Dario Marianelli's brilliant score and
the ensemble voice performances make Kubo an unforgettable experience.
Not exact matches
A movement that began as an awkward, impromptu speech in a
voice broken with emotion steadily flowed toward a climax as an
ensemble performance of dancing, singing, and handclapping.
Similarly, a
performance perspective treats canonical «texts» as polyphonic, that is, as richly diverse
ensembles of
voices available to the preacher as sound, gesture and image.
And on top of the terrific Bridges, McAdams and Foy
performances, James Franco, Ricky Gervais, Paul Rudd, Benicio Del Toro, Marion Cotillard, Paul Giamatti, Albert Brooks (in his third animated film appearance of the summer) and Osborne's own son, Riley, round - out the splendid
voice ensemble.
With the ground - breaking
performance ensemble at its core, ongoing initiatives like the Summer Leadership Institute (SLI), BOLD (Builders, Organizers & Leaders through Dance) and the developing Choreographic Center, UBW continues to affect the overall ecology of the arts by promoting artistic legacies; projecting the
voices of the under - heard and people of color; bringing attention to and addressing issues of equity in the dance field and throughout the United States; and by providing platforms and serving as a conduit for culturally and socially relevant experimental art makers.