Sentences with phrase «entered by your visitor»

At the end of the 1960s, Nauman began constructing corridors and rooms that could be entered by visitors and which evoked the experience of being locked in and of being abandoned.

The zip code needs to be entered by the visitors to get auto insurance rates that can easily be compared by obtaining quotes from various providers.

Not exact matches

To get to the U.S. Attorney's office, a visitor must wind his way through a phalanx of blue police barricades, stop by a kiosk manned by a U.S. marshal, enter a giant white tent with police and metal detectors, and proceed to a bulletproof visitors desk, replete with armed guards.

In part, this upsurge in Chinese arrivals is due to a series of visa easing measures launched in the beginning of 2017, which includes the availability of online e-visas for short - term Chinese visitors, as well as a 3 - day visa - free entry for Chinese entering the northern province of Quang Ninh by car and in groups.11

Instead of finding a showroom full of exhibitors washed out by the fluorescent lights, Jim Huffman, the show «s promoter says, visitors will enter an old - time English marketplace lit by each exhibitor «s own display lights.

Most visitors are already fingerprinted and photographed when they enter the country, but exit records are collected by airlines rather then government officers, and no biometric identifiers are taken when they leave.

The Trump administration is making it tougher for millions of visitors to enter the United States by demanding new security checks before giving visas to tourists, business travelers and relatives of American residents.

The New York Times reported earlier this week that there were several promises to the union not included in the final draft of the bill, including stands visitors would see immediately on entering the park, and promotional work by NYC & Company

Visitors enter by walking over a U.S. Geological Survey map of North America that is color - coded to show how topography has changed over geologic time.

Visitors to the Cincinnati Zoo would not enter a memorialized tomb of a species, but perhaps view the elegant beauty of North America's greatest species, once unmatched in number by any other living thing.

We were a bit disappointed we couldn't enter the palace at the moment; The Seehof Palace is open for visitors from April until October, as we were told by the lovely lady at the Orangery cafe.

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Visitors to the stand can enter a prize draw to win a science assembly for their school, hosted by the TV scientist himself.

Upon entering each classroom, visitors are approached by a class ambassador who bring them up - to - speed on what students are learning, what activities are taking place and what lies ahead.

Guided by floor - to - ceiling murals and maps, visitors to this child - created museum entered the transformed classrooms through giant, civilization - specific portals.

San Antonio Auto Show visitors can enter to win an Exotic Car Driving Experience by scanning QR codes located throughout the show.

The visitor subscribes by entering their name and email.

Each visitor will enter through a beautiful sunlit lobby where they'll be met personally by a dog care concierge.

This can be avoided by teaching your puppy to sit and ignoring them until they become calm and relaxed when you enter a room and encouraging any visitors to do the same.

Nestled in the northeast corner of Lake County is a haven for abandoned and abused animals called the Leesburg Humane Society.When visitors enter the door, they are greeted by a loud bark and a yellow tail as a big dog disappears under the desk.

When visitors enter the door, they are greeted by a loud bark and a yellow tail as a big dog disappears under the desk.

The dual - brand hotel enters a market that saw its strongest year since 2008 as the city reported an estimated $ 300 million economic impact by overnight visitors in the last recorded year.

► Visitors to Zanzibar are required by law to have a Yellow Fever vaccination certificate when they enter the country.

The «Hansel and Gretel» houses welcome visitors as they enter the park, followed by a winding staircase that leads to a expansive plaza (supported by 86 columns below), the Gran Placa Circular, bordered by a famed serpentine bench covered in a mosaic of colorful tiles.

Visitors will love walking around its cobblestone streets, seeing the ships, big and small, entering and leaving the harbor like a busy highway stop, and enjoying the excellent food and beverages provided by the many bars and restaurants that populate this small metropolis.

Because these antiquities are so distinctly representative of Mayan life, the cave is carefully monitored to prevent looting and visitors are only allowed to enter when escorted by an experienced resident guide.

Upon entering Limahuli, visitors are awe - struck by the sight of ancient taro terraces that date back to the time when the first Polynesians landed on the island.

Though the hectic fish auction located in the inner market (Jonai Shijo, which tourists are allowed to enter after 9:00 a.m) and the overlooked high - end melon auction in the outer market (Jogai Shijo, which opens at 9:30 a.m.) are usually considered the main attractions by visitors, I beg to differ.

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July: 1st — I'm entered in for the Big Blogger Exchange — vote for me here: Jonny Blair — Big Blog Exchange 3rd — A «selfie» I took in Antarctica appears on eTramping.com 6th — Travel Memories from my childhood on The Travel Tester.com: http://www.thetraveltester.com/travel-memories-jonny-don-t-stop-living/ 8th — My article on meeting my girlfriend in Antarctica appears on Amazing Dates on the Road by Anna Everywhere 14th — My interview goes live on Jetsetter Joe — Travel Blogger Spotlight Jonny Blair 16th — My article on watching the World Cup in Brazil appeared on UFWC: Following the UFWC at the World Cup 20th — I'm featured on the Visitor Page from the Mexican City of Oaxaca after my stay there: Wikispaces Oaxaca

Visitors can also take a photo at the Guam booth, upload and check - in on Facebook, and be entered into a drawing for a chance to win two roundtrip tickets to Guam (sponsored by China Airlines and Eva Airlines) as part of Guam's first Global Social Media Marketing Cooperative Campaign, the Shop Guam Festival 2012.

After entering the ruins through one of five doorways in the wall, visitors are greeted by a field of gently - rolling hills.

Today, visitors can climb aboard an inner tube to ride down the placid Caves Branch River, entering miles of passageways that still feature artifacts and sacred objects left behind by Maya priests.

From July 01, 2017, all visitors entering Machu Picchu must be accompanied by a guide.

Visitors will enter the new space through Building 5, the signature gallery for MASS MoCA's large - scale installations, which will feature Nick Cave's Until through Labor Day 2017, or through Building 8, where a light - based work by Spencer Finch has been on view since February 4.

In the case of Seeded (1960), the first work on the right as visitors enter the gallery, these colors are amalgamated in an energetic mass of swirls, curves, bold lines, and planes of color that are further enlivened by patches of canvas left bare.

Visitor drop - off is located between West and East buildings and can be reached by turning left after entering the Museum drive and following the signs.

as visitors enter venice's four - hundred - year - old basilica of san giorgio maggiore, they are welcomed by two, large - scale sculptural installations that act in dialogue with one another, and the historic space they temporarily inhabit.

Visitors enter a circular room of dimming lights and watch as small drawings shift from your own to those by Khakhar.

Visitors will have the opportunity to enter Fein's vision by walking up the stairs above the Speed shop and entering the bedroom.

It is only when visitors enter the Duplex gallery from the basement that they recognize that the pool is empty, its construction a visual trick fashioned by the artist.

Upon entering the room - within - a-room, the visitor is disoriented by the visceral experience of the fully saturated air, in which visibility is limited to less than two feet.

Entering the galleries, visitors are invited to explore connections between a kaleidoscope of seemingly disparate objects such as Bentley's snowflake photographs, Shaker spirit drawings, Tibetan mandalas, Kabbalistic diagrams, and a wall - hanging by Iranian artist Monir Shahroudy Farmanfarmaian called First Family — Hexagon (2010) that uses six - sided forms.

A delicate linocut by Vija Celmins, Comet, 1992, is the initial work to be seen by visitors upon entering the exhibition.

Upon entering the gallery, the visitor is confronted by a view of the video that reveals the edges of the set, the boom microphone, and the movements of the crew as they are filming.

by Alan Feuer Boston Globe, Nov. 16, Intimacy of attention paid in close up by Sebastian Smee Brooklyn Daily Eagle, Nov. 16, «Visions of an American Dreamland:» New book and Brooklyn Museum exhibition highlight Coney Island by Peter Stamelman The New York Times, Nov. 15, Amusement for Everyone by Ken Johnson Boston Globe, Nov. 11, Andy Warhol and Robert Mapplethorpe Rocked the Boat by Mark Feeney Crave, Nov. 11, Exhibit Warhol & Mapplethorpe: Guise & Dolls by Miss Rosen Antiques and the Arts Weekly, Nov. 10, Q&A: Linda Roth WSFB / Better Connecticut, Nov. 9, Get Some Art History at this Local Stop by Kara Sundlun Take Magazine, November 2015, This MATRIX is Real by Janet Reynolds American Fine Art Magazine, November 2015, Radical Chick and Taylor Made by Jay Cantor Art New England, November 2015, Preview: Warhol & Mapplethorpe: Guise & Dolls by Susan Rand Brown The Hartford Courant, Oct. 16, Gender - Bending «Warhol & Mapplethorpe» Exhibit At Wadsworth by Susan Dunne The Wall Street Journal, Oct. 13, At the Wadsworth Atheneum, an Old Building Gets New Life by Lee Rosenbaum Hartford Courant, Oct. 2, Artist Pokes Fun At «Great Chain Of Being» With New Wadsworth Exhibit by Susan Dunne The Economist, Oct. 1, Temple of Delight by Miles Unger Hartford Courant, Oct. 1, Renewed Atheneum a Cultural Tourism Spark Op - Ed by William Hosley Art in America, October 2015, Coney Island Forever by Jonathan Weinberg The Boston Globe, Sept. 19, European marvels await in Hartford at refurbished Atheneum by Sebastian Smee The Hartford Courant, Sept. 19, Wadsworth Atheneum Reopens To Line Of Visitors Saturday by Kristin Stoller The Hartford Courant, Sept. 19, Editorial: Wadsworth Atheneum Makeover is a Triumph Hyperallergic, Sept. 18, A Worthy Renovation for the Wadsworth Atheneum's European Art Galleries by Benjamin Sutton The New York Times, Sept. 17, Review: Wadsworth Atheneum, a Masterpiece of Renovation by Roberta Smith WNPR, Sept. 17, Hartford's Wadsworth Atheneum Unveils Newly Renovated Galleries by Diane Orson The Art Newspaper, Sept. 16, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The Hartford Courant, Sept. 13, Wadsworth Atheneum Unveils Final Phase of Years - Long Renovation by Susan Dunne Fox CT, Sept. 11, The art of a reopening at the Wadsworth by Jim Altman Apollo Magazine, Sept. 5, J.P. Morgan: The Man Who Bought the World by Rachel Cohen The Art Newspaper, September 2015, Wadsworth relives Gilded Age glory days in grand reopening by Julia Halperin The New York Times, Aug. 31, The Wadsworth Atheneum in Hartford Puts Final Touches on a Comeback by Ted Loos The Independent, Aug. 28, Warhol and Mapplethorpe capture each other by Charlotte Cripps The Hartford Courant, Aug. 18, Three «Aspects of Portraiture» at Wadsworth by Susan Dunne The Hartford Courant, July 16, Vibrant Paintings of Modernist Peter Blume at Wadsworth by Susan Dunne The Boston Globe, June 30, Hank Willis Thomas's slick image masks a closed door by Sebastian Smee The Boston Globe, June 25, Bradford enters MATRIX at Wadsworth Atheneum by Sebastian Smee Hartford Courant, June 25, Artist Creates Site - Specific «Pull Painting» at Atheneum by Susan Dunne Observer, June 16, A Peek Inside Hartford's Wadsworth Atheneum as It Preps for a Grand Reopening by Alanna Martinez The Wall Street Journal, June 5, Madrid's Thyssen Offers the Dark Religiosity of Zurbarán by J.S. Marcus Art New England, May / June 2015, Reviving the Grande Dame by Susan Rand Brown Humanities, May / June 2015, The Coney Island Exhibition That Captures Its Highs and Lows by Tom Christopher The Magazine Antiques, May / June 2015, Visions of Coney Island by Robin Jaffee Frank The New York Times, April 19, An American Dreamland, From the Beginning by Sylviane Gold Artes Magazine, April 16, At Hartford's Atheneum: «Coney Island: Visions of an American Dreamland, 1861 - 2008» by Richard Friswell Hartford Courant, April 9, Sideshow Mind Game at Atheneum by Susan Dunne Hyperallergic, March 4, Two Exhibitions Examine the Art of the American Side Show by Laura C. Mallonee Republican American, March 1, Coney Island R us by Tracey O'Shaughnessy Hyperallergic, Feb. 24, Mapplethorpe's Other Man by Larissa Archer WNPR, Feb. 24, Where We Live: The Lore and Lure of Coney Island by Betsy Kaplan and John Dankosky The Boston Globe, Feb. 24, Frame by Frame: Behind «Agbota,» an artist's irony and imagination by Sebastian Smee Real Simple, March 2015, A Life in Full Antiques and the Arts Weekly, Feb. 20, Step Right Up!

Entering the Royal Academy's imposing courtyard, visitors are greeted by Windsculpture VI, a colourful fibreglass sculpture by the Nigerian - British artist Yinka Shonibare, who was also on the selection panel.

Ever — changing atmospheres, they are impacted by the barefoot visitors who enter and explore.

Upon entering the exhibition, visitors are immediately greeted by a buzzing sound emanating from speakers hung in the rafters of the museum's main gallery.

, 1976 traces Acconci's early actions and performances, including FOLLOWING PIECE (1969), in which he followed passers - by on the street until they entered private spaces — SHADOW - PLAY (1970), in which he shadowboxed with a bright light shining behind him while moving in front of a wall — OPENINGS (1970), during which a camera focuses on Acconci's stomach as he pulls out his body hair, the film ends when Acconci is hairless — SEEDBED (1972), during which he audibly masturbated for eight hours a day under a temporary floor at the Sonnabend Gallery in New York while visitors walked overhead — THE RED TAPES (1976 - 77), a three - part epic that merges video space with filmic space, evolving into complex amalgam of narrative strategies, photographic images, music and spoken language.