Yet for a movie with such a resourceful young hero, Big Game doesn't have
enough scenes like the one where the president and Oskari end up using a freezer as a raft in dangerous rapids.
There are fleeting moments of giddy pleasure, such as when Crystal and Gad get stoned and run amok in a supermarket while they're supposed to be at a kids» choice awards show, but there aren't
enough scenes like these to sustain the concept.
Not exact matches
That cost, combined with viral images of rain - soaked
scenes more suited for Glastonbury, seemed
like enough to throw the young festival permanently off course.
We've been at this long
enough to remember what the beer
scene was
like when the big guys ran everything.
Those who were lucky
enough to be pulled or pushed, a year or so ago, to the Beatles» first movie, A Hard Day's Night, will recall the enchanting
scene in which the four of them escape from the prison -
like television studio, where worldly men are trying to get them to perform properly, and flee to an open field for a few surrealistic moments of jumping, dancing, abandon.
It is well worth reading if one
likes gossip, bitching and behind the
scenes insights into a diverse group of highly ambitious individuals, all inevitably bound to fail in realising their ultimate ambition because they were unfortunate
enough to seek to achieve it in a year when the press had turned one of them, with few achievements to his name, into a saint who could do nothing wrong.
While more complicated images, such as a person sitting on a lawn chair, at first seem
like garbled noise, with
enough training users can learn to «hear» everyday
scenes.
He built tension
like a pro, gave
enough umph to his kills to keep the roller - coaster going, and handled the slower
scenes with aplomb.
Lister - Jones is also generous
enough an auteur to allow for memorable moments from others, whether it's hilarious bits from the
likes of Retta (as Anna and Ben's unlucky marriage counselor), Brooklyn Decker, and Jamie Chung; the escalating weirdness of Armisen (who was, of course, a seasoned indie - band drummer before he turned to acting and comedy); or a knockout dramatic
scene between Pally and the great comedian Susie Essman as Ben's mother, who provides some invaluable advice.
The results are bloody and graphic, with squirm - inducing
scenes of self - surgery and violence, but considering the stakes, that seems
like fair -
enough play.
It's made to be cut
like it's Ebony Maw doing the torturing, but the environments look just different
enough that these could be two separate
scenes.
And the more I talked about that, the more I felt
like I have this movie more or less in my head and I know how I would shoot these
scenes and how the camera should move or if I were to direct it this is what I would do... Saying that
enough times sort of gave me the confidence where I felt
like maybe, just maybe, given the right chance, I could take a crack at it.»
For me, Beverly Hills Cop was,
like its contemporary Ghostbusters, the ne plus ultra of comedy — my eleven - year - old self still a couple of years away from Monty Python — and the requisite throwaway
scene in a strip club was
enough to be the centrefold in this analog PLAYBOY that, huzzah, I didn't have to hide between the mattress and bedspring.
In case the overt sexism of the
scene (and, let's face it, the entire storyline) weren't
enough, her car acts
like an amplifier, spreading her cries of outrage across the parking lot.
Sciamma's frank approach to this
scene functions
like a silent confession — we feel how invasive it is to learn what Laure so desperately wants to keep private, but the information is presented discretely
enough for us to intuit how irrelevant Laure's genitals are to her gender.
With that
scene Anderson, himself 26 at the time, announced the theme that would dominate all his movies to date: the plight of the man - child, too old to live life
like a kid but not mature
enough to stop trying.
In the end, it feels
like a favor because watching Kutcher struggle through a semi-dramatic
scene was painful
enough, but still, there's no getting around the sloppy writing.
Characters come and go seemingly at random, the
scenes are shuffled together
like a disordered deck of playing cards, and even Day - Lewis doesn't get
enough screen time to reveal much past a surface of anecdote - spouting folky wisdom and a slightly deeper surface of crafty political power - player.
Thankfully, the whole game isn't
like, as there are instances of quick - time events that gives the game a change of pace, thanks to interesting cut -
scenes, but they're not really all that important, as the game actually gives you ample
enough time to mash the required A button.
Sucker Punch is a man's action movie fantasy — rolling everything a guy would enjoy in a film
like hot women, heavy gunfire, a mother dragon who basically makes explosions come to her, and
enough insanity injected into its most adrenaline racing
scenes to keep you talking around the water cooler for hours.
In fact, if you were to string along just the
scenes that include familiar faces
like Peter Sarsgaard, Tim Blake Nelson, Bob Balaban, and others, you'd have more than
enough material for another feature.
Soon
enough, Max has moved into an assisted - living facility and the best
scenes of the film find him re-discovering life with the
likes of Rance Howard, Lee Weaver and Mort Sahl.
There are
enough thin threads to tie everything together, but more often than not, the majority of the
scenes seem to revolve around, «Wouldn't it be crazy if...» It's how we get
scenes like Tom becoming a crazy deer hunter who has reached the point where he's making mugs out of deer hooves.
The Half Blood Prince is a hugely significant book in the series, and whilst it is tempting to lament some things not given
enough time or emphasis in the film as they are in the novel —
like Greyback the vile werewolf, the abominable Bellatrix, old stalwarts of the Order of the Phoenix and Ron's Quidditch insecurities (although the main Quidditch
scene is satisfying, particularly the final save by Ron)-- one must remember a conceptually vast 500 + page novel is being distilled into a two and a half hour film.
4) «Stories We Tell» I
liked Sarah Polley «s «Take This Waltz» an awful lot, but there were
enough dodgy directorial decisions (that passage - of - time sex
scene, for instance) in place to keep it off this list.
The
scenes with him and Shane West — West isn't bad, but he's not charismatic
enough for the role; he's sturdy and unexciting — play
like a May - September bromance.
It's as if the Coens feel
like simply having Scarlett Johansson (total screen time: maybe five minutes), Tilda Swinton (total screen time: maybe five minutes) or Jonah Hill (total screen time: maybe two minutes) show up in a
scene is
enough.
Early
scenes of The Ain't Rights siphoning gas and crashing on couches are engaging
enough — and crisply filmed, in hues true to the title — that if the bloodshed never arrived, the film might still look
like a fine addition to the counterculture canon.
The, admittedly inventive, action sequences are numerous
enough, but more vitality, short
enough that the equally numerous comedy
scenes (intentional or otherwise) neatly complement them and hide the director's many shortcomings that are more evident in his «serious» action films
like Terminator Salvation.
Though he comes across as a mild sociopath at times (
like in one
scene where he matter - of - factly tells Phil that he wants to rip open his antique grandfather clock to see how it works), Gyllenhaal imbues Davis with
enough charisma that he turns an otherwise unsympathetic character into someone whose erratic behavior is understandable, if not completely relatable.
Lopez's portrayal as a psychotherapist is difficult
enough to swallow without her looking
like she's just emerged from a glamorous make - over in every
scene (including waking from bed).
In a movie with incredible set pieces
like the one in Busan, it's amazing that there was also
enough time for a Sterling K. Brown — makes - you - cry
scene.
Invariably when a cheaper device
like the Nexus 7 arrives on the
scene packing a quadcore processor comparisons are always going to be made, but along with the 1 GB of RAM, there is sufficient
enough to power to the Galaxy Tab 2 10.1 without any major performance issues.
I feel
like I don't know
enough of the behind - the -
scenes to start my own.
Enough moonlight coated the
scene for Melvin to see that her right eye had already puffed up; it looked
like a knuckled fist ready to throw a punch.
When it comes right down to it, Android 4.1 isn't very different from Android 4.0 — it doesn't really seem
like enough has changed to warrant calling it a goofy new name
like Jelly Bean — but Google did a lot of behind the
scenes performance enhancements that make Android 4.1 seem a lot smoother and zippier than previous versions of Android.
I grew up on some TV, but mostly movies, and finally decided in my 30s that the books l loved to get lost in were those of Michael Crichton, where it seemed
like I barely had to construct visuals, and the dialogue was just
enough to propel me into the next
scene...
But the whining is
enough to cause a huge embarrassing
scene, and then most people do not want to bring their dogs up to him when he's acting
like that.
... not important
enough to put the marketing term «dice» on it... so its labeled development is by another lesser known team... but don't fall for it... 90 % of the people behind the
scenes are the same... its only the public figures with the team that get swapped around... there is no «dice» any more... EA doesn't work
like that...
Thankfully, the whole game isn't
like, as there are instances of quick - time events that gives the game a change of pace, thanks to interesting cut -
scenes, but they're not really all that important, as the game actually gives you ample
enough time to mash the required A button.
The cut
scenes are live - action affairs, complete with D - list celebrities (
like Tom Savini and James Gunn) and
enough cheese to stock a Wisconsin supermarket.
I have been working with indie developers for 3 years now and although my role is community manager I
like to think I have
enough experience within various sectors of the indie
scene, I have worked with a large selection of indie developers helping them promote, build communities, create their own unique brands and publish their games.
«I think the indie
scene nowadays is large
enough to take a stand against something
like that,» he says.
Because of the fact that most of us smaller developers face the problem of not getting
enough attention I would
like to take a closer look at my own country and its even more unknown indie game
scene - Germany.
The goal has been simplified somewhat — to gather 30,000 units of «sparklium» fuel, which apparently can be harvested from both fruit and «treasures» — but there's still charm
enough here, with funny names for the household objects that act as treasures (
like the fountain pen called a «peace missile») and cute little cut
scenes for the Pikmin.
His pictures are structured in a way that their candidness is snapshot
like — intimate moments captured through a fleeting glance — the focus of the
scene is the interaction, between subject, artist and viewer — described by Freud himself when he said «You can't be aware
enough.
That was 40 years ago and I suspect if you look far
enough you can find people that still retire
like that, but the new retirement norm is a whole different
scene.
The 5T tends to be accurate rather than punchy, which is fine with most of us, but when that's paired with questionable metering, weak dynamic range and an HDR mode that doesn't feel
like it adds
enough to the
scene it leads to some photos coming out bland.
Those user - facing features are enticing
enough on their own, but just
like Oreo, there's much more going on behind the
scenes that'll help elevate the user experience day after day.
If you're brave
enough, try playing with the Manual setting for control over exposure and white balance and access to
scenes like Softskin, Night, Sports, Party, and Snow.