently consists of a network of animal clubs in schools and our hands - on exhibition installed in an interactive education bus, which tours the country • Work began on a new mobile exhibition unit to bring engaging, interactive displays and information to schoolchildren across the country.
Wilson writes that the current exhibition «is compelling, and that the pieces have been selected with a sense of the visually rhythmic — by which I mean, the paintings dialogue with each other: they carry on an engaging conversation that feels neither repetitive nor disconnected.
Organized by Catherine Morris, curator of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, this exhibition takes stock of feminism's enduring influence on contemporary art with a selection of works engaging themes of gender, equality, and empowerment.
The Royal Academy Patrons programme is centred on our exhibitions but covers all aspects of our work, from engaging with Royal Academicians and Schools students to understanding more about our heritage and Collection.
The vibrant colour contrasts that underlie the golden serenity of Severini's Paysage à Civray (Vienne)(1908), displayed on the wall facing the entrance to the exhibition, engage the viewer immediately in the dialogue between classicism and abstraction that the exhibition seeks to promote.
Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.
Founded in 1973 as an alternative to the more established art and culture hierarchy — Atlanta Contemporary was founded on the principles of engaging in experimentation and risk - taking through varying exhibitions, programming, and support of working artists.
While the title alludes to the well - known 1984 novel The Unbearable Lightness of Being by Milan Kundera, this exhibition focuses on a literal lightness of materials and engages the tradition of abstraction.
Artists have 24 - hour access to the studios and are invited to engage with the exhibitions and programs on view and available at Atlanta Contemporary.
With a focus on works from the period between their first meeting in 1955 until their separation in 1979, the exhibition shows how Mitchell and Riopelle, who lived together in Paris, then in Vétheuil in the Seine valley, developed unique but related bodies of work while they were engaging in a vigorous exchange about abstraction and painting.
In 2015, she organized the museum's largest exhibition to date, Strange Pilgrims, a fourteen - artist, thematic exhibition on experiential art that engaged three venues and a catalogue in conjunction with the University of Texas Press.
The work debuting in 17 is especially engaged with Smith's printmaking process, with the exhibition's title riffing on the number of patterns that intersect to make wallpaper print a consistent image.
The talk will focus on the recent exhibition Period Rooms at the Nieuwe Instituut in Rotterdam, where the historical rooms are engaged in a hallucinatory argument with the «White Cube.»
Rather than get hung up on Isaac Julien's recitations of Das Kapital (which even Enwezor admits is «a book that nobody has read and yet everyone hates or quotes from,» [5]-RRB- a more engaged viewer might see these readings as part of a larger program of live performance [6] that periodically animates the installation, both in David Adjaye's massive red «Arena» and throughout both exhibition venues, with musical compositions arranged by artists including Charles Gaines, Jason Moran and Alicia Hall Moran, Jeremy Deller, and Jennifer Allora and Guillermo Calzadilla.
Engaging works of various minimalist artists and choreographers who emerged in the 60s and 70s are on display at the Moderna Muset exhibition.
In this exhibition, key works by Bacon and Warhol will engage in an intelligent dialogue with those by some of the many different painters who have worked on the borderline between these two artistic languages, developing their own vocabularies with an emphasis on the manipulation and transgression of images, creating direct and indirect actions and narratives.
Drawing upon their complementary areas of expertise, they will work closely with Frank Stella and one another on exhibitions, publications, and other ambitious projects that fully engage the span of the artist's remarkable career, emphasizing his dynamic current studio practice and addressing its significance within in context.
He has been director of SPACEX, Exeter from 1999 — 2005, where he curated more than fifty exhibitions and projects focussing on socially - engaged and context - led ventures.
Join Whitney Teaching Fellows, PhD candidates in art history, on engaging tours that highlight works in the exhibitions Stuart Davis: In Full Swing and Danny Lyon: Message to the Future.
Each of the museum's two current headline exhibitions — Anna Betbeze's Venus and Matthew Angelo Harrison's Dark Povera Part 1, both on view through December 17 — engage that complicated relationship in indirect but interesting ways: Betbeze is a Georgia native who continues to make work here despite now living in New York, and Detroit artist Harrison's show draws much of its source material from Atlanta - based collections of African art.
Rose Ocean: Living with Duchamp, on view from February 17 through May 20, 2018, revisits the 2003 Tang Teaching Museum exhibition Living with Duchamp and features more than 50 artists whose conceptual and irreverent works engage with Duchamp's oeuvre.
From that point on, the Brazilian forces were fully engaged in the war and interestingly so, an exact number of 70 artists decided to run the first Brazilian group exhibition in London in order to raise funds for the British troops.
The exhibition concentrates on Kim's recent works — engaging collection of paintings and selected drawings created in Paris from 1989 to 1993.
is an opportunity for local educators to explore OCMA's latest exhibition, engage in gallery dialogues, and take part in the creative process through hands - on art projects designed to take back to the classroom.
We focus on new commissions, giving the opportunity to artists to engage with the public space through our city and community projects, such as opening up closed gardens within the center of Athens to house public art exhibitions and bridge our formidable cultural heritage with contemporary art initiatives.
The exhibition also features an interactive gallery evocative of the artist's studio where visitors are encouraged to engage with the design process through a variety of hands - on activities.
Available on Mondays through June 4, 2018 Staff will visit classrooms within a 25 - mile radius of the Nasher Museum to lead an engaging discussion with tactile objects and digital images from current and past exhibitions.
Given Müller's investment in content (which, it should be stated out front, never overwhelms the paintings» interlocking Cubist framework but rather engages it in a kind of communion), it is impossible to look at this exhibition of late paintings — almost all of them completed in the two years before the artist's death — without meditating on the extra 24 years of life (in Christopher Marlowe's version) that Faust received in exchange for his soul.
Another very different kind of socially engaged artistic intervention into lived urban space that has garnered a lot of media attention is Superflex's copy of the executives» restroom in the New York JPMorgan Chase headquarters installed inside the Olympic Restaurant in the same building as the exhibition with its entrance on 115 Delancey Street.
Legacy in Continuum: Bay Area Figuration, on view at the Bakersfield Museum of Art from March 22 through May 27th is an exhibition that demonstrates the continuing impact of a very engaging, flexible style.
Engaging exhibitions and lectures on photography are the main focus at Holden Luntz Gallery, a sleek two - story Worth Avenue space that seeks to educate, entertain and engage.
As hinted at in the exhibition title, Axell engages with both contemporary stereotypes of femininity as well as centuries old role ascriptions and correctively intervenes in persistent gender relations: reflecting on art history — such as Venus iconography, Leda with the Swan depictions and distinguished portraits like Leonardo da Vinci's Mona Lisa — she subverts historically sedimented, male perceptions of femininity and renegotiates the socially constructed image of women as either «angel in the house» or femme - fatale.
Fifteen years on, their Dear Art exhibition, originally conceived for and shown at the Museum of Modern Art Ljubljana / Museum of Contemporary Art Metelkova, is a response to Stilinović's text in the form of a snapshot of art's relationship to politically and critically engaged practice in the present day.
The exhibition Canvas on Paint furthers the artist's experimental, witty, and profound exploration into the genesis of artworks and the ways they engage with their surroundings.
Exhibitions include: a group exhibition curated by artist Nayland Blake that investigates queer identification through new communications technologies; the first comprehensive career survey and solo museum exhibition dedicated to Cary Leibowitz, whose bold text - based works address issues of identity, sexuality, and queer politics; and a focused exhibition on broadcast and video work, organized in partnership with Electronic Arts Intermix (EAI), that focuses on how artists have engaged with the legacy of broadcast media.
In 2011 Goodman Gallery curators Tony East and Claire van Blerck produced The Night Show, a 3 - part exhibition staged at Goodman Gallery Cape Town, which sought to destabilise the notion of the white cube and to engage with contemporary art practice on its own terms, courting the spontaneous and embracing the ephemeral.
** Obviously, URL documentation of IRL exhibitions as a form in itself has become a hot topic, given the changing way people engage with art on the internet.
2) A Public Events and Exhibition Program that focuses on engaging the public and revealing the art - making process through exhibitions, events, talks, publications and other opportunities.
A strong emphasis on making the MCA a museum that engages artists with audiences led to a program of significant solo shows by Australian and international artists as well as thematic and group exhibitions.
He's uninterested in forcing viewers to engage with hot topics or historicity; if an exhibition is a circus, he refuses to balance on the tightrope.
In this part of the exhibition space, the artists presented a six - channel video on projection screens situated in a way that mirrors the video's own 5.1 surround sound, engaging the visual, sonic, and physical fields as a combined object.
Join Whitney Teaching Fellows, PhD candidates in art history, on engaging tours that highlight works in the exhibition Fast Forward: Painting from the 1980s.
Influences converged, passion and intellect were engaged, and seminal moments occurred to help shape the process: in 1962 when Irving Blum (who had taken over Kienholtz's position at the gallery) gave Andy Warhol his first solo gallery exhibition ever at Ferus (the Campbell's Soup Can Paintings); in 1963, when Hopps moved to the Pasadena Art Museum and presented the first retrospective of Marcel Duchamp in the US; in 1966 with Ed Kienholtz's epochal retrospective at the LA County Museum; and in the decade from the late fifties to the late sixties when Ed Moses, Billy Al Bengston, and Ed Ruscha among a handful of others were on center stage.
In 2015, she organized the museum's largest exhibition to date, Strange Pilgrims, a fourteen - artist, thematic exhibition on experiential art that engaged three venues.
Outlooks, now in its fifth year, is an exhibition series that invites one emerging or mid-career contemporary artist to engage with Storm King's landscape and history and create a new, site - specific work to be installed on - site for a single season.
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