Sentences with phrase «entire exhibition history»

We're pleased to provide a searchable online database of grunt's entire exhibition history.

Not exact matches

For the first time in its history, the Asia Society Museum will dedicate its entire exhibition space to a single contemporary artist.

BALTIC Archive contains thousands of items and a wealth of information related to BALTIC's entire history and every changing exhibition and events programme.

The entire museum is devoted to the exhibition presenting works by Motherwell that are relatively unknown but are rising in recognition as being «crucial to his own career as well as the history of post-war painting,» according to an exhibition release.

To experience all of the work in the exhibition, one must traverse the entire museum, and that includes the half of the museum that is dedicated to natural history.

This entire exhibition is a mysterious collage of art, life and history, a vast sprawling array of fragments, a mental cabinet of curiosities that is both self - portrait and self - effacement.

The highly anticipated exhibition will fill the entire museum — galleries and outdoor spaces alike — and underscore the extraordinary range of practices, histories, and artists shaping contemporary art locally and indeed globally.

Additionally, a select chronology designed by Project Projects, featuring select highlights from the Museum's history, is presented within the exhibition, alongside a display of the entire collection of New Museum publications.

Through the exhibition and catalogue, the UB Art Galleries seeks to encourage critical reassessment of Okumura's entire oeuvre and secure her position as a dynamic and integral figure in art history.

The entire exhibition stems from an artistic reseach that brings together elements from private life and collective history.

As of 2013, New York's Museum of Modern Art had only dedicated four solo exhibitions in its main galleries to female artists in its entire history.

Although the work of Jay DeFeo has been exhibited consistently over the years, mainly on the West Coast, her inclusion in the 1995 exhibition Beat Culture and the New America: 1950 - 1965 at the Whitney redefined her significance within the history of twentieth - century American art and prompted a reexamination of her entire life's oeuvre.

This is followed by an entire room dedicated to the 1930 Burchfield exhibition at MoMA, which was the first solo artist exhibition in the museum's young history.

Its collection of 7,000 works of art, artifacts and ephemera documents nearly the entire history of the literary, artistic, military, enslaved, and free lives of Black people in America and inspires a range of exhibitions and public programs and events.

Covering the Fondation's entire top floor, complementing the two temporary exhibitions, is a selection of African works from the Collection which, through various media, explore the history and identity of the African continent and cultures, which today are essential to understanding the world's artistic landscape.

Series I: Exhibition Documentation contains exhibition documentation from the entire history of Patricia Collins» practice, from the curatorial collaboration Collins & Milazzo, through her galleries Tricia Collins Grand Salon and Tricia Collins ContempExhibition Documentation contains exhibition documentation from the entire history of Patricia Collins» practice, from the curatorial collaboration Collins & Milazzo, through her galleries Tricia Collins Grand Salon and Tricia Collins Contempexhibition documentation from the entire history of Patricia Collins» practice, from the curatorial collaboration Collins & Milazzo, through her galleries Tricia Collins Grand Salon and Tricia Collins Contemporary Art.

Occupying the entire building and, save for one loan, drawn entirely from the museum's holdings, the opening exhibition, «America Is Hard to See,» served as a kind of manifesto for the reinvented institution, bringing a fresh perspective to the collection and recasting the museum's mission as one in which the history and identity of American art would be treated as an open question.

It is the largest exhibition in the Museum's history, and will consume the entire 53,000 square feet of gallery space.

For the first time in its history, the Rubell Family Collection has dedicated its entire 45,000 - square - foot museum space to a single exhibition.

The exhibition will be the largest contemporary show in the CONTEMPORARY history of the gallery, taking over the entire five floors of the Bond Street townhouse.

This seventh volume in the ongoing documentation of Ed Ruscha's (born 1937) entire corpus of paintings covers the years 2004 to 2011, comprising 230 paintings and studies that are reproduced in color and accompanied by detailed exhibition and bibliographic histories.

Throughout its history, AAA has served its members by fostering dialogue among artists sharing common ground, by opening that dialogue to the general public through panels and catalogs, and by providing exhibition opportunities for members to show their work to diverse audiences in galleries and institutions both large and small across the entire country.

You can read and download the entire document, which provides «crucial information about the provenance, exhibition history and fate of each artwork,» in PDF form at the V&A's page about it.

«Aside from the city's history as a film center, and its pervasive car culture,» Tattersall commented, «the film, as well as the entire exhibition, is pertinent to the Los Angeles River.

Coming to the end of a yearlong exhibition, the DORA project has documented the history of two events that changed the entire outlook of 20th century: the Nazi occupation of Germany and its connections with the Space Race.

The exhibition features archival documents and select artworks to show previous exhibitions, programs and initiatives, as well as the entire collection of New Museum publications and a timeline designed by Project Projects featuring highlights from the Museum's history.

For the first time in its history, the Rubell Family Collection (RFC) has dedicated its entire 45,000 - square - foot museum space to a single exhibition.

Leaving behind the official designation «SITE Santa Fe International Biennial,» this new exhibition series, SITElines: New Perspectives on Art of the Americas, directs attention to the layers of history and culture embedded in Santa Fe, its surroundings and in relation to the entire Western Hemisphere.»