Javier Bardem starring in a historical epic about Hernán Cortés» bloody and brutal conquest of Mexico seems like an interesting
enough idea for a film.
Not exact matches
Writer Laurence Coriat fails to come up with any fresh
ideas for developing characters or storylines, and the
film never has
enough sense of pace or direction.
It's not quite
enough to rescue «Café Society» from the mediocrity that plagues most of Allen's recent
films, but
for a filmmaker who seems completely bereft of new
ideas, it's a lot better than it should be.
But writer Laurence Coriat fails to come up with any fresh
ideas for developing characters or storylines, and the
film never has
enough sense of pace or direction.
Though he desperately tries to make up
for it in the final minutes by making his
film mean something (Pinbacker mumbles something about being on a mission from God), there's simply not
enough time to introduce such a complex
idea.
by Walter Chaw Emboldened, perhaps, by the surprisingly good The Other Guys and the surprisingly great Get Him to the Greek, I went into Steve Pink's Hot Tub Time Machine with the belief that its high - concept
idea — not the time travel, but the casting of»80s icon John Cusack in a
film that would return him to his decade of greatest power and influence — would be at least
enough for it to function as a fairly smart nostalgia piece.
Based on Duncan Jones's first two feature
films, Moon and now Source Code, the latter of which had its world premiere Friday night here at SXSW, one could say that Jones has a knack not
for putting across breathtakingly original
ideas in a breathtakingly original way, but
for putting across familiar
ideas with
enough skill, intelligence, and heart to make the end result seem fresh
enough.
If you subscribe to the
idea that most movies yielding best - actress nominations just aren't quite good
enough to be nominated
for best picture, your best supporting evidence is to look at the
films made by top directors — and then emphatically throw shade at how few of them star women in the first place.
Big - namer Fassbender just wasn't
enough to counter a relatively nobody director, John Maclean, and I
for one had no
idea just how charming the
film would be or how much it would ooze eclectic humor.
The movie's existence seems to be predicated on the
idea of seeing American soldiers charging into battle on horseback, and while it certainly makes
for a cool visual, it's not
enough to hang an entire
film on.
It is
for his funny
ideas and skillful inclusion of many pop culture arguments within his
films that he has built up a formidable fan base; It is
for his oft - amateurish directing that his
films aren't polished
enough to reach much farther beyond this base.
Although Logan contained
enough clues
for audiences to get a pretty good
idea of what happened during the «Westchester Incident», but director James Mangold has revealed to IGN that he originally planned to make it much more explicit by opening the
film with the death of the X-Men.
It isn't exactly a sequel, but it draws on Resolution's
ideas clearly
enough that The Endless will play much better
for people who've already seen their first
film, and have their expectations set
for Lovecraftian horror, technological mind - games, and some meta
ideas about what makes
for a satisfying story.