The three artists have complex,
engaging painting practices.
Not exact matches
painttube is a research group of staff and post graduate students at the National College of Art and Design, in Dublin, who are
engaged and interested in
painting within contemporary fine art
practice.
Howard has long
engaged with human cruelty in her
practice — «When I
paint about human cruelty it's about getting things off my chest,» she says — including in the series Repetition is Truth — Via Dolorosa (2005 — 2009) and Suicide
Paintings (2007).
The expansive and visually -
engaging paintings presented across two floors navigate fluidly between the various modes and techniques that have come to characterise his
practice.
Situating itself within current art historical and political debates, the exhibition considers work by self - taught, spiritually inspired and incarcerated artists, alongside other projects based in performance, socially
engaged practice and the archive, as well as
painting, drawing, sculpture and assemblage, that make insistent reference to place.
Although perfectly relevant today — in that Havard is working now (he will be celebrating his 75th birthday on June 29th) and still very
engaged in his artistic
practice — Havard somehow turns his
paintings into self - conscious relics.
Nusra Qureshi is trained in the art of the Mughal miniature
painting tradition and has developed an extraordinary contemporary
painting practice that
engages with the rich, visual histories of South Asia.
Their multidisciplinary
practice — spanning drawing,
painting and installation — extends beyond their experience with the Soviet social and cultural context of their past to
engage universal themes including memory and illusion.
Astute at locating and
engaging the dynamic fountainhead of artistic
practice relevant to time and place, in one installation, Ferrer nurtures a powerful tributary of faces rendered on paper bags in crayon, pencil,
paint and collage: an extant, sui generis body of work that the artist has cultivated since 1972.
Installation view of works by Simon Ingram June 2 — July 29, 2007 Curated by Tina Barton, Four Times
Painting at the Adam Art Gallery, Wellington, New Zealand, focuses on the work of four contemporary New Zealand artists, who each critically engage with the history and practice of p
Painting at the Adam Art Gallery, Wellington, New Zealand, focuses on the work of four contemporary New Zealand artists, who each critically
engage with the history and
practice of
paintingpainting.
Studying at the California College of design in Newport Beach, Harris was late in her
practice of
painting because of years
engaged in various business ventures.
«As one of the first American museums to acquire Pollock's work, it only is fitting that the DMA should present this definitive exhibition of the black
paintings,
engaging a new generation of audiences with this important and under - examined aspect of the artist's
practice,» Delahunty concluded.
Local artist, Tammi Campbell's
practice engages with the traditions of Modernist and Minimalist
painting.
Many of his early works took the form of conceptual photography, though Johnson eventually expanded his
practice to include wall - based works that
engage the legacy of
painting, sculptural installation, and assemblage using manufactured materials like shea butter, books records, and incense.
Based in the US since 1988, the Kabakovs have developed a
practice spanning drawing,
painting, sculpture and installation art, grounded in the conditions of post-Stalinist Russia but also
engaging universal questions of our perception of everyday life.
These artists, working across sculpture, photography,
painting, and printmaking, all
engage with scientific knowledge and
practice.
The
painting, which was executed in 1998, is one of the most important early statements of McKenzie's politically and socially
engaged practice.
Pendleton's conceptual
practice engages with language, abstraction, and identity through a wide range of media, including
painting, sculpture, printmaking, writing, film and performance, among others.
Spanning drawing,
painting, and printmaking, Ryman's
practice engages with aesthetic experience, wherein acts of presenting, perceiving, and contemplating are a part of his work as much as his artistic process.
Eliasson's
practice encompasses sculpture,
painting, photography, film, and installation and also
engages the broader public sphere through architectural projects and interventions in civic space.
Her deeply observed
paintings are part of a socially
engaged practice that challenges the social and representational hierarchies of traditional portraiture.
The exhibition features
painting, photography, sculpture, digital media, installation and more, charting the many ways contemporary artists
engage with contemporary
practice.
Shields was actively
engaged with architecture, theater and dance, and while he consistently used the word «
painting» in interviews to describe his approach, his art clearly takes on not only expanded
painting practice, but also the conceptual and minimalist objects of the New York scene of the 60s and 70s in which Shields was immersed.
The vast medium of
painting continues to be a central pillar of artistic
practice, and Vitamin P2 presents the outstanding artists who are currently
engaging with and pushing the boundaries of the medium.
Michael Riedel lives and works in Frankfurt, and his artistic
practice incorporates
painting, text, audio, video, photography, publishing, architecture and performance to
engage with the aesthetic possibilities derived from the basic principles of recording, labeling and playback.
Caroline Kent is a visual artist whose
practice is a constant pursuit of concretizing an abstract language that speaks beyond the corridor of a traditional
painting practice to
engage subjects related to the moving image as well as the written word.
He
engages with non arts sector institutions in large scale collaborative projects where he deconstructs drawing,
painting and sculptural processes and disseminates concepts, methods and material usage through his
practice and interactive workshops.
Because of this constant travel, Samreth has developed a studio
practice based around
engaging with natural and systematic processes such as using the currents of the Pacific Ocean to create
paintings or the
engaging with the extreme Cambodian sunshine to transform materials over time.
Some areas of Chaffee's scholarship interests include abstract
painting and conceptual art, and
engaging directly with emerging to mid-career contemporary artists to realize exhibitions with the intention of moving their artistic
practices forward.
The Aldrich Contemporary Art Museum presents «
Painting in Four Takes», a series of solo exhibitions that will provide a window into the
practices of four
engaging painters who imbue the medium with relevance and character.
Arcangel, while producing these particular pieces,
engaged directly with Whitney's
practice; the Gradient's scale is matched identically to that of the large
painting, while the colorful plotter drawings were made in response to the gouaches.
Her perennially expanding reputation was widely established during the 1980s, when her work
engaged formal aspects of
painting as well as subject matter that remain central to her
practice today.
At a moment when looking at a static art object is often dismissed unnecessarily by advocates of performance, participatory or social -
practice art for encouraging only «passive contemplation,» Mr. Whitney's
paintings are opulently interactive and
engaging.
In a period when anything hung on a wall must be instantly afforded the status of
painting, when we are confronted by «
paintings» that have been made without any recourse to
paint whatsoever, created with printers and scanners, or with the assistance of nature, bleached by the sun, stained by the rain, a pretense of process art to
painting en plein air, and very late in the day, an
engaged practice of
painting, rather than dismissed as a thing of the past, is ever more present.
Eisenman's talk at The New School will address the dialogue between her
painting practice and her expansion into sculpture, as well as her even more recent foray into public sculpture to discuss how she has
engaged with this new context and responded to its challenges.
So I built an exhibition that examines three ideas that I feel are prominent in contemporary art and discourse:
painting and its relationship to gender and power;
practices that
engage in critique; and, finally, work that explores craft and concepts of materialism.
By synthesizing and fusing genres from a multitude of extant cultural sources, the works ultimately produce a hybrid language of social
practice,
painting and sculpture inviting the viewer to
engage in discourse and discussion.
Acknowledged as an early contributor to post-Internet art, Cortright has since moved to the forefront of digitally based
painting practices, developing its unique language in both analog and digital contexts and
engaging in conversations around the history of
painting and the influence of technologies on its evolution.
Location: Floor Three, Susan and John Hess Family Theater Pope.L's socially
engaged practice, spanning performance, theater, installation, video, and
painting has interrogated conceptions of class, community, language, and race for over forty years.
In his
practice which includes
painting, photopainting and installations, Thomas
engages with the monochrome in an at once speculative and reflexive, reverential yet unorthodox way.
Kallat (b. 1973) graduated from the Sir J.J. School of Art, Mumbai in 1996 with a BFA in
painting and her
practice has spanned drawing, photography, sculpture and video by
engaging diverse materials while communicating thought - provoking concepts and ideas.
Like On Kawara, Manley
engages in a daily
painting practice but, unlike the late Japanese master, he never works from the current day's paper.
With works from the pre-AIDS 1970s, like Homeboy Beautiful, as well as recent
paintings and still lifes with HIV medications, he seeks to
engage with the exploration of queer identity found in current artistic
practice.
Hayuk weaves visual information from her immediate surroundings into her elaborate abstractions, creating an
engaging mix of referents from popular culture and advanced
painting practices alike, while connecting to the ongoing pursuit of psychedelic experience in visual form.
If the painterly side of this work looks back to de Kooning's
practice of hanging abstract compositions on letter shapes, and the linguistic aspect
engages conceptual art, it's the apparent nonchalance of the
paintings, their complete lack of pretense or fussiness, that marks them as belonging to NOW.
Pope.L's socially
engaged practice, spanning performance, theater, installation, video, and
painting has interrogated conceptions of class, community, language, and race for over forty years.
Murals reflect a recent development in the artist's
practice, and by translating her
paintings into complex wall - sized works, they stand as a new avenue for her to
engage with scale as well as the ongoing themes central to her overall oeuvre.
What Katz and his chosen artists share is a life devoted to
practice involving the same framework, and
engaging in the same activity that has been in place since the history of Western pictorial
painting began.
Lindsay Hall's interdisciplinary
practice sources an eclectic range of materials including silicone, textiles, clay, spray
paint, and glitter to create colorfully titillating pieces that
engage the notions of pleasure, beauty, and the perverse as they relate to the body, sexuality, and the intimacies and vulnerabilities of human interaction.