Sentences with phrase «entire exhibition program»

The VMFA Exhibition Fund supports the museum's entire exhibition program.

Not exact matches

Over the 14 - week semester, students completed at least 80 hours of service in the school and were involved in one or more arts - based projects, including team teaching arts - based lessons with a classroom teacher, running arts workshops in an afterschool program, organizing a children's art exhibition, and helping to run a Creative Arts Fun Day for the entire school community.
Vivid images from the exhibition permeate the entire volume giving visual heft to essays by Jones; Carbone; Connie H. Choi, research associate in the Arts of the Americas and Europe at the Brooklyn Museum; and Cynthia A. Young, director of the African and African Diaspora Studies Program and associate professor of English at Boston College.
Today, the MCA houses an entire floor dedicated to the MCA Collection, offering a major national resource for education and interpretative programs, as well as two floors of galleries for exhibitions.
This exhibition would set the pace and agenda for the entire program of the gallery: conceptually rigorous, fully aware of the responsibility of putting one's subjectivity in the public realm, and unafraid of actually being beautiful.
Bringing together emerging and more established artists, the exhibition occupies MoMA PS1's entire building with over 400 works by 157 artists, including programs of film and performance.
Bringing together emerging and more established artists, the exhibition occupiesvMoMA PS1's entire building with over 400 works by 157 artists, including programs of filmvand performance.
A significant aspect of the partnership program is to involve the entire student body of each partner school in annual programs that focus on a specific theme particularly relevant to children, explored in the Kidspace exhibition.
Its collection of 7,000 works of art, artifacts and ephemera documents nearly the entire history of the literary, artistic, military, enslaved, and free lives of Black people in America and inspires a range of exhibitions and public programs and events.
Its mission is to provide exhibitions and other programs that both reflect and engage the diverse audiences of the entire Contra Costa region.
This September, LA gallerist Anat Ebgi launched an unheard of exhibition program committed to featuring only female artists for an entire year: a concerted effort to correct a persistent imbalance in the art world.
The exhibition features archival documents and select artworks to show previous exhibitions, programs and initiatives, as well as the entire collection of New Museum publications and a timeline designed by Project Projects featuring highlights from the Museum's history.
Program Exhibitions / film screenings / manga library / performances / talk events / workshops / guided tours etc. — Brings together a total of approximately 120 works selected from 4,347 entries from 84 countries and regions — Presents a cross-section of contemporary artworks from diverse genres — Offers new perspectives on emerging styles of filmic expression through an extensive film program — Holds a program of approximately 40 talk events, workshops, performances etc. throughout the entire duration of the festival — Presents an experience of new cultural forms and ideas made possible by evolving tecProgram Exhibitions / film screenings / manga library / performances / talk events / workshops / guided tours etc. — Brings together a total of approximately 120 works selected from 4,347 entries from 84 countries and regions — Presents a cross-section of contemporary artworks from diverse genres — Offers new perspectives on emerging styles of filmic expression through an extensive film program — Holds a program of approximately 40 talk events, workshops, performances etc. throughout the entire duration of the festival — Presents an experience of new cultural forms and ideas made possible by evolving tecprogram — Holds a program of approximately 40 talk events, workshops, performances etc. throughout the entire duration of the festival — Presents an experience of new cultural forms and ideas made possible by evolving tecprogram of approximately 40 talk events, workshops, performances etc. throughout the entire duration of the festival — Presents an experience of new cultural forms and ideas made possible by evolving technology
This solo exhibition, an eponymous show by the Egyptian artist Hassan Khan, constituted the entire visual arts program of the Downtown Contemporary Arts Festival (D - CAF), Egypt's only international multidisciplinary contemporary arts festival.
Here is a short list for the fun of it: everything Sina Najafi and crew do at Cabinet magazine, the goings on at Mildred's Lane, the projects, journals and exhibitions by the great collective E-flux (Anton, Juliete, Brian), the entire Occupy movement, Philly's own Basekamp — in particular the Plausible Artworlds project, Charles Esche, Maria Lind, Chus Martinez, Jens Hoffmann, Ralph Rugoff, Sofia Hernandez, my ol' colleague Mark Beasly (a great curator), the experiments and levity of Joseph Del Pesco, just recently the people at Weeksville Heritage Center, the awesome constant rethinking of Kate Fowle at ICI, at times the experimental approach of Hans Ulrich Obrist (the man has so much energy), the education programs at the Walker and the Hammer, the projects of Christine Tohme at Ashkal Alwan in Beirut, the work of Fulya Erdemci and Theo Teeglaers at SKOR, the writings of Sue Bell Yank, Shannon Jackosn, Gregory Sholette, Yates McKee, Jahleh Mansoor, Boris Groys (though I don't usually agree with him), and Claire Bishop (though I don't agree often with her either, haha).
The program of Meetings on Art organized by the Biennale during the entire period of the exhibition, were well attended.
Very special thanks to: all of the artists in Queens International 2016 for their dynamic participation in this exhibition, programs, and publication; Queens Museum staff members for their unending dedication and support in various aspects of this entire project; and brave curatorial interns, engaged members of Queens Teens, as well as the devoted staff members at Immigrant Movement International.
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