Sentences with phrase «enough end of story»

Not exact matches

At the end of the day, only stories can make dividend investing (as well as other silly investing strategies) interesting enough to make the news.
Considering Job's story is based well after the death of Moses (which oddly enough happens beofer the end of the first 5 books, yet he's credited with being the author... always found that odd).
All this «Wenger plays his card close to his chest» malarkey is just an excuse, The press do spin stories when they have nothing else to talk about BUT there's a grain of truth is all of them, it's as plain as that, last year the press had an inkling about Sanchez coming to u and thus it was proved a I've said many times on here Wengers statement prior to the end of the season are clear if you look back at what he said going back season after season, He said That Olivier Giroud WAS in his opinion good enough to fire Arsenal to PL glory.
I find myself getting more interested in the turnaround story at Man U (despite the fact that I don't like Mourinho, but respect his ability and competitive spirit), I find myself hoping Pep will succeed in integrating his style at City quick enough for them to end above Man U, and I find myself tracking Koeman and hoping he will do well at Everton because he might be one of the better managers we can hope for once Wenger has ran us into the ground and leaves.
And that is end of the short version of the story of how I got to be twisted enough to believe that everyone the West say they don't like is automatically evil.
From Disney movies, I learned that if I made my waist small enough (maybe with the help of a witch), a man or large hog - bear might marry me, and that's where my story would end
Lauren Warner, Founder and Editor [See all «From the Editor» posts] Beth Berry, Revolution from Home [«The Perfection Trap»] Amber Dusick, Crappy Pictures [«Making Time for Free Time»] Heather Flett, Rookie Moms [«Choose the One Thing»] Elke Govertsen, Mamalode magazine [«We Need Each Other»] Meagan Francis, The Happiest Mom [«Write Your Own Story»] Nici Holt Cline, Dig this Chick [«Dead Ends Don't Exist»] Devon Corneal, The Huffington Post [«You Are Stronger than You Think»] Melanie Blodgett, You are My Fave [«The Truth About Making Friends»] Allison Slater Tate, AllisonSlaterTate.com [«Enjoy the Ride»] Katie Stratton, Katie's Pencil Box [«We Are What We Eat»] Lisa - Jo Baker, Tales From a Gypsy Mama [«Mom Sets the Mood»] Shannan Martin, Flower Patch Farm Girl [«Find Your Delicious»] Tracy Morrison, Sellabit Mum [«Real Life Goes On Here»] Amy Lupold Bair, Resourceful Mommy [«Choose Happy»] KJ Dell» Antonia, New York Times Motherlode [«Do What You're Doing»] Anna Luther, My Life and Kids [«Fake Farts Make All the Difference»] Bridget Hunt, It's a Hunt Life [«Our Own Worst Enemies»] Judy Gruen, Mirth and Meaning [«Don't Forget Your Vitamin L»] Shannon Schreiber, The Scribble Pad [«When Mom is Afraid»] Rivka Caroline, Frazzled to Focused [«From Frazzled to Focused»] Pilar Guzman, Editor - in - Chief of Martha Stewart Living [«The Hard Work of Being Good»] Molly Balint, Mommy Coddle [«I Want to Be a «Yes»»] Melanie Shankle, The Big Mama Blog [«Not Enough Time (Or Toilet Paper)»] Lindsay Boever, My Child I Love You [«They Will Love What You Love»] Mary Ostyn, Owlhaven [«A Family That Plays Together»] Lindsey Mead, A Design So Vast [«Feeling Hurt?
In the end, Manlius Republican Kevin Holmquist, who's been criticizing a process he said left the pubic out of the debate, couldn't pull enough legislators to see his side of the story.
With enough patience, skill and time allotted to finding your soulmate your story of searching for the one is bound to have a happy ending.
«That's one of my favorite success stories,» Anna said, «because it started with him feeling not good enough for his date and ended with him choosing not to continue with her because she wasn't right for him.»
The only difference is that at the end of the arcade mode you get a static cut scene ending featuring the character you won with, it's not enough to be considered a story mode.
Although there is the unfortunate exclusion of multiple fast travel networks in the DLC (which only having one), and the story not mainly focusing on a Vault - specific but loot - oriented ending, this still can plenty enough of your time and focus to forgive these.
But, because of an underwhelming story without enough bite, this is a journey that, in the end, doesn't go anywhere.
Oddly enough, Legacy of the Void feels more like the beginning of something new rather than the end of a story which began back in 2010.
Animated feature «The Croods» «Despicable Me 2» WINNER: «Frozen» «Monsters University» «The Wind Rises» Action movie «The Hunger Games: Catching Fire» «Iron Man 3» WINNER: «Lone Survivor» «Rush» «Star Trek Into Darkness» Actor in an action movie Henry Cavill — «Man of Steel» Robert Downey Jr. — «Iron Man 3» Brad Pitt — «World War Z» WINNER: Mark Wahlberg — «Lone Survivor» Actress in an action movie WINNER: Sandra Bullock — «Gravity» Jennifer Lawrence — «The Hunger Games: Catching Fire» Evangeline Lilly — «The Hobbit: The Desolation of Smaug» Gwyneth Paltrow — «Iron Man 3» Comedy WINNER: «American Hustle» «Enough Said» «The Heat» «This Is the End» «The Way Way Back» «The World's End» Actor in a comedy Christian Bale — «American Hustle» WINNER: Leonardo DiCaprio — «The Wolf of Wall Street» James Gandolfini — «Enough Said» Simon Pegg — «The World's End» Sam Rockwell — «The Way Way Back» Actress in a comedy WINNER: Amy Adams — «American Hustle» Sandra Bullock — «The Heat» Greta Gerwig — «Frances Ha» Julia Louis - Dreyfus — «Enough Said» Melissa McCarthy — «The Heat» Sci - fi / horror movie «The Conjuring» WINNER: «Gravity» «Star Trek Into Darkness» «World War Z» Foreign language film WINNER: «Blue Is the Warmest Color» «The Great Beauty» «The Hunt» «The Past» «Wadjda» Documentary feature «The Act of Killing» «Blackfish» «Stories We Tell» «Tim's Vermeer» WINNER: «20 Feet from Stardom» Song «Atlas» — Coldplay — «The Hunger Games: Catching Fire» «Happy» — Pharrell Williams — «Despicable Me 2» WINNER: «Let It Go» — Robert Lopez and Kristen Anderson - Lopez — «Frozen» «Ordinary Love» — U2 — «Mandela: Long Walk to Freedom» «Please Mr. Kennedy» — Justin Timberlake, Oscar Isaac and Adam Driver — «Inside Llewyn Davis» «Young and Beautiful» — Lana Del Rey — «The Great Gatsby» Score WINNER: Steven Price — «Gravity» Arcade Fire — «Her» Thomas Newman — «Saving Mr. Banks» Hans Zimmer — «12 Years a Slave»
Wiseau remains an intentionally mystifying figure as the story is told through the eyes of straight man Greg, but Sestero isn't a strong enough character to carry the story next to Wiseau, and it stumbles several times into formulaic, clichéd territory that renders it forgettable once the end credits roll.
While there are seemingly infinite options for what the player can build and create, my first impressions of the game have left me wondering if this is enough to keep players entertained for months on end, or if they will tire quickly of the simplicity of NPC combat and lack of overall story motivation.
The story itself is strong enough to carry the film, but when you throw in musical numbers from Hamilton's Lin - Manuel Miranda and some of the prettiest animation ever to come out of the mouse house, you end up with a monster hit with a huge emotional punch.
BIRDS WITHOUT NAMES The telling of its story does a fine job keeping the viewer engaged and just disoriented enough to both appreciate its surprises and forgive an elongated, unnecessarily melodramatic end.
Though they all share a story arch of bad endings, the characters are all very different and Reynolds manages to give each one enough personality that one doesn't feel like a rehash of another.
However, the story itself doesn't create enough of a dramatic ripple for us to really care whether or not its two protagonists get together in the end, even though we know they might.
And my honor roll: «All Is Lost,» «Bastards,» «Blue Caprice,» «Blue Jasmine,» «Computer Chess,» «Crystal Fairy,» «Enough Said,» «Faust,» «Gim me the Loot,» «In the Fog,» «The Invisible Woman,» «Kill Your Darlings,» «Mother of George,» «Nebraska,» «Our Children,» «Post Tenebras Lux,» «Reality,» «Room 237,» «Something in the Air,» «Stories We Tell,» «This Is the End,» «This Is Martin Bonner,» «Viola.»
«Admission,» Stephen Trask, composer «Ain't Them Bodies Saints,» Daniel Hart, composer «All Is Lost,» Alex Ebert, composer «Alone Yet Not Alone,» William Ross, composer «The Armstrong Lie,» David Kahne, composer «Arthur Newman,» Nick Urata, composer «At Any Price,» Dickon Hinchliffe, composer «Austenland,» Ilan Eshkeri, composer «Before Midnight,» Graham Reynolds, composer «The Best Man Holiday,» Stanley Clarke, composer «The Book Thief,» John Williams, composer «The Butterfly's Dream,» Rahman Altin, composer «The Call,» John Debney, composer «Captain Phillips,» Henry Jackman, composer «Closed Circuit,» Joby Talbot, composer «The Company You Keep,» Cliff Martinez, composer «The Conjuring,» Joseph Bishara, composer «Copperhead,» Laurent Eyquem, composer «The Counselor,» Daniel Pemberton, composer «The Croods,» Alan Silvestri, composer «Despicable Me 2,» Heitor Pereira, composer «Elysium,» Ryan Amon, composer «Ender's Game,» Steve Jablonsky, composer «Enough Said,» Marcelo Zarvos, composer «Epic,» Danny Elfman, composer «Ernest & Celestine,» Vincent Courtois, composer «Escape from Planet Earth,» Aaron Zigman, composer «Escape from Tomorrow,» Abel Korzeniowski, composer «Evil Dead,» Roque Baños, composer «47 Ronin,» Ilan Eshkeri, composer «42,» Mark Isham, composer «Free Birds,» Dominic Lewis, composer «Free China: The Courage to Believe,» Tony Chen, composer «Fruitvale Station,» Ludwig Goransson, composer «G.I. Joe: Retaliation,» Henry Jackman, composer «Gangster Squad,» Steve Jablonsky, composer «Gravity,» Steven Price, composer «The Great Gatsby,» Craig Armstrong, composer «The Hangover Part III,» Christophe Beck, composer «Hansel & Gretel Witch Hunters,» Atli Örvarsson, composer «Haute Cuisine,» Gabriel Yared, composer «Her,» William Butler and Owen Pallett, composers «The Hobbit: The Desolation of Smaug,» Howard Shore, composer «Hollywood Seagull,» Evgeny Shchukin, composer «Hours,» Benjamin Wallfisch, composer «How Sweet It Is,» Matt Dahan, composer «The Hunger Games: Catching Fire,» James Newton Howard, composer «Identity Thief,» Christopher Lennertz, composer «The Incredible Burt Wonderstone,» Lyle Workman, composer «Insidious: Chapter 2,» Joseph Bishara, composer «Instructions Not Included,» Carlo Siliotto, composer «The Internship,» Christophe Beck, composer «The Invisible Woman,» Ilan Eshkeri, composer «Iron Man 3,» Brian Tyler, composer «Jack the Giant Slayer,» John Ottman, composer «Jobs,» John Debney, composer «Kamasutra 3D,» Sreejith Edavana and Saachin Raj Chelory, composers «Labor Day,» Rolfe Kent, composer «Lee Daniels» The Butler,» Rodrigo Leão, composer «Live at the Foxes Den,» Jack Holmes, composer «Love Is All You Need,» Johan Söderqvist, composer «Mama,» Fernando Velázquez, composer «Man of Steel,» Hans Zimmer, composer «Mandela: Long Walk to Freedom,» Alex Heffes, composer «The Missing Picture,» Marc Marder, composer «Monsters University,» Randy Newman, composer «The Mortal Instruments: City of Bones,» Atli Örvarsson, composer «Mud,» David Wingo, composer «Murph: The Protector,» Chris Irwin and Jeff Widenhofer, composers «Now You See Me,» Brian Tyler, composer «Oblivion,» Anthony Gonzalez and Joseph Trapanese, composers «Oldboy,» Roque Baños, composer «Olympus Has Fallen,» Trevor Morris, composer «Oz The Great and Powerful,» Danny Elfman, composer «Pacific Rim,» Ramin Djawadi, composer «Pain & Gain,» Steve Jablonsky, composer «Percy Jackson: Sea of Monsters,» Andrew Lockington, composer «Philomena,» Alexandre Desplat, composer «The Place beyond the Pines,» Mike Patton, composer «Planes,» Mark Mancina, composer «Prisoners,» Jóhann Jóhannsson, composer «R.I.P.D.,» Christophe Beck, composer «Reaching for the Moon,» Marcelo Zarvos, composer «Romeo & Juliet,» Abel Korzeniowski, composer «Runner Runner,» Christophe Beck, composer «Rush,» Hans Zimmer, composer «Safe Haven,» Deborah Lurie, composer «Salinger,» Lorne Balfe, composer «Saving Mr. Banks,» Thomas Newman, composer «The Secret Life of Walter Mitty,» Theodore Shapiro, composer «Short Term 12,» Joel P. West, composer «Side Effects,» Thomas Newman, composer «The Smurfs 2,» Heitor Pereira, composer «The Spectacular Now,» Rob Simonsen, composer «Star Trek Into Darkness,» Michael Giacchino, composer «Stoker,» Clint Mansell, composer «Thor: The Dark World,» Brian Tyler, composer «Tim's Vermeer,» Conrad Pope, composer «Trance,» Rick Smith, composer «Turbo,» Henry Jackman, composer «12 Years a Slave,» Hans Zimmer, composer «2 Guns,» Clinton Shorter, composer «The Ultimate Life,» Mark McKenzie, composer «Unfinished Song,» Laura Rossi, composer «Wadjda,» Max Richter, composer «Walking with Dinosaurs,» Paul Leonard - Morgan, composer «Warm Bodies,» Marco Beltrami and Buck Sanders, composers «We Steal Secrets: The Story of WikiLeaks,» Will Bates, composer «We're the Millers,» Theodore Shapiro and Ludwig Goransson, composers «What Maisie Knew,» Nick Urata, composer «Why We Ride,» Steven Gutheinz, composer «The Wind Rises,» Joe Hisaishi, composer «Winnie Mandela,» Laurent Eyquem, composer «The Wolverine,» Marco Beltrami, composer
James manages to make Owens seem just vulnerable enough to make you marvel at how strong he is at the end, which is fairly remarkable, given that viewers (or most of them) know how the story ends.
Well, that's simple and straightforward enough, but it's not the end of the story.
That will be enough to serve me, to leave me feeling I've found something like the dangerous balloons at the end of Martone's Klamath Falls story, each «a bright scrap of joy.»
Get ready for jaw dropping, exhilarating, fast paced story with enough twist & turns to keep you interested till the end and on top of that this is just the beginning!!
«Like the episodes of a good high - end cable drama, each [e-serial] has enough internal integrity to work as an enjoyable chunk of story on its own, but each will advance a «season» - long storyline as well.»
I've been procrastinating for weeks and just couldn't get into the flow... which is totally normal when you're in the middle of the book and realize you don't have enough story to get to the end.
If you have a good story to tell and tell it long enough, you can end up like Vanguard Group founder John C. «Jack» Bogle, once a radical in his business, and now its 85 - year - old Establishment figure, one of the few true investment celebrities in America.
The truth is there are lots foreigners that have a happy relationship with a Thai woman and the only reason why a lot of people don't know about it is because they are hanging out in the bars all the time and get to hear the sad stories that have started and ended in the red light district (often if a Thai hooker breaks up or divorces with her guy she goes back to beach road even though she has enough money just because it's so much easier than looking for a real job).
The story line has intrigue and maturity — and the performances may be enough to get you to the end of the six month term, just be sure to curb your expectations when it comes to sending out your daily shifts.
There is, of course, the single player story mode, and as if it weren't enough to have one that was already as enjoyable as this one is, NetherRealm have also added branching paths and alternate endings to it, adding a great deal to its replayability.
- demo features an original story - transfer some bonuses to the full game depending on your progress in the demo - demo launches February 11th in Europe - Nintendo UK Web Store has started sending Early Access download codes for the Bravely Second: End Layer demo - you don't need to pre-order the game from the Nintendo UK Web Store in order to get it - being subscribed to their newsletter is enough to put you in the running for a download code - demo is only available in English - requires 2597 blocks / 324 MB of free space - can be launched as many times as you want - final game playable in the following languages:
The single player difficulty spike towards the end of the campaign signals not enough time was spent tweaking the game, and the story is contrived, over-acted, and filled with boring «cutscenes» if the term may be used loosely.
There's still a quality script and story to be told, and whilst the ending is a little vague for those who haven't seen Michonne's adventures in the graphic novel it offers enough to get a sense of satisfaction and closure to the tale.
This part of the game is a grind, and as you'll find out later, it is essentially filler that you must survive long enough to trigger the story missions and end the game.
If you are unlucky enough to miss a main story mission within the time constraints its pretty much game over and you will receive one of the unsatisfactory endings.
Seeing the ending credits three times (end of first and second story arc, plus after the marriage scene) was enough, I'm pretty sure I don't need to see it a fourth time to be satisfied with my Rune Factory 4 experience.
While it is rather simple to cycle through the four endings in four playthroughs by making each combination of choices, the question is whether the story is compelling enough to motivate you to do so.
However, the set up does the job well enough — it's just disappointing that the charming and funny characters like Mako and Bolin only show up at the beginning and end, with the likes of Tenzin nowhere to be seen, and Jinora only turning up as a spirit guide of sorts to help Korra reclaim the four elements over the course of the story.
The early Disney levels are fun enough if a little uneventful, almost all the games story and narrative intrigue is tucked in at the end of the game.
It's not the most cinematic of titles you're going to play with most of the story progression coming in the form of characters speaking at the start and end of missions, but it offers enough to at least make you care about everything that's going on.
Collectible documents, in addition to a series of well - written notes Miles jots down as he is chronicling the bizarre happenings around him, are a welcome addition and help to flesh out the story that is there, but it's never enough to elevate it past the confusing place it ends up in.
This world war really lives up to its name and without giving anything away, the story goes into some pretty interesting subjects as well as bringing back quite a lot of familiar faces.It is actually a shame that the story couldn't keep going since the manga is still fighting the war, but the stopping point makes sense and is more than enough to keep you excited for what seems to be the end of Naruto story.
Interestingly enough I really enjoyed the narrative in the story mode however I do feel that it kind of ended a bit abruptly although it was done in a way which left things open for a sequel.
In the end, the humorous aspect of the game and the unique story are not enough for me to continue playing.
Story and tone isn't enough to carry a game and to that end, Rockstar has tweaked the game's signature gunplay to near perfection, turning the once so - so combat into an incredible spectacle of bullets and blood.
Because it's a video game though, Square at least had enough of a heart to bring many of the dead characters back by the end of the story.
While the story is just engaging enough to keep players invested until the end, it is far from being a compelling tale worthy of its source material.
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