Not exact matches
In many ways this is reminiscent of old Hollywood, where the big five movie studios realized they could maximize their
take by collapsing the
entire life cycle of movies under their control, including production, distribution and
exhibition.
It is curated by Mary Ceruti, Matt Freedman, and Sina Najafi, and accompanied by The Paper Sculpture Book, which contains the
entire exhibition in unassembled,
take - home form.
EXHIBITION Mark Bradford @ Hirshhorn Museum, Washington, D.C. (November 2017): Los Angeles - based artist Mark Bradford will
take full advantage of the unique cylindrical structure of the Hirshhorn Museum and Sculpture Garden in Washington, D.C., installing a suite of site - specific paintings on the second floor of the Smithsonian museum where the work will occupy the
entire circumference of the curved galleries.
Eventually building an
entire circus, the wire figures were included in several
exhibitions in the late 1920s, with his first solo show
taking place at Paris Galerie Billiet - Pierre Vorms in 1929.
Where once art
took over the
entire building, with the majestic Upper East Side mansion as their playground, these primary structures have to settle for half an
exhibition at a time, on the second floor.
Jana Gunstheimer's Mental Duels is part of a series of
exhibitions at the GEM featuring artists like Marcel Dzama and Marcel van Eeden, all of whom
take drawing as the starting point for the creation of
entire worlds.
In 1984, I organized a big
exhibition at P.S. 1 called «The New Portrait» that
took up the
entire second floor.
«Theaster Gates: True Value,» the Chicago - based artist's first
exhibition in Milan, which
takes its title from an installation featuring the
entire contents of a shuttered hardware store, was also curated by Dyangani Ose.
I broke for Rob Pruitt's exuberant (and therapeutic) «Multiple Personalities»
exhibition at Gavin Brown, which
took up the
entire block - long gallery.
Many of the artists have
taken over
entire hospital rooms for solo presentations and site specific installations, with the two main floors of the
exhibition divided in approach to human condition.
Bottom: The painting was first exhibited in the 2007 Summer
Exhibition at the Royal Academy in London,
taking up on
entire wall.
To speak more about the selection process for this show, it is also interesting to note that as we narrowed our focus there were a number of directions this
exhibition could have
taken and while it became clear that we could have, for instance, created an
entire exhibition strictly of triangular shapes in corners (with pieces by Benglis, Morris, Smithson, and Turrell, for example), we chose to mount an
exhibition where each work engages the corner in its own unique and distinctive way.
Spanning the
entire second floor of the High's Wieland Pavilion, the
exhibition will allow visitors to
take a once - in - a-lifetime journey through more than 60 years of Kusama's creative genius.
While this will be the third time Ye Linghan is exhibited at the gallery, this will be the first time the artist's work
takes over the
entire gallery space, including the main
exhibition room and the Project Room.
Taking note from Marcel Duchamp, who first utilized the found object as readymade, Broodthaers reworked its implementation and used groups of objects and even
entire exhibitions as readymades, as in Section des Figures (1972), installed by his «fake» art museum referenced above.
He was the first artist to
take over the
entire 237,000 square foot space at the Palais de Tokyo in Paris with his
exhibition Anywhere, Anywhere Out of the World which opened in October 2013.
Sasamoto
takes that shit bit to heart in her recent
exhibition at SculptureCenter, Delicate Cycle, which likens human existence to the mound of excrement a dung beetle balls up and pushes around its
entire life.
In that
exhibition, Tiravanija
took the contents of the
entire gallery — kitchen, storeroom, bathroom and office — and publicly deposited / displayed them in the main gallery space.
The
exhibition, which will span the length of Creed's 20 - year career, will
take up an
entire floor of the building, with one of the historic rooms transformed into a vegan café and another into a bar.
Fifteen years later, Obrist, now co-director of
exhibitions, has invited Tillmans to install a new solo show,
taking over the
entire gallery.
Camille Henrot at Palais de Tokyo October 18 — January 7, 2018 For the third iteration of Palais de Tokyo's «Carte Blanche» series, artist Camille Henrot will
take over the
entire exhibition space of the museum with «Days Are Dogs.»
The
exhibition featuring about 30 works from 1999 to 2017 by the German artist Axel Hütte
takes up the
entire basement level of Museum Franz Gertsch.
The
exhibition includes around 400 works and presents the
entire range of his work, from his first photographic series in black and white
taken in the «60s and «70s up to the work in color and the exploration of new artistic languages of his later years.
Taking as its foundation the thoughts within her mind, as well as imaginary occurrences and actual personal experiences, this short text by Ono spreads throughout the
entire space, and together with her glass pieces renders this an
exhibition in which we may fully appreciate Ono's outlook on the world.
The
exhibition will be the largest contemporary show in the CONTEMPORARY history of the gallery,
taking over the
entire five floors of the Bond Street townhouse.
(The inaugural
exhibition is by Paris artist Jean Michel - Othoniel whose lyrical, jewel - like glass works will
take over the
entire building.)
Kenturah has the
entire Narratives I - IV series included and on view now in a group
exhibition taking place during the Venice Biennale.
The sprawling
exhibition covered Akasegawa's
entire career, from works he made as a teenager and student, including «Carvings to
Take Away the Pain,» small wooden figurines loosely modeled on African sculpture, which the young artist carved from scrap material while suffering from a debilitating stomach ulcer, as well as examples of the manga illustrations, writings and photographs he made following his time in Hi - Red Center.
Behind HilbertRaum is a group of 14 Berlin - based artists, who
take turns curating and organizing two - week
exhibitions throughout the
entire year.
The largest museum
exhibition of Picasso's sculptures to
take place in the United States in nearly half a century, the
exhibition brings together 140 sculptures from Picasso's
entire career via loans from major public and private collections in the U.S. and abroad, including 50 sculptures coming from the Musée national Picasso - Paris.
Taking up her post in 2010 after a long and successful tenure as curator of the Henry Moore Institute in Leeds, Curtis embarked on the formidable task of overseeing the # 45 million redevelopment and rehang of the
entire gallery while at the same time staging
exhibitions such as Picasso and Modern British Art, Pre-Raphaelites, and LS Lowry.
All performances, one of which involves viewer participation, will
take place throughout the
entire duration of the
exhibition, starting before the Museum opens each day and continuing until after it closes, to allow visitors to experience the timelessness of the works.
The
exhibition takes over the
entire Renwick Gallery building and surrounding Golden Triangle neighborhood, bringing alive the maker culture and creative spirit of this cultural movement.
The
exhibition now runs until 6th September and
takes over two
entire floors of the Saatchi Gallery.