For example, it will note if you don't have
enough support characters or have too many.
Not exact matches
«Mississippi Grind» is part road movie, part
character study, assembling Ben Mendelsohn and Ryan Reynolds as two externally opposite, but internally related gamblers whose styles complement each other
enough to embark on a road trip down the Mississippi in hopes of luck -
supported fortune.
There is the potential that new modes, courts and
characters through post-release
support could make the game more appealing, but the core gameplay may not be good
enough for those with current - day expectations of traditional sports games to give it much time to improve.
The
supporting characters are interesting
enough to warrant their own storyline that you actually give a crap about.
His
character's inner turmoil isn't explored deeply
enough, and his subplot involving
supporting his wife (Katie Holmes, in a wasted role) and kid is utterly disposable.
The combat is cool
enough, sure — there's an interesting formation hook that lets you assign a «stance» to each of your three
characters, setting them up to attack, defend, or
support.
Since the story unfolds at such a brisk clip (and spends a lot of time with a good amount of
supporting characters such as Michael Caine, Morgan Freeman, Mark Ruffalo, and Melanie Laurent), the Horsemen don't really have
enough screentime to create believable
characters, but that's not the main attraction here anyway.
Not
enough representation of
characters across the Fire Emblem franchise, lack of
support conversations, generic Fire Emblem story.
These performers work well together and are
supported by fantastic actors like Rob Riggle, who recites his lines with
enough energy to make his stock
character, a clueless gym teacher, feel fresh.
You get what you expect from Wahlberg, who delivers the troubled anithero persona well
enough, and the
supporting cast is full of competent
character actors, with the exception of a miscast Mila Kunis (Forgetting Sarah Marshall, Get Over It) as some sort of tough chick who is supposed to be intimidating.
Sam Claflin was likeable
enough, but a little hollow as a
supporting character.
The way the other
characters (played by a stacked
supporting cast including Anna Kendrick, J.K. Simmons and Jon Bernthal) talk about him is
enough to wonder exactly what he is capable of.
If Walsh and Bowen didn't provide
enough laughs as petty background
characters, McCarthy's feature is also lifted by a very funny
supporting cast including Maya Rudolph as Deanna's blunt best friend, Saturday Night Live's Heidi Gardner as a creepy roommate and Jessie Ennis and Gillian Jacobs (both of whom showcased their dry humor on Netflix's Love) as Maddie's sorority sisters.
There are solid
supporting turns from Willem Dafoe, Forest Whitaker, and Zoe Saldana, but Cooper doesn't trust his
characters enough, and is too enamored with his own sordid backdrop of underground fighting rings and hair - trigger violence.
Civil War screenwriters Christopher Markus and Stephen McFeely - who also wrote the first two Captain America movies - not only tackle very complicated subject matter (the issue of accountability on not just a political level, but also a personal one) but at the same time have to introduce important new
characters (more on them later) and carve out room to give the
supporting cast
enough onscreen development so that they're not just making glorified cameos during this movie.
Worse yet, the main story focuses on two
supporting characters from the first film that simply aren't interesting
enough to be front and center, while Nia Vardalos and John Corbett languish in the background with a clichéd subplot that goes nowhere.
Stiller fortunately wrings out just
enough entertaining interaction with
supporting characters in some gorgeous locations to tip the scales in favor of Walter Mitty «s decidedly more conventional, but equally endearing latter half.
Worst - case scenario: The initial trailer for the film relies more on scatological humor — one prominent gag involves a music box being stuck in a
supporting character's butt — than sparkling dialogue, raising the question of whether Fey and Poehler's chemistry is
enough to overcome even the dumbest script.
But they never add
enough weight or development to these side ideas or most of the
supporting characters.
Some of the
supporting characters (particularly those played by Hoku Pavao and Tsune Watanabe) are intriguing
enough that you wish Kohne would give them greater focus.
The
supporting characters are all amusing though none have any depth, and Zack and Miri's story isn't complex
enough.
The movie starts to drag in the latter half as it meanders towards its conclusion (there's no reason this needed to be almost two hours long), and it would have benefited from some stronger
supporting characters, but «A Million Ways to Die in the West» is a really solid comedy with more than
enough laughs to offset its minor shortcomings.
He's a great
supporting character actor that adds just
enough in any given role to be memorable but not steal the complete movie.
SATC2 occasionally redeems itself with a small
character moment or interaction that hearkens back to the aspirational everywoman appeal that was the television show's foundation, but there isn't nearly
enough of it to
support the mounds of toxic froth piled atop it.
But with great leads, skillful direction, and solid
supporting performances by Amy Adams, whose
character represents the balance between her natural demeanor of kindness and the learned skills of a newfound disciplinarian, and Viola Davis, whose one powerhouse scene impressed
enough to garner her an Academy Award nomination, Doubt still runs on all cylinders professionally in delivering a solid musing on the duplicitous power of faith and doubt, faith coming from the heart and doubt from the mind.
And though I fear the costly production wasn't
enough of a hit to
support the intended sequels (Haram Abbas» and Jared Leto's
characters are left stranded), it provides some much - needed emotional closure.
While a sequence of events doesn't necessarily make a plot, this backdrop is more than
enough to
support what is, at heart, an engrossing
character study.
In other words, the story of astronaut Mark Watney (Matt Damon) and his adventures in practicality is not
enough for screenwriter Drew Goddard (adapting Andy Weir's novel), and so poor Mark, already deserted and alone on the Red Planet, becomes somewhat of a
supporting character in his own tale.
The picture begins in a selfconsciously quaint mode, with turn - of - the - century brochure illustrations (and sometimes fulsome, footnote - laden
character descriptions) to introduce the various players; John Addison's score
supports this tone entertainingly
enough, and the performers (surely with Ross's assistance) manage to maintain a nicely judged attitude of self - importance and overdeliberateness that permits the audience to be comfortable about these anachronistic types without going so far as to guy the whole notion of recreating Conan Doyle affectionately and respectfully.
She isn't great yet with
characters on the periphery — Bill is a one - dimensional corporate bad guy / insensitive husband, and it's depressing to see the great Chloë Sevigny cast in a generic role as Owen's mom — but Amos, Diane, and Owen are all vivid and credible
enough to
support a less - hokey, more rough - hewn narrative.
Strong
supporting characters, uniformly solid writing, occasionally too macho, but with
enough heart to back it up, this was the sort of thriller that actually thrills.
Being able to send a simple, 160 -
character, text - only, SMS message isn't
enough anymore; fortunately Google has now added
support for MMS.
- despite the new business partnership with Cygames, Nintendo is very satisfied with its mobile business - they are also happy with the various projects created in partnership with DeNA, and their relationship will continue - Nintendo is trying to expand its lineup of mobile games - Cygames had a plan for a title that was very deep and Nintendo thought it was important to develop and operate it jointly - DeNA doesn't just
support Nintendo's mobile applications, but also its Nintendo Account system with tech and dev
support - those areas of Nintendo's partnership will also continue - Nintendo is open to partner with other companies as well in the future - by using Nintendo IP in mobile apps, the company wants to spread awareness about Nintendo's
characters - ultimately they'd like it to become synergistic with the console business - Nintendo wants to make mobile games one of the pillars of revenue - it's not
enough to just expand dedicated internal development resources for this goal - this is why Nintendo is looking for possibilities to do it externally as well - Nintendo thought that Cygames» plan with Dragalia Lost was common ground for the companies, so they decided to partner - one important factor to think about when managing a company like Nintendo is that its products aren't daily necessities - Nintendo creates entertainment and fun, and the essence of its business will remain unchanged - Nintendo says it's a high - risk business, and there are times in which performance could be good or bad - Nintendo will continue to create specialized gaming hardware and software for the world - the aim is to be successful every time, but sometimes it will work out, and sometimes it won't - instead of thinking «I can't do this» they'd rather think «what can we do to continuously tighten our relationship with the customers?»
On the other, as long as they keep Link silent and found good
enough actors to speak for the
supporting cast, it would make the world a little more engadging and believable, as voices would add a whole other layer to
characters personality.
It Is fair to say that with additions of new
characters and future
support from developers that FighterZ will have more than
enough stride to stay firm in the limelight for some time to come.
When
characters fight alongside each other
enough their
support level increases; the levels can increase from C, all the way to S (in some cases.)
Musk, who is said to have inspired the
character of the charismatic genius Tony Stark in the Iron Man films, does not think governments are doing
enough to
support the electrification of cars, despite a grant scheme that knocks # 5,000 off the price of new plug - in vehicles.