If he had lived longer, Louis's ga - ga play might have acquired
an entire cultural setting: Berryman's babble; Roethke's rickety rhythms... There is a cartoon quality in, for example, Para 1 of 1959, that hints at a parallel to their boozy babytalk.
Not exact matches
Based on the
setting alone, the film trips over every obvious German stereotype in the book - from the uninhibited
cultural attitudes, to the kinky sexual indulgences, to the peculiar artistic tastes, smaller automobiles, penchant for beer and Euro - trashy nightclubs, etc., etc., etc.... Beyond that, the lineup of comedic gags and sequences feels like mishmash of ideas that never seem to balance out tonally with other jokes, not the
entire dramatic side of the film.
It can be extremely daunting as a writer to consider publishing an
entire book in this
cultural climate — after all, if someone can't stay married to their spouse for more than two months (yes, we're referring to the Kardashians, who admittedly have an amazing marketing strategy
set in place.
As indeed is Germany's decentralization, unlike in the UK for instance — which is dependent on the
cultural capital of London — Germany's federal
set - up boasts influential and powerful centers spread out across the
entire country.
The term liquer d'expedition could also be used as a metaphor for Gavin Turk's
entire artistic oeuvre, which is a several decades long comment on the role of art as a kind of additive
set to fill the
cultural bottle to the top and give the final distinct flavor to it's particular time.