Not exact matches
At the
end of the day, only
stories can make dividend investing (as well as other silly investing strategies) interesting
enough to make the news.
Considering Job's
story is based well after the death
of Moses (which oddly
enough happens beofer the
end of the first 5 books, yet he's credited with being the author... always found that odd).
All this «Wenger plays his card close to his chest» malarkey is just an excuse, The press do spin
stories when they have nothing else to talk about BUT there's a grain
of truth is all
of them, it's as plain as that, last year the press had an inkling about Sanchez coming to u and thus it was proved a I've said many times on here Wengers statement prior to the
end of the season are clear if you look back at what he said going back season after season, He said That Olivier Giroud WAS in his opinion good
enough to fire Arsenal to PL glory.
I find myself getting more interested in the turnaround
story at Man U (despite the fact that I don't like Mourinho, but respect his ability and competitive spirit), I find myself hoping Pep will succeed in integrating his style at City quick
enough for them to
end above Man U, and I find myself tracking Koeman and hoping he will do well at Everton because he might be one
of the better managers we can hope for once Wenger has ran us into the ground and leaves.
And that is
end of the short version
of the
story of how I got to be twisted
enough to believe that everyone the West say they don't like is automatically evil.
From Disney movies, I learned that if I made my waist small
enough (maybe with the help
of a witch), a man or large hog - bear might marry me, and that's where my
story would
end.»
Lauren Warner, Founder and Editor [See all «From the Editor» posts] Beth Berry, Revolution from Home [«The Perfection Trap»] Amber Dusick, Crappy Pictures [«Making Time for Free Time»] Heather Flett, Rookie Moms [«Choose the One Thing»] Elke Govertsen, Mamalode magazine [«We Need Each Other»] Meagan Francis, The Happiest Mom [«Write Your Own
Story»] Nici Holt Cline, Dig this Chick [«Dead
Ends Don't Exist»] Devon Corneal, The Huffington Post [«You Are Stronger than You Think»] Melanie Blodgett, You are My Fave [«The Truth About Making Friends»] Allison Slater Tate, AllisonSlaterTate.com [«Enjoy the Ride»] Katie Stratton, Katie's Pencil Box [«We Are What We Eat»] Lisa - Jo Baker, Tales From a Gypsy Mama [«Mom Sets the Mood»] Shannan Martin, Flower Patch Farm Girl [«Find Your Delicious»] Tracy Morrison, Sellabit Mum [«Real Life Goes On Here»] Amy Lupold Bair, Resourceful Mommy [«Choose Happy»] KJ Dell» Antonia, New York Times Motherlode [«Do What You're Doing»] Anna Luther, My Life and Kids [«Fake Farts Make All the Difference»] Bridget Hunt, It's a Hunt Life [«Our Own Worst Enemies»] Judy Gruen, Mirth and Meaning [«Don't Forget Your Vitamin L»] Shannon Schreiber, The Scribble Pad [«When Mom is Afraid»] Rivka Caroline, Frazzled to Focused [«From Frazzled to Focused»] Pilar Guzman, Editor - in - Chief
of Martha Stewart Living [«The Hard Work
of Being Good»] Molly Balint, Mommy Coddle [«I Want to Be a «Yes»»] Melanie Shankle, The Big Mama Blog [«Not
Enough Time (Or Toilet Paper)»] Lindsay Boever, My Child I Love You [«They Will Love What You Love»] Mary Ostyn, Owlhaven [«A Family That Plays Together»] Lindsey Mead, A Design So Vast [«Feeling Hurt?
In the
end, Manlius Republican Kevin Holmquist, who's been criticizing a process he said left the pubic out
of the debate, couldn't pull
enough legislators to see his side
of the
story.
With
enough patience, skill and time allotted to finding your soulmate your
story of searching for the one is bound to have a happy
ending.
«That's one
of my favorite success
stories,» Anna said, «because it started with him feeling not good
enough for his date and
ended with him choosing not to continue with her because she wasn't right for him.»
The only difference is that at the
end of the arcade mode you get a static cut scene
ending featuring the character you won with, it's not
enough to be considered a
story mode.
Although there is the unfortunate exclusion
of multiple fast travel networks in the DLC (which only having one), and the
story not mainly focusing on a Vault - specific but loot - oriented
ending, this still can plenty
enough of your time and focus to forgive these.
But, because
of an underwhelming
story without
enough bite, this is a journey that, in the
end, doesn't go anywhere.
Oddly
enough, Legacy
of the Void feels more like the beginning
of something new rather than the
end of a
story which began back in 2010.
Animated feature «The Croods» «Despicable Me 2» WINNER: «Frozen» «Monsters University» «The Wind Rises» Action movie «The Hunger Games: Catching Fire» «Iron Man 3» WINNER: «Lone Survivor» «Rush» «Star Trek Into Darkness» Actor in an action movie Henry Cavill — «Man
of Steel» Robert Downey Jr. — «Iron Man 3» Brad Pitt — «World War Z» WINNER: Mark Wahlberg — «Lone Survivor» Actress in an action movie WINNER: Sandra Bullock — «Gravity» Jennifer Lawrence — «The Hunger Games: Catching Fire» Evangeline Lilly — «The Hobbit: The Desolation
of Smaug» Gwyneth Paltrow — «Iron Man 3» Comedy WINNER: «American Hustle» «
Enough Said» «The Heat» «This Is the
End» «The Way Way Back» «The World's
End» Actor in a comedy Christian Bale — «American Hustle» WINNER: Leonardo DiCaprio — «The Wolf
of Wall Street» James Gandolfini — «
Enough Said» Simon Pegg — «The World's
End» Sam Rockwell — «The Way Way Back» Actress in a comedy WINNER: Amy Adams — «American Hustle» Sandra Bullock — «The Heat» Greta Gerwig — «Frances Ha» Julia Louis - Dreyfus — «
Enough Said» Melissa McCarthy — «The Heat» Sci - fi / horror movie «The Conjuring» WINNER: «Gravity» «Star Trek Into Darkness» «World War Z» Foreign language film WINNER: «Blue Is the Warmest Color» «The Great Beauty» «The Hunt» «The Past» «Wadjda» Documentary feature «The Act
of Killing» «Blackfish» «
Stories We Tell» «Tim's Vermeer» WINNER: «20 Feet from Stardom» Song «Atlas» — Coldplay — «The Hunger Games: Catching Fire» «Happy» — Pharrell Williams — «Despicable Me 2» WINNER: «Let It Go» — Robert Lopez and Kristen Anderson - Lopez — «Frozen» «Ordinary Love» — U2 — «Mandela: Long Walk to Freedom» «Please Mr. Kennedy» — Justin Timberlake, Oscar Isaac and Adam Driver — «Inside Llewyn Davis» «Young and Beautiful» — Lana Del Rey — «The Great Gatsby» Score WINNER: Steven Price — «Gravity» Arcade Fire — «Her» Thomas Newman — «Saving Mr. Banks» Hans Zimmer — «12 Years a Slave»
Wiseau remains an intentionally mystifying figure as the
story is told through the eyes
of straight man Greg, but Sestero isn't a strong
enough character to carry the
story next to Wiseau, and it stumbles several times into formulaic, clichéd territory that renders it forgettable once the
end credits roll.
While there are seemingly infinite options for what the player can build and create, my first impressions
of the game have left me wondering if this is
enough to keep players entertained for months on
end, or if they will tire quickly
of the simplicity
of NPC combat and lack
of overall
story motivation.
The
story itself is strong
enough to carry the film, but when you throw in musical numbers from Hamilton's Lin - Manuel Miranda and some
of the prettiest animation ever to come out
of the mouse house, you
end up with a monster hit with a huge emotional punch.
BIRDS WITHOUT NAMES The telling
of its
story does a fine job keeping the viewer engaged and just disoriented
enough to both appreciate its surprises and forgive an elongated, unnecessarily melodramatic
end.
Though they all share a
story arch
of bad
endings, the characters are all very different and Reynolds manages to give each one
enough personality that one doesn't feel like a rehash
of another.
However, the
story itself doesn't create
enough of a dramatic ripple for us to really care whether or not its two protagonists get together in the
end, even though we know they might.
And my honor roll: «All Is Lost,» «Bastards,» «Blue Caprice,» «Blue Jasmine,» «Computer Chess,» «Crystal Fairy,» «
Enough Said,» «Faust,» «Gim me the Loot,» «In the Fog,» «The Invisible Woman,» «Kill Your Darlings,» «Mother
of George,» «Nebraska,» «Our Children,» «Post Tenebras Lux,» «Reality,» «Room 237,» «Something in the Air,» «
Stories We Tell,» «This Is the
End,» «This Is Martin Bonner,» «Viola.»
«Admission,» Stephen Trask, composer «Ain't Them Bodies Saints,» Daniel Hart, composer «All Is Lost,» Alex Ebert, composer «Alone Yet Not Alone,» William Ross, composer «The Armstrong Lie,» David Kahne, composer «Arthur Newman,» Nick Urata, composer «At Any Price,» Dickon Hinchliffe, composer «Austenland,» Ilan Eshkeri, composer «Before Midnight,» Graham Reynolds, composer «The Best Man Holiday,» Stanley Clarke, composer «The Book Thief,» John Williams, composer «The Butterfly's Dream,» Rahman Altin, composer «The Call,» John Debney, composer «Captain Phillips,» Henry Jackman, composer «Closed Circuit,» Joby Talbot, composer «The Company You Keep,» Cliff Martinez, composer «The Conjuring,» Joseph Bishara, composer «Copperhead,» Laurent Eyquem, composer «The Counselor,» Daniel Pemberton, composer «The Croods,» Alan Silvestri, composer «Despicable Me 2,» Heitor Pereira, composer «Elysium,» Ryan Amon, composer «
Ender's Game,» Steve Jablonsky, composer «
Enough Said,» Marcelo Zarvos, composer «Epic,» Danny Elfman, composer «Ernest & Celestine,» Vincent Courtois, composer «Escape from Planet Earth,» Aaron Zigman, composer «Escape from Tomorrow,» Abel Korzeniowski, composer «Evil Dead,» Roque Baños, composer «47 Ronin,» Ilan Eshkeri, composer «42,» Mark Isham, composer «Free Birds,» Dominic Lewis, composer «Free China: The Courage to Believe,» Tony Chen, composer «Fruitvale Station,» Ludwig Goransson, composer «G.I. Joe: Retaliation,» Henry Jackman, composer «Gangster Squad,» Steve Jablonsky, composer «Gravity,» Steven Price, composer «The Great Gatsby,» Craig Armstrong, composer «The Hangover Part III,» Christophe Beck, composer «Hansel & Gretel Witch Hunters,» Atli Örvarsson, composer «Haute Cuisine,» Gabriel Yared, composer «Her,» William Butler and Owen Pallett, composers «The Hobbit: The Desolation
of Smaug,» Howard Shore, composer «Hollywood Seagull,» Evgeny Shchukin, composer «Hours,» Benjamin Wallfisch, composer «How Sweet It Is,» Matt Dahan, composer «The Hunger Games: Catching Fire,» James Newton Howard, composer «Identity Thief,» Christopher Lennertz, composer «The Incredible Burt Wonderstone,» Lyle Workman, composer «Insidious: Chapter 2,» Joseph Bishara, composer «Instructions Not Included,» Carlo Siliotto, composer «The Internship,» Christophe Beck, composer «The Invisible Woman,» Ilan Eshkeri, composer «Iron Man 3,» Brian Tyler, composer «Jack the Giant Slayer,» John Ottman, composer «Jobs,» John Debney, composer «Kamasutra 3D,» Sreejith Edavana and Saachin Raj Chelory, composers «Labor Day,» Rolfe Kent, composer «Lee Daniels» The Butler,» Rodrigo Leão, composer «Live at the Foxes Den,» Jack Holmes, composer «Love Is All You Need,» Johan Söderqvist, composer «Mama,» Fernando Velázquez, composer «Man
of Steel,» Hans Zimmer, composer «Mandela: Long Walk to Freedom,» Alex Heffes, composer «The Missing Picture,» Marc Marder, composer «Monsters University,» Randy Newman, composer «The Mortal Instruments: City
of Bones,» Atli Örvarsson, composer «Mud,» David Wingo, composer «Murph: The Protector,» Chris Irwin and Jeff Widenhofer, composers «Now You See Me,» Brian Tyler, composer «Oblivion,» Anthony Gonzalez and Joseph Trapanese, composers «Oldboy,» Roque Baños, composer «Olympus Has Fallen,» Trevor Morris, composer «Oz The Great and Powerful,» Danny Elfman, composer «Pacific Rim,» Ramin Djawadi, composer «Pain & Gain,» Steve Jablonsky, composer «Percy Jackson: Sea
of Monsters,» Andrew Lockington, composer «Philomena,» Alexandre Desplat, composer «The Place beyond the Pines,» Mike Patton, composer «Planes,» Mark Mancina, composer «Prisoners,» Jóhann Jóhannsson, composer «R.I.P.D.,» Christophe Beck, composer «Reaching for the Moon,» Marcelo Zarvos, composer «Romeo & Juliet,» Abel Korzeniowski, composer «Runner Runner,» Christophe Beck, composer «Rush,» Hans Zimmer, composer «Safe Haven,» Deborah Lurie, composer «Salinger,» Lorne Balfe, composer «Saving Mr. Banks,» Thomas Newman, composer «The Secret Life
of Walter Mitty,» Theodore Shapiro, composer «Short Term 12,» Joel P. West, composer «Side Effects,» Thomas Newman, composer «The Smurfs 2,» Heitor Pereira, composer «The Spectacular Now,» Rob Simonsen, composer «Star Trek Into Darkness,» Michael Giacchino, composer «Stoker,» Clint Mansell, composer «Thor: The Dark World,» Brian Tyler, composer «Tim's Vermeer,» Conrad Pope, composer «Trance,» Rick Smith, composer «Turbo,» Henry Jackman, composer «12 Years a Slave,» Hans Zimmer, composer «2 Guns,» Clinton Shorter, composer «The Ultimate Life,» Mark McKenzie, composer «Unfinished Song,» Laura Rossi, composer «Wadjda,» Max Richter, composer «Walking with Dinosaurs,» Paul Leonard - Morgan, composer «Warm Bodies,» Marco Beltrami and Buck Sanders, composers «We Steal Secrets: The
Story of WikiLeaks,» Will Bates, composer «We're the Millers,» Theodore Shapiro and Ludwig Goransson, composers «What Maisie Knew,» Nick Urata, composer «Why We Ride,» Steven Gutheinz, composer «The Wind Rises,» Joe Hisaishi, composer «Winnie Mandela,» Laurent Eyquem, composer «The Wolverine,» Marco Beltrami, composer
James manages to make Owens seem just vulnerable
enough to make you marvel at how strong he is at the
end, which is fairly remarkable, given that viewers (or most
of them) know how the
story ends.
Well, that's simple and straightforward
enough, but it's not the
end of the
story.
That will be
enough to serve me, to leave me feeling I've found something like the dangerous balloons at the
end of Martone's Klamath Falls
story, each «a bright scrap
of joy.»
Get ready for jaw dropping, exhilarating, fast paced
story with
enough twist & turns to keep you interested till the
end and on top
of that this is just the beginning!!
«Like the episodes
of a good high -
end cable drama, each [e-serial] has
enough internal integrity to work as an enjoyable chunk
of story on its own, but each will advance a «season» - long storyline as well.»
I've been procrastinating for weeks and just couldn't get into the flow... which is totally normal when you're in the middle
of the book and realize you don't have
enough story to get to the
end.
If you have a good
story to tell and tell it long
enough, you can
end up like Vanguard Group founder John C. «Jack» Bogle, once a radical in his business, and now its 85 - year - old Establishment figure, one
of the few true investment celebrities in America.
The truth is there are lots foreigners that have a happy relationship with a Thai woman and the only reason why a lot
of people don't know about it is because they are hanging out in the bars all the time and get to hear the sad
stories that have started and
ended in the red light district (often if a Thai hooker breaks up or divorces with her guy she goes back to beach road even though she has
enough money just because it's so much easier than looking for a real job).
The
story line has intrigue and maturity — and the performances may be
enough to get you to the
end of the six month term, just be sure to curb your expectations when it comes to sending out your daily shifts.
There is,
of course, the single player
story mode, and as if it weren't
enough to have one that was already as enjoyable as this one is, NetherRealm have also added branching paths and alternate
endings to it, adding a great deal to its replayability.
- demo features an original
story - transfer some bonuses to the full game depending on your progress in the demo - demo launches February 11th in Europe - Nintendo UK Web Store has started sending Early Access download codes for the Bravely Second:
End Layer demo - you don't need to pre-order the game from the Nintendo UK Web Store in order to get it - being subscribed to their newsletter is
enough to put you in the running for a download code - demo is only available in English - requires 2597 blocks / 324 MB
of free space - can be launched as many times as you want - final game playable in the following languages:
The single player difficulty spike towards the
end of the campaign signals not
enough time was spent tweaking the game, and the
story is contrived, over-acted, and filled with boring «cutscenes» if the term may be used loosely.
There's still a quality script and
story to be told, and whilst the
ending is a little vague for those who haven't seen Michonne's adventures in the graphic novel it offers
enough to get a sense
of satisfaction and closure to the tale.
This part
of the game is a grind, and as you'll find out later, it is essentially filler that you must survive long
enough to trigger the
story missions and
end the game.
If you are unlucky
enough to miss a main
story mission within the time constraints its pretty much game over and you will receive one
of the unsatisfactory
endings.
Seeing the
ending credits three times (
end of first and second
story arc, plus after the marriage scene) was
enough, I'm pretty sure I don't need to see it a fourth time to be satisfied with my Rune Factory 4 experience.
While it is rather simple to cycle through the four
endings in four playthroughs by making each combination
of choices, the question is whether the
story is compelling
enough to motivate you to do so.
However, the set up does the job well
enough — it's just disappointing that the charming and funny characters like Mako and Bolin only show up at the beginning and
end, with the likes
of Tenzin nowhere to be seen, and Jinora only turning up as a spirit guide
of sorts to help Korra reclaim the four elements over the course
of the
story.
The early Disney levels are fun
enough if a little uneventful, almost all the games
story and narrative intrigue is tucked in at the
end of the game.
It's not the most cinematic
of titles you're going to play with most
of the
story progression coming in the form
of characters speaking at the start and
end of missions, but it offers
enough to at least make you care about everything that's going on.
Collectible documents, in addition to a series
of well - written notes Miles jots down as he is chronicling the bizarre happenings around him, are a welcome addition and help to flesh out the
story that is there, but it's never
enough to elevate it past the confusing place it
ends up in.
This world war really lives up to its name and without giving anything away, the
story goes into some pretty interesting subjects as well as bringing back quite a lot
of familiar faces.It is actually a shame that the
story couldn't keep going since the manga is still fighting the war, but the stopping point makes sense and is more than
enough to keep you excited for what seems to be the
end of Naruto
story.
Interestingly
enough I really enjoyed the narrative in the
story mode however I do feel that it kind
of ended a bit abruptly although it was done in a way which left things open for a sequel.
In the
end, the humorous aspect
of the game and the unique
story are not
enough for me to continue playing.
Story and tone isn't
enough to carry a game and to that
end, Rockstar has tweaked the game's signature gunplay to near perfection, turning the once so - so combat into an incredible spectacle
of bullets and blood.
Because it's a video game though, Square at least had
enough of a heart to bring many
of the dead characters back by the
end of the
story.
While the
story is just engaging
enough to keep players invested until the
end, it is far from being a compelling tale worthy
of its source material.