(In fact, the duo is hapless
enough behind the camera to make this reviewer pine for the stoner - comedy stylings of a slumming David Gordon Green.)
But he's good
enough behind the camera to make one hope that he'll commit to doing more of that, instead.
Not exact matches
Comedian Sir Lenny Henry has blasted TV companies for not employing
enough black and minority ethnic (BAME) people
behind the
camera at an event in Westminster.
I agree its not the
camera but the photography knowledge of the person
behind the
camera that's matter because if he / she is skilled
enough he / she can pull of the best photo even just using a phone
camera.
Your pics really inspire me to get back
behind the
camera when I'm well
enough and to try a little harder too!
This film from stuntman turned director David Leitch (who debuted
behind the
camera with «John Wick») starts with a literal bang, with our mysteriously depressed hero immolating himself atop a deathbed of explosive fuel canisters, then works its way backwards to detail the trauma that made him sad
enough to kill himself.
There's
enough of promise here to want to see her
behind the
camera again soon.
It may sound like just another completely no - brain action vehicle, and to some extent it is, but it's construction is lean, mean, and aggressive
enough to provide the perfect showcase for the talents of its burgeoning stars, in front of the
camera, and
behind it as well.
The two are similar
enough — pretty much all that's missing
behind or in front of the
camera is Ray Liotta — but while this 1995 film may not rise to the level of Goodfellas, a movie that falls short of one of the best films of the decade can still reach pretty high.
If only Anderson could be savvy
enough to realize that his skills for entertaining audiences lie primarily with what he does
behind the
camera, rather than insist on churning out more plastic elements and simplistic dialogue.
Macy, who also fills a small supporting role, shows
enough promise
behind the
camera to warrant him returning there soon.
The first film Gerwig has solitarily written and directed (this is not, as many have claimed, her inaugural turn
behind the
camera; she shares a directorial credit with Joe Swanberg on 2008's Nights And Weekends), Lady Bird arranges an even better entrance for its own irresistible heroine: Squabbling with her combative, witheringly disapproving mother (Laurie Metcalf, granted her best role in ages) while driving around to look at colleges, Christine «Lady Bird» McPherson (Saoirse Ronan) decides she's had just about
enough conversation, opens her passenger - side car door, and rolls out.
Sure
enough, three years after he proclaimed he had directed his last movie, Soderbergh may be preparing to return
behind the
camera for a new feature that is expected to star his frequent collaborator Channing Tatum as well as Michael Shannon, industry insiders have told TheWrap.
So hopefully his schedule will be open
enough for him to get back
behind the
camera.
Despite so much talent
behind the
camera, as well as in front, there's hardly anything to show for their efforts here, certainly not
enough to attract anyone but the biggest of fans of the two lead comedians.
Following up the one - two punch of «Gone Baby Gone» and «The Town» won't be an easy feat, but Affleck's proven himself to be an assured craftsman
behind the
camera with both outings, so a period - set mission movie with political stakes and filmmaking itself as part of the plot seems like a sound
enough, intriguing
enough next step for his directorial career.
His 2015 feature film, The Visit, wasn't without its share of faults — the found - footage angle was unnecessary and hampered his strengths, which has always been his shot selection
behind the
camera — but it was thrilling, cohesive, and digestible
enough that it didn't seem too silly or outlandish.
Long story short: we're in safe
enough hands here
behind the
camera.
The
camera captures individual pairings to make the most of character expression, one - liners, and fun, but the brothers
behind the
camera never step back far
enough to give us a look at at the larger - than - life battle taking place.
Behind the
camera, Stiller is smart
enough to let the beautiful countryside of Iceland speak for itself in multiple scenes, but fails to give Walter a big
enough playground even in the realm of his own visions.
Although it's not distinctive
enough for awards season, with its strong cast and solid, unshowy
behind - the -
camera craft, this film could have worked as a March or April limited - release programmer.
Clint Eastwood returns
behind the
camera with The 15:17 to Paris, the true story of Thalys train terrorist attacked in August 2015, foiled by three American tourists; and if that isn't
enough, the film stars the real - life Americans as themselves (a rather daring approach that could either scream success or completely backfire).
Back - up
camera is awesome as is large
enough to really be able to see
behind.
Now you can be brave
enough to park in the tightest of spots: the parking sensors or Rear View
Camera tell you everything that's going on
behind the car.
the rear
camera will occasionally blank out where you see nothing for a few seconds while backing up
enough time for something to enter the area
behind you and for you to potentially to hit it.
The front
camera is still several steps
behind the rear
camera, though I was pleased at how most of the selfies I took were well exposed and sharp
enough to actually see what was going on.
I was fortunate
enough to truly see what went on
behind the scenes as well in front of the
camera.